C86 Show - Indie Pop

Steve Nieve in conversation with David Eastaugh 

https://events.liveit.io/west-hampstead-arts-club/steve-nieve-kessada/

https://www.stevenieve.com/solo-albums 

Musician and composer. In a career spanning more than 40 years, Nieve has been a member of Elvis Costello's backing bands the Attractions and the Imposters, as well as Madness. He has also experienced success as a prolific session musician, featured on a wide array of other artists' recordings.

In 2003, he was inducted into the Rock and Roll Hall of Fame as a member of Elvis Costello and the Attractions.

Andy Prince  in conversation with David Eastaugh 

https://soundcloud.com/andrew-prince

https://www.youtube.com/watch?v=Dna3ykpRUyY

https://www.facebook.com/andyprincemusic/?locale=en_GB

Experienced bassist and composer Andy Prince writes and performs evocative instrumentals on the Chapman stick.
During his musical career, Andy has played bass with many well known bands and solo artists, including Sham 69, Toyah Wilcox, Damo Suzuki, Classix Nouveaux, Rikki and the Last Days of Earth, Jimmy Edwards and the Profile, Random Hold.

Maggie Holland in conversation with David Eastaugh

https://www.maggieholland.scot/

English singer and songwriter and became involved in the local folk club scene in the late 1960s. She has played in a number of bands and formed a number of collaborations with other artists, but has become well known in recent times as a solo artist and songwriter. She enjoys singing songs with meaningful words and has named her major influences as Bob Dylan, Al Stewart, Dave Evans, Leon Rosselson, Billy Bragg, Bruce Cockburn and Robb Johnson.

Michael Jung in conversation with David Eastaugh

http://www.alicedonut.com/

Alice Donut formed in 1986 after the demise of the Sea Beasts, a band at Columbia University, the name soon trimmed from the initial Alice Donut Liver Henry Moore, a play on Alice Doesn't Live Here Anymore. Ted Houghton, Tomas Antona, Dave Giffen and Tom Meltzer recruited drummer Stephen Moses and quickly found a substantial audience at CBGB. Guitarist Michael Jung soon replaced Meltzer. The band's first commercial release was the Donut Comes Alive album, released in 1988 on Jello Biafra's Alternative Tentacles label, followed in 1989 with Bucketfulls of Sickness and Horror in an Otherwise Meaningless Life.

Jason Collins/Umbrellabird in conversation with David Eastaugh

https://www.youtube.com/watch?v=Y5uCjjeIi68

The Roots of the Seers lie in two places; Bristol (obviously) and Billericay (not so obviously). Leigh Wildman grew up in Billericay and it was there he met Jason Collins, a guitarist from nearby Brentwood. They had spent some time in bands around the Essex region and they, along with a few friends, had decided to up sticks and try somewhere else. At the suggestion of one of their number, Bristol was decided upon, and a mini Essex invasion took place in the summer of 1984.

Adrian Blackmore, or Age, as he was known, had been in the second wave of Bristol’s punk scene, too young to be in bands like the Cortinas, but old enough to be won over by punk’s energy. He picked up the drums quickly and formed Lunatic Fringe with fellow Bristol Punk stalwarts Bear Hackenbush and John Finch.

The Bristol punk scene in 1984 was a more cider fuelled version of what Crass was peddling, with a very much Do it yourself vibe. Bands squatted venues like the old Beetle Centre on Stokes Croft and encouraged the squatting of disused houses, which many lived in. It was in one of these squatted houses, Turdy Way, named for the amount of dog shit in the house when it was first squatted, that the Essex invasion landed.

After a single and some tracks on a few compilation albums, Age had left Lunatic Fringe (very amicably) and started jamming with Leigh and another of the Essex invasion, Marc Hymas, in a loose knit band called Death Machine. Influenced by T-Rex and Hawkwind, they played a few gigs at the Demolition Ballroom (the name given to the squatted Beetle Centre). After a while, Marc decided he wanted to do something else and played Saxophone with Pigbag sound-a-likes Animal Magic. Leigh and Age decided they liked playing together and enlisted Jason on bass guitar and vocals. Getting more focused, and deciding to add some shared influences in the form of 60’s Garage bands they enrolled a singer, Dean Strange, with Jason providing backing vocals.