Illuminated

What does Christmas Day mean to you? This raw, kaleidoscopic audio portrait, made up entirely from voice notes recordings, tracks the emotional contours of the day as it unfolds. Through midnight churchgoing and moments of quiet reflection to frenetic gift-giving, culinary chaos and karaoke, the programme evokes and questions our own multifarious experiences of what Christmas Day ‘means’. Variously boozy, silly, sad, excited, warm, lonely, deeply spiritual and endearingly humanistic – the contributions chart a cross section of modern Britain, encompassing heartfelt-stories, accidental field recordings, impromptu songs and audio diary entries. With special thanks to all those who recorded their Christmas Day for us in 2024. Original music and sound design by James Bonney. Producer: James Bonney Mix: Mike Woolley Executive Producer: Olivia Humphreys An Overcoat Media production for BBC Radio 4

In 1939, Emma Freud's mother Jill was evacuated from London to the suburbs of Oxford. After staying with Lewis Carroll's friends the Butler sisters for a few years, she arrived at her next designated accommodation clutching a small suitcase and a copy of her favourite book, The Screwtape Letters by CS Lewis. It was just a few weeks later, after she spotted several copies of that book on a shelf, that she realised she was actually living with CS Lewis himself.In this telling of Jill's fascinating story, Emma hears all about her mother's love for CS Lewis, known to her as Jack. How she cared for him, how he paid for her to go to drama school and how a big, old, wooden wardrobe became part of her story...Illustrated with readings from The Lion, the Witch and the Wardrobe, Emma captures these precious memories as she sits down with her mum to hear her magical story.Readings of The Lion, the Witch and the Wardrobe by Olivia Williams. Other readings by Richard Gibson.Presenter: Emma Freud Producer: Elizabeth FosterThe Lion, the Witch and the Wardrobe by CS Lewis © copyright 1950 CS Lewis Pte Ltd.Lady Jill Freud, April 1927-November 2025.

Like so many people at a similar time of life, the poet Paul Farley is facing up to the fact that he might need hearing aids. His wife has been asking him to turn down the volume on the telly for years, and has given up shouting downstairs for him because he never hears. Out in cafes and pubs, Paul can no longer really follow what people are saying to him, and so he often turns down invitations knowing he can’t turn up the volume. Even worse, for Paul at least, is the fact he can no longer hear the high frequencies of his beloved birdsong. Now, though, all that could change as he heads for a test at his local opticians to get his own NHS hearing aids fitted. He also speaks with Gabrielle Saunders, Professor of Audiology at the University of Manchester, about the past and future of hearing aids, and also the truth about the supposed connection between dementia and hearing loss. Paul also visits the near total silence of Salford University’s anechoic chamber so that he can hear himself think properly - and looks forward to a time when he might once again be able to listen to the birds.Presented by Paul Farley Produced by Geoff Bird Executive Producers: Eloise Whitmore and Jo MeekA Naked production for BBC Radio 4

From Rock-a-bye Baby to Brahms to AI…Has the lullaby become a lost art?Matt Edmonds is trying to sing his child to sleep. It’s not working. As his baritone produces My Bonnie Lies Over The Ocean for the 19th time and his toddler says 'Dada, stop!’, he drifts into a parallel reality. Could AI do bedtime for him? Surely it would be simpler? And he would be spared lying on the floor of his child’s bedroom.What is a lullaby? What gives it its magic? The tune? The words? The rhythm? The very act of delivery? In this programme, we join Matt Edmonds - writer, musician and father - as he falls down a rabbit hole, chasing the lost art of the lullaby. In this dreamy, musical 'sleeper hit', Matt encounters people with stories that explore the power of the lullaby.During Lullaby Hour at a neonatal unit, Matt hears first-hand the impact live lullabies have on premature babies. He talks to Roxana Vilk, whose lullabies project gathers songs from all over the world, to see if she can help. And he meets his friends, musicians Johnny and Lillie Flynn, to hear what musical tricks they use to compose and sing lullabies. Full of fresh wisdom, Matt returns to his child’s bedside, his baritone hoarse and sleep-deprived, to test if the ancient art of the lullaby still has legs. This programme is richly designed with a soundscape woven from recordings of Matt’s own attempts at lullabies, the sounds of the locations he visits, and music from Matt, Mica Bernard, Bex Ashford and from Johnny and Lillie Flynn.Presenter: Matt Edmonds Producer: Jenny Dare Executive Producers: Shannon Delwiche, Chris Jones and Guy NatanelWith special thanks to Dr Aniko Deierl and Irena Meza for their contributionsA Sound & Bones production for BBC Radio 4.

Emily Berry leads us on an exploration of agoraphobia: a poetic journey through the lives of people who don't like going on journeys.Agoraphobia is elusive and elastic – and it's very probably not what you think it is.Poet Emily Berry was diagnosed with agoraphobia over ten years ago, a condition which limits her ability to travel. And so she's setting off in a different way: on a journey into the life of the mind, guided by a chorus of fellow agoraphobics. What does it mean to come up against the boundaries of the self and how might those limits be breached through the power of the imagination – in the words of poet Vasko Popa, "the little box which contains the world."Featuring Graham Caveney, Charlotte Levin and Peter Ruppert.Includes extracts from a BBC interview with Dr Claire Weekes. Graham Caveney's memoir is called On Agoraphobia (Picador) Charlotte Levin's most recent novel is If I Let You Go (Mantle) Peter Ruppert's on-line community is anxietyfitness.com