Mixology: The Mono/Stereo Mix Differences Podcast

Hello Friends! This time on show we're finally returning to the Fold-Down Chronicles, looking at a further three LPs originally issued in both mono and stereo, but with mono mixes that don't entirely deserve that title. With this in mind, today we will be covering the following albums:

The Beach Boys - Beach Boys Concert (1964)

Graham Gouldman - The Graham Gouldman Thing (1968)

Michael Nesmith presents The Wichita Train Whistle Sings (1968)

With original mono and stereo pressings and transfers in hand, we set to work understanding just how these discs were assembled in their mono presentations, as well as how the stereo mixes were approached to accommodate this. Despite the simple premise, we have a lot of fascinating things to dig into today.

I want to thank Andrew Sandoval, Andrew Pemrich, and Dae Lims for their source assistance.

Happy Listening,

Frederick

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Instagram - @hypnoticfred

Hello Friends! After enjoying my time so much with Surfer Girl last time, I felt it only natural to continue on with it's sister LP, Little Deuce Coupe. Issued a mere 3 weeks after it's predecessor, the LP contains 8 new songs, as well as 4 tracks from previous LPs (including 2 from Surfer Girl), but in my opinion it all makes for a cracker of an LP. To top it off, while the mono mix remains supreme, the stereo only continues to improve here, with some amazing mixes that are near comparable to the mono. All-in-all, a great time that is far more than a No-Go Showboat!

Happy Listening,

Frederick

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Beach Boys Sessions: Stack-o-Tracks

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Instagram - @hypnoticfred

Hello Friends! It's Beach Boys time again here on the show, as we continue to enjoy the backend of the summer down under. Somewhat inspired by the recent We Gotta Groove: The Brother Studio Years box set, this album was originally issued in mono and stereo in September 1963, and thankfully has never had any form of remix, though one track did received a mildly modified master for use as a flip side. Often regarded as one of their best recorded LPs, both mixes are a treat, but what makes each one shine in it's own unique way? It's time to find out who mixed it better - Brian Wilson or Chuck Britz!

Happy Listening,

Frederick

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Beach Boys Sessions: Stack-o-Tracks

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Instagram - @hypnoticfred

Hello Friends! It's been a long time coming, but here it is - the Mixology look at The Velvet Underground & Nico, one of the most influential discs of all time, and one of my most requested LPs to cover. I wasn't sure what to expect when going into this album. For such a rough and ready production, stereo didn't feel like it would make sense, but after spending time picking apart both the mono and stereo mixes, and comparing them intently, both really do offer up something unique. Is one better than the other? It's hard to decide. So don't Run Run Run to All Tomorrow's Parties, I'll Be Your Mirror and guide you through all the mono and stereo differences, as well as an alternate mix and single edit of All Tomorrow's Parties!

Happy Listening,

Frederick

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Instagram - @hypnoticfred

Hello Friends! Much like last year, I wanted to round out 2025 with a look back over the year that was, reflecting briefly on the wonderful albums we looked at this year, the conversations had, and what could be to come in 2026. It's been a fun year with a number of episodes I'm deeply proud of, and to top it all off, I've got a treat to round out the episode I'm extremely excited to share with you all.

Thank you everyone for listening, and I'll see you all in 2026!

Happy Listening,

Frederick

Patreon 

Email 
Instagram - @hypnoticfred 
 
The Sombreros:
 
Spotify: https://open.spotify.com/album/7rRhjtrOaTXZK1SnZ6uc5O?si=uK67-9sNSn6ksoKKMDu7qQ
Apple Music: https://music.apple.com/us/album/i-dont-care-hoochie-koochie-single/1858120709