Sabrina Carpenter & the Politics of Pop Star Sexuality
This is a free preview of a paid episode. To hear more, visit www.diabolicalliespod.comIn this conversationâŠWhen Sabrina Carpenter shared the album cover for her highly anticipated seventh studio album, Manâs Best Friend, the internet suffered an algorithmic nosebleed. An extremely high-stakes cultural debate unfolded: Was the photo (and correspondingly, her entire vibe) supposed to be funny? A form of edgy political satire? Or was Carpenter cashing in on our cultural history of fetishizing domestic violence/pedophilia/womenâs suffrage/[insert infuriating clickbait term here]?In response to the foaming masses, Carpenter released a second alternative album cover â this one âapproved by God.â But the question remains: did she do something wrong to begin with? What do pop stars owe the public, anyways â and what does our seemingly eternal frustration with them say about us?References in This EpisodeItâs not technically true that Sabrina Carpenter âbecame a pop starâ in 2024. Sheâs been rising and grinding for over a decade now, moving through the Disney Industrial Complex with seemingly tireless pluck: First she starred in Girl Meets World, then she released five studio albums (casual), then she featured as âthat blonde girlâ in the Olivia Rodrigo diss track heard round the world, and then, finally, she got her big break. Well, technically two big breaks: she opened at the Eras Tour, and then she rebranded herself as a sixties, Bardot-esque character alongside the release of her sixth studio album, Short nâ Sweet. Boom. A star is born, etc. âŠbut of course, the rules of stardom are clear: you cannot become a deeply famous, deeply marketable, deeply accessible Female Pop Entity without also becoming vaguely despised by feminists and evangelicals alike. Neat! Carpenterâs first major foray into controversy happened thanks to this W Magazine photoshoot, which featured Carpenter emulating the visuals ofâŠ