Fairytale of New York's full story & the imperishable genius of Steve Cropper
The boys of the NYPD choir are still singing Galway Bay, so pour yourself a measure of the Rare Old Mountain Dew and warm your toes on the following … … Steve Lillywhite (in Bali!) remembers making Fairytale Of New York and how “a fiery redhead” kicked the Chrissie Hynde duet into touch … the most recent singer-songwriter you could call “a ledge”? … records we loved in our 20s but now feel a bit embarrassing … “discipline and economy, tension and release”: the immortal twangs and tweaks of Steve Cropper and how the MGs redefined the idea of a great record … Green Onions, I Thank You by Sam & Dave and the white heat of Otis Blue’s 24-hour recording ... Tim Buckley’s Greatest Misses ... performative listening: the exquisite awkwardness of the album playback! … the link between Imogen Heap and the Hissing of Summer Lawns … Jon Bon Jovi’s version of Fairytale – “so bad they had to turn the YouTube comments off!” … plus Gram Parsons, the cult of the Blues Brothers, the Monochrome Set and a quiz from birthday guest Peter Petyt: spot the Hepworth/Ellen reviews of yesteryear! The new live version of Fairytale of New York: http://pogues.lnk.to/FONYLiveGlasgow1987 Josh Smith demonstrating Steve Cropper’s guitar parts: https://youtu.be/LJEIwggKAsg?si=29weA4tBQE6ccj1-Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
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54:20
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54:20
The Beatles versus Capitol Records and ‘the greatest marketing hype in history’
In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein’s mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band’s “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it’s the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles’ commercial fate if they’d never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan’s tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
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47:26
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47:26
The Undertones are 50! And no-one’s more amazed than Damian O’Neill
Glorious news! The Undertones, dependable symbols of eternal youth, are setting out on a 50th anniversary tour in 2026, still playing Teenage Kicks and Here Comes the Summer in their mid-60s. Damian O’Neill joined when he was 14 and can’t believe it either. He looks back here at … … their first gig in a scout hall - “Feargal was a Scout leader!” - and their second for 1,000 schoolkids at St Joseph’s in Derry … the world-wide appeal of their Irish identity and why “America never got us” … David’s memories of interviewing them for Smash Hits in 1979 the day they thought “we’re finished” ... “We were anti-pretension!” … seeing Horslips, Rory Gallagher, the Blockheads, Eddie & the Hot Rods and the Lurkers … joining the band at 14 and playing Beatles, Stones, Them, Cream and Dr Feelgood covers … parkas, Millets jeans and the Derry boot-boy look. “If you dressed up in those days you ran the risk of getting your head kicked in” … being in the band’s HQ the night Peel played Teenage Kicks twice in a row … songs about “love and lack of love” – and girls and chocolate … how it feels to be on Top Of The Pops and then watch your single go down the charts … their first visit to a studio (Wizard in Belfast) and self-producing Teenage Kicks with just an engineer – and still playing it in your mid-60s … and a heartfelt apology to the people of Blackburn! Order tickets for the Undertones 50th Anniversary tour here: https://www.ticketmaster.co.uk/the-undertones-tickets/artist/959984Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
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34:13
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34:13
Jimmy Cliff, unseen Beatles and the greatest bassline on record!
Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What’s the greatest bassline on record? … what you notice watching the new Beatles’ Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what’s “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper’s Delight … whalebone corsets, butchers’ knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder’s isolated bass on the Jackson 5’s’ I Want You Back’: https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
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1:03:41
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1:03:41
Boo Hewerdine’s funny and alarming account of real life on the road
Boo Hewerdine, beloved singer-songwriter, has been onstage for 40 years in venues of every type, shape and size. He thinks of himself as a “tradesman”, a world that’s immensely satisfying but a tough call. This very funny, poignant podcast paints a vivid picture of the best and worst of times. Which include … … playing scout huts, libraries, churches, folk clubs and the Palladium … the world’s best dressing-room (it’s in Stroud) and worst venue (Pittsburgh) … “the engine inside you that makes you want to be onstage” … places that only suit “a lute being played with a feather” … a home birthday show with no audience and the chilling lyrics of Chris Difford’s ‘Round The Houses’ … the joy of writing for commission … seeing Dr Feelgood in 1975 … what’s satisfying what gives you pause for thought … the brilliant Ballad Of Wallis Island, streaky bacon as a bookmark and the kind of Travelodge with a bottle-opener attached to the desk. All things Boo: https://boohewerdine.com / @boohewerdine ‘Things Found In Books’: https://yvonnelyon.bandcamp.com/album/things-found-in-booksHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Mark Ellen and David Hepworth have been talking about and writing about music together and individually for a collective eighty years in magazines like Smash Hits, Mojo and The Word and on radio and TV programmes like "Rock On", "Whistle Test" and VH-1.Over thirteen years ago, when working on the late magazine The Word, they began producing podcasts. Some listeners have been kind enough to say these have been very special to them. When the magazine folded in 2012 they kept the spirit of those podcasts alive in regular Word In Your Ear evenings in which they spoke to musicians and authors in front of an audience. Over these years they've produced hundreds of hours of material. As of the Current Unpleasantness of 2020, they've produced yet hundreds of hours more with a little help from guests kind enough to digitally show them around their attics such as Danny Baker, Andy Partridge, Sir Tim Rice and Mark Lewisohn. For the full span of the Word In Your Ear world, visit wiyelondon.com. Hosted on Acast. See acast.com/privacy for more information.
UK