On Swift Horses with Daniel Minahan and Mary Harron (Ep. 547)
Director Daniel Minahan discusses his new film, On Swift Horses, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses establishing the 1950s time period while avoiding tropes from other films set in the 50s, utilizing gambling as a metaphor for queerness within the film’s language, and the choreography and rehearsal that went into creating the intimacy scenes.
The film tells the story of Muriel and Lee, who leave their Kansas home to start a family and a new life in San Diego. But their plans are upended by the arrival of Lee’s brother Julius, a wayward gambler with a secret past who draws Muriel down a new and dangerous path.
See photos and a summary of this event below:
https://www.dga.org/events/2025/june2025/onswifthorses_qna_0525
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29:33
The Last Rodeo with Jon Avnet and Jason Reitman (Ep. 546)
Director Jon Avnet discusses his new film, The Last Rodeo, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses giving his Actors space to find their characters in emotionally-charged scenes, working with his Cinematographer and Editor to create captivating rodeo action scenes, and the logistics and stunt work that went into the bull riding sequences.
The film tells the story of Joe, a retired rodeo star who enters a high-stakes bull-riding competition to save his grandson. Along the way, he reconciles with his estranged daughter and proves that true courage is found in the fight for family.
See photos and a summary of this event below:
https://www.dga.org/events/2025/june2025/thelastrodeo_qna_0525
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36:11
Lilly with Rachel Feldman and Amber Sealey (Ep. 545)
Director Rachel Feldman discusses her new film, Lilly, with fellow Director Amber Sealey in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses consulting the real Lilly Ledbetter in order to find the focuses of the film, utilizing archival footage to ground the story alongside the real events, and how her own filmmaking journey aligned with Lilly’s struggles in the film.
Based on the true story of Lilly Ledbetter, the film follows a factory worker who discovers her company has been paying her half of what her male collegues receive. Seeking justice, she begins a long and historic fight for equality spanning all the way to Washington DC.
See photos and a summary of this event below:
https://www.dga.org/events/2025/july2025/lilly_qna_0525
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33:13
Deaf President Now! with Nyle DiMarco, Davis Guggenheim and Ondi Timoner (Ep. 544)
Directors Nyle DiMarco and Davis Guggenheim, accompanied by DiMarco’s interpreter Grey Van Pelt, discusses their new film, Deaf President Now!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss expressing the sensory content of the film with both a Deaf and hearing audience in mind, interviewing subjects in one-on-one dialogues to pull out individual sentiments surrounding the event, and working with a wealth of archival materials to gain an understanding of how the days of protest unfolded.
Screened as part of the DGA’s Documentary Series, the film recounts eight tumultuous days during which students from the world’s only liberal arts school serving the deaf and hard-of-hearing lead an angry protest to change the course of history. When Gallaudet University’s board of trustees appoints a hearing president who doesn’t know American Sign Language over several qualified Deaf candidates, the students take to the streets to speak out.
See photos and a summary of this event below:
https://www.dga.org/events/2025/june2025/docseries_deafpresidentnow-0525
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47:34
Sinners with Ryan Coogler and Rachel Morrison (Ep. 543)
Director Ryan Coogler discusses his new film, Sinners, with fellow Director Rachel Morrison in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses employing historical consultants to find authenticity in every niche of the film, how he collaborated with Composer and Executive Producer Ludwig Göransson to elevate the film with a distinct musicality, and how he came to the conclusion of using 70mm film to accentuate the sprawling, flat and isolating aspects of the southern setting.
In this fusion of gothic horror and 1930s Mississippi history, the film follows twins Smoke and Stack, who plan to open a new juke joint in their hometown. But as the pieces come together and their opening night begins, they find themselves confronted not only by the dangers of Jim Crow-era southern life but also a lurking undead menace.
See photos and a summary of this event below:
https://www.dga.org/events/2025/june2025/sinners_qna_0525
Brought to you by the Directors Guild of America, ”The Director’s Cut” will bring you the behind-the-scenes stories of today’s most talked about films. Each episode features a different director interviewed by one of their peers, leading to revealing conversations about the grueling, but rewarding process of bringing their films to life.
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