The extracts from Britten’s letters and other writings are read by Dr Nicholas Clark, Librarian at Britten Pears Arts. The extracts from Curlew River are from the 1966 Decca recording directed by Britten and Viola Tunnard (with grateful thanks to Decca and Faber Music). The extracts from the English language performance of Sumida River were kindly provided by Dr Kevin Salfen from the University of the Incarnate Word, Texas. It was written by Richard Emmert, based on the play Sumidigawa by Kanze Motomasa. Shite (Madwoman) – Ōshima Kinue; Waki (Boatman) – Richard Emmert; Tsure (Traveller) – Matthew Dubroff; Kokata (Spirit of the Boy) – Miriam Dubroff; Otsuzumi – Ōkura Eitarō; Kotsuzumi – James Ferner; Nohkan – Kevin Salfen; Chorus Leader – Joyce Lim; Chorus – Members of Theatre Nohgaku and students at the University of the Incarnate Word.
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20:52
Discovery Session: A Ceremony of Carols
The musical tracks in this podcast are all from A Ceremony of Carols. The recording is performed by the National Youth Girls Choir, with Vicky Lester on harp, conducted by Esther Jones. With grateful thanks to Delphian Records for allowing us to use extracts from this recording.
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33:19
Discovery Session: Friday Afternoons
Lucy is joined by two of this year's composers - Roderick Williams and Kerry Andrew - and by Sophia Allen, our Head of Community. Tune in to find out how the Friday Afternoons songs - past and present - have reached thousands of schoolchildren, and inspired creative artists of all kind.
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33:35
Discovery Session: English Song
In this month’s podcast we celebrate the fascinating subject of song and singing. We start with Benjamin Britten, and his lifelong attachment to song – inspired to explore it in multiple ways by his partner Peter Pears’ voice, by poetry, and by the occasion he was composing for. Following his example, Britten Pears Arts has song at the very centre of its work. Lucy is joined by Dr Chris Hilton (Head of Archive and Library) and Caro Barnfield (Head of Music Programme) who discuss how song manifests in the continuing work of the organisation, from teasing out stories in the archive collections, to featuring strongly in the Britten Pears Young Artist Programme, to performances on the stage, and to serving the wider community. Lucy speaks to two further guests who have directly benefited from the remarkable song legacy of Britten Pears Arts, composer Arthur Keegan and mezzo-soprano Lotte Betts Dean. They are working together on a project based around the poetry of Thomas Hardy, a writer whose words have been passed from composer to composer over the last 100 years, continuing to find their way into song. The music extracts are performed by Lotte Betts Dean, James Girling and the Ligeti Quartet.
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28:20
The lives of William Byrd & Thomas Weelkes
In 2023 we mark the 400th anniversary of the deaths of two composers who wrote beautiful music, and who lived in extraordinary times. William Byrd (c.1540-1623) lived through a remarkably turbulent period of history, under no fewer than six monarchs. He wrote a huge amount of exquisite choral works, including Catholic masses which – depending who was on the throne – would only have been performed under conditions of secrecy. Thomas Weelkes (1576-1623) was an organist and composer, best-known for his brilliant and vivid madrigals (as well as for his somewhat chaotic lifestyle). Music Opening and ending: ‘Kyrie’ and ‘Agnus Dei’ from Byrd’s Mass for Four Voices. Performed by the Marian Consort, conducted by Rory McCleery from the album Singing in Secret (Delphian, 2020).During the podcast: Byrd’s ‘Ave verum corpus’. Performed by the Choir of Merton College, Oxford conducted by Peter Philips from the album Viri Galilaei: Favourite Anthems from Merton (Delphian, 2016).With grateful thanks to Delphian for giving us permission to use these recordings.
This is a podcast From The Red House – the former home of Benjamin Britten and Peter Pears. I’m Lucy Walker – join me, colleagues, and other guests for a monthly chat about all things Britten and Pears, but also music, culture, heritage in general – and anything else that might come up.
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