Like so many people at a similar time of life, the poet Paul Farley is facing up to the fact that he might need hearing aids. His wife has been asking him to turn down the volume on the telly for years, and has given up shouting downstairs for him because he never hears. Out in cafes and pubs, Paul can no longer really follow what people are saying to him, and so he often turns down invitations knowing he can’t turn up the volume. Even worse, for Paul at least, is the fact he can no longer hear the high frequencies of his beloved birdsong. Now, though, all that could change as he heads for a test at his local opticians to get his own NHS hearing aids fitted. He also speaks with Gabrielle Saunders, Professor of Audiology at the University of Manchester, about the past and future of hearing aids, and also the truth about the supposed connection between dementia and hearing loss. Paul also visits the near total silence of Salford University’s anechoic chamber so that he can hear himself think properly - and looks forward to a time when he might once again be able to listen to the birds.Presented by Paul Farley
Produced by Geoff Bird
Executive Producers: Eloise Whitmore and Jo MeekA Naked production for BBC Radio 4
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28:56
Lost In Lullabies
From Rock-a-bye Baby to Brahms to AI…Has the lullaby become a lost art?Matt Edmonds is trying to sing his child to sleep. It’s not working. As his baritone produces My Bonnie Lies Over The Ocean for the 19th time and his toddler says 'Dada, stop!’, he drifts into a parallel reality. Could AI do bedtime for him? Surely it would be simpler? And he would be spared lying on the floor of his child’s bedroom.What is a lullaby? What gives it its magic? The tune? The words? The rhythm? The very act of delivery? In this programme, we join Matt Edmonds - writer, musician and father - as he falls down a rabbit hole, chasing the lost art of the lullaby. In this dreamy, musical 'sleeper hit', Matt encounters people with stories that explore the power of the lullaby.During Lullaby Hour at a neonatal unit, Matt hears first-hand the impact live lullabies have on premature babies. He talks to Roxana Vilk, whose lullabies project gathers songs from all over the world, to see if she can help. And he meets his friends, musicians Johnny and Lillie Flynn, to hear what musical tricks they use to compose and sing lullabies. Full of fresh wisdom, Matt returns to his child’s bedside, his baritone hoarse and sleep-deprived, to test if the ancient art of the lullaby still has legs. This programme is richly designed with a soundscape woven from recordings of Matt’s own attempts at lullabies, the sounds of the locations he visits, and music from Matt, Mica Bernard, Bex Ashford and from Johnny and Lillie Flynn.Presenter: Matt Edmonds
Producer: Jenny Dare
Executive Producers: Shannon Delwiche, Chris Jones and Guy NatanelWith special thanks to Dr Aniko Deierl and Irena Meza for their contributionsA Sound & Bones production for BBC Radio 4.
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The Little Box Which Contains the World
Emily Berry leads us on an exploration of agoraphobia: a poetic journey through the lives of people who don't like going on journeys.Agoraphobia is elusive and elastic – and it's very probably not what you think it is.Poet Emily Berry was diagnosed with agoraphobia over ten years ago, a condition which limits her ability to travel. And so she's setting off in a different way: on a journey into the life of the mind, guided by a chorus of fellow agoraphobics. What does it mean to come up against the boundaries of the self and how might those limits be breached through the power of the imagination – in the words of poet Vasko Popa, "the little box which contains the world."Featuring Graham Caveney, Charlotte Levin and Peter Ruppert.Includes extracts from a BBC interview with Dr Claire Weekes.
Graham Caveney's memoir is called On Agoraphobia (Picador)
Charlotte Levin's most recent novel is If I Let You Go (Mantle)
Peter Ruppert's on-line community is anxietyfitness.com
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The Piano Boat
The Piano Boat, the floating concert hall where world-renowned concert pianist Masayuki Tayama played, sits empty. His wife, Rhiana, is left with a boat with no captain and a Steinway she was never allowed to play. We join her as she processes her grief and considers the future of The Piano Boat without Masa.Rhiana and Masa commissioned the boat in 2019 and planned to run concert cruises, on board the boat, along the inland waterways. It was a dream project for both of them – a life designed for two.But, in 2021 Masa was diagnosed with pancreatic cancer and although the chemotherapy turned his fingers numb, he relearned his technique and kept playing. In August 2023, a week after what would be their final round of cruises, Masa was hospitalized for the last time. He died two weeks later.Will Greenwood, who has seen the boat from creation to present day, journeys with Rhiana on the waterways and as she rebuilds her dreams while coping with her grief. She shares her honest audio diaries, the highs and lows. She is surprised by sorrow and joy as she starts to fill the boat with music once more. Beginning with playing Masa’s piano – something she had never done before.Craig Terry, Director of Steinway & Sons UK, tells us about the piano and meeting Rhiana and Masa for the first time. Concert Pianist and one of Masa’s former colleagues, Graham Caskey, and music academic, Kris Worsley, talk on the intimacy of The Piano Boat, and show us how the pieces we hear don’t need words to tell a story.Presented by Will Greenwood
Produced by Will Greenwood and Anna Scott-Brown
An Overtone production for BBC Radio 4
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Problems with Julia Masli
There are so many problems in the world. For the past three years, Estonian clown Julia Masli - armed with a microphone taped to a mannequin leg - has been trying to solve them.So far, during the performances of her live show ha ha ha ha ha ha ha, where Julia asks audience members their problem, she has recorded 1574 problems. A few people feel homesick, some worry about the collapse of society, and many lament their retreating hairlines. But we are not alone with our problems: Janet is not the only one with a broken fridge. Simon shares his back pain. Alexandra might feel lonely, but Aisha does too. This clown might not be able to solve all of our problems, but she’s going to try. Photo: Cameron Whitman
Original music composed by Alessio Festuccia
Produced by Talia Augustidis and Julia Masli
Dramaturgy by Kim Noble (director of ha ha ha ha ha ha ha)
Executive producers Alan Hall and Eleanor McDowall
A Falling Tree production for BBC Radio 4
Illuminated is BBC Radio 4's home for creative and surprising one-off documentaries that shed light on hidden worlds.Welcome to a place of audio beauty and joy, with emotion and human experience at its heart. The programmes you will find in this feed explore the reality of contemporary Britain and the world, venturing into its weirdest and most wonderful aspects. This is a chance to meet voices that are not normally heard, open secret doors into concealed chambers and, above all, be transported by the art and inventiveness of the very best programme makers. Just press the switch.New episodes are available weekly on Sunday evenings. Subscribe on BBC Sounds to make sure you don't miss an episode.