Afropop Worldwide

Urban traditional bands from the ethnic neighborhoods of sprawling Kinshasa have emerged as a surprise world music hit around the world. Overlooked and marginalized in the complex world of Congolese pop music, groups like Konono No 1 and Kisanzi Congo are reaching the world thanks to the concerted efforts of Belgian musician and producer Vincent Kenis, the man behind the Congotronics phenomenon. This urban roots music goes back to the heady days of President Mobutu’s “authenticity” campaign in the 1970s, and to ancient, village culture before that. How that music became a hit with college age, club crawlers from London to Seattle is quite a story. And the music has a trance vibe that takes hold of you and doesn’t let go. We speak with Vincent Kenis, Mawangu Mingiedi of Konono No 1, and also a rising star in mainstream Congo pop—Felix Wazekwa. All that plus new music from the acoustic rumba revival group, Kékélé.

APWW #494
Produced by Banning Eyre

AFROPOP TRAILBLAZERS features music and stories from the one and only CHEIKH LO, the amazing Algerian singer/songwriter SOUAD MASSI, and lots more.

APWW #488
Produced by Banning Eyre

São Luís do Maranhão is one of the poorest and most ethnically diverse cities in Brazil. In this old slave port, located in the far northeast of the country, a thriving reggae scene has wielded disproportionate influence since the 1970s, based on an overarching taste for obscure roots reggae from the Jamaican countryside and vintage lover’s rock from the urban spaces of black Britain. The music spread through the local sound systems, known as radiolas, fueling a bolero-like dance style which has contributed to the construction of a unique local identity in a city now dubbed the “Brazilian Jamaica.” Produced in São Luís by David Katz, this program explores how reggae became embedded in São Luís’ consciousness, cutting across boundaries of race, class, age, gender and language.

APWW #805

The Oromo are the largest ethnic group in the Horn of Africa, but were relatively little known outside of the region until recently. This episode, “Oromo Music: Historical Memory and Competing Visions in Ethiopia” looks into the history of the Oromo people and how music became an integral part of the early Oromo nationalism movement in the 20th century.

Georges speaks with Kumera Zekarias, a PhD student in ethnomusicology who is working on an oral history project of the 1977 Oromo Cultural Showcase in Finfinne (Addis Abeba), a landmark two-day event which brought together Oromo musicians and listeners from across the diverse regions of the nation. The showcase was a statement of ethnic unity, which has since influenced how Oromo music is created, performed, and received.

Professor Marta Kuwee Kumsa covered the event as a journalist and Damsho Ali, who was the event MC, provide first-hand accounts of how this show was organized and executed. They are joined by other Oromo academics, musicians, and music fans who relate the story of this event to larger themes of colonialism, multiculturalism, and how music continues to serve as an important source of oral history and historical memory in the region.

Prtoduced by Kumera Genet
APWW #858

Johnny Clegg holds a unique place in South Africa’s musical pantheon. From his childhood immersion in Zulu culture, his mastery of Zulu language, dance and guitar playing, some 20 albums with three different bands, his tireless world touring and, finally, his brave public battle with cancer, Clegg was an inspired witness to tumultuous history in South Africa and around the world. Afropop was fortunate to conduct many interviews with the maestro and raconteur over 30 years. In this program, we sample the man’s words and music over a long shape-shifting career.

Produced by Banning Eyre
APWW #809