Illuminated

• Problems with Julia Masli

  There are so many problems in the world. For the past three years, Estonian clown Julia Masli - armed with a microphone taped to a mannequin leg - has been trying to solve them.So far, during the performances of her live show ha ha ha ha ha ha ha, where Julia asks audience members their problem, she has recorded 1574 problems. A few people feel homesick, some worry about the collapse of society, and many lament their retreating hairlines. But we are not alone with our problems: Janet is not the only one with a broken fridge. Simon shares his back pain. Alexandra might feel lonely, but Aisha does too. This clown might not be able to solve all of our problems, but she’s going to try. Photo: Cameron Whitman Original music composed by Alessio Festuccia Produced by Talia Augustidis and Julia Masli Dramaturgy by Kim Noble (director of ha ha ha ha ha ha ha) Executive producers Alan Hall and Eleanor McDowall A Falling Tree production for BBC Radio 4

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• The Findhorn Garden

  This is a story about a community on the north east coast of Scotland that talked to plants with miraculous results.Established in 1962, the Findhorn community gained international recognition for 40lb cabbages, 8-foot delphiniums, and roses that bloomed in snow.With seemingly no gardening experience, community founders Peter and Eileen Caddy and their friend Dorothy Maclean transformed the barren sand dunes surrounding the 30-foot caravan they were living in, into a modern-day garden of Eden.The public wanted to know how this was possible. What was the source of this horticultural miracle? People flocked to Findhorn from around the world to witness this incredible transformation first-hand.An extraordinary story began to emerge. Peter, Eileen and Dorothy - along with Scottish writer and supernatural enthusiast Robert Ogilvie Crombie (ROC) - attributed their success to one thing: collaboration with the ‘intelligence of nature’.They claimed they had pierced the veil of the nature spirit realm, and were regularly receiving guidance from fairies, floral spirits and angelic forms Dorothy called 'Devas' - the ‘architects’ of the natural world. Moreover, they had been called upon by these entities to transform the Findhorn Garden into a centre of spiritual light. What started with a single family in a caravan quickly grew into a thriving international village of hundreds of people united by shared social, spiritual and ecological values.Inspired by the media's enduring fascination with Findhorn's supernatural origins, sound designer Jonathan Webb travels to Findhorn in search of transmissions from the nature spirit realm.Trawling through the archives, in conversation with community elders, and in pursuit of sonic traces of higher elemental worlds, Jonathan brings into focus the echoes and reverberations of Findhorn’s strange and magical past.Produced, Edited & Sound Designed by Jonathan Webb Executive Producer: Carys WallA Bespoken Media Scotland production for BBC Radio 4Additional field recordings by Brenda Hutchinson.With grateful thanks to Jonathan Caddy, Judy McAllister and Karl Jay-Lewin, whose kindness and generosity made this programme possible.Thank you to the Findhorn Foundation for providing access and permission to use recordings from the Findhorn Foundation archive.The Findhorn Garden includes excerpts from ‘The River’ by Lark Batteau and ‘Love One Another’ by David Spangler and Milenko Matanovic, performing as The New Troubadours (Findhorn community band, 1970-1973)Jonathan Webb makes no claim to authorship or ownership over any of the quotations or repurposed recordings used in the production of this work, and for practical and artistic reasons it has not been possible to reference and cite them individually. Jonathan Webb’s authorship is in the overall conception, arrangement, treatment and presentation of this audio artwork in its context.

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• Returned to Sender

  Clint Buffington spends his time where land meets sea, searching for a very specific treasure - messages in bottles that have drifted across oceans. Over the past 20 years he has recovered more than 140 of them, each carrying a clue - sometimes decades old - waiting to be discovered.Finding a bottle is only the beginning. The real mystery unfolds when Clint carefully extracts the fragile paper in his Utah home lab. He first teases out the faint, salt-blurred words, deciphering a message damaged by years at sea. Only then does Clint begin tracking down the person who sent it, often many years after they let it go. Each investigation is part detective work, part conversation across time.The messages reveal remarkable journeys - a German sailor who cast a note into the Bermuda Triangle on his birthday in 1979, three French women who paddled across the Atlantic to set a world record, Puerto Rican students at a crossroads, even a pair of tiny dolls wrapped in a spell.Join Clint on his search and the unexpected revelations it sparks - a reminder that across vast distances and years at sea, the quest for human connection is timeless. A Sound & Bones production for BBC Radio 4

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• Peanuts at 75

  On the 75th anniversary of the iconic comic strip Peanuts, psychoanalyst and author Josh Cohen shares how Charlie Brown and the Snoopy gang have become his constant companions—and how they can help us navigate the frustrating squiggle of life.Charles Schultz’s daily newspaper comic strip is perhaps the most enduring, beloved and iconic cartoon ever penned. Even if you’ve never read the strip itself, you are unlikely to have escaped its famous characters’ journeys across the decades and the globe. The round-headed, wobbly mouthed Charlie Brown and his dog Snoopy, often found snoozing atop his kennel, have been emblazoned across t shirts, crockery and pretty much every other conceivable piece of merchandise. They have inspired TV shows, pop songs, and even been the namesakes of Apollo lunar modules. Far from just a bunch of cutesy doodles, as many have come to see it, Peanuts’ cross-generational appeal is down to its spot-on depiction of the complex emotions that follow us all from childhood into adulthood. From Charlie Brown’s humiliation on the baseball field to his frenemy Lucy’s unrequited pining for her piano-playing crush, and her brother Linus’ desperate attachment to his security blanket, the strip reflects the everyday pain and frustration of being human. And, with warmth and wit, offers its readers a way to live with it. In fact, Peanuts deals so much in the intense emotional experiences of its young protagonists that one of its most recognisable recurring gags is Lucy’s booth offering ‘PSYCHIATRIC HELP 5¢’.Stepping out from behind his analytic couch and taking a seat at its cartoon simulacrum in that famous booth, Josh unpacks the psychological truths illustrated in the comic’s four main characters - Charlie Brown, Lucy, Linus and Snoopy. Hooked by a copy of Peanuts Jubilee aged five, they were his contemporaries. Today, after 50 years of avid reading, he’s on the other side of the two-way channel between childhood and adulthood that Peanuts opens up. He investigates the emotional pull of the comic for him and for so many of us - including the other writers and thinkers we hear from who share his passion. Presenter and Writer: Josh Cohen Producer: Heather Dempsey Executive Producer: Samantha Psyk Editor: Kirsten Lass A Loftus Media production for BBC Radio 4

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• Driving, Driving, Driving on the Autobahn

  Alan Dein takes to the road to explore the social and cultural resonances of Kraftwerk’s Autobahn. The music begins the way journeys begin: with a clunking car door and churning ignition, before rolling onwards on a warm rhythmic throb - a 23-minute conceptual road-trip of swerves and curves, gentle gradients and blaring horns, tarmac-rumbling rhythms and doppler-shift effects that simulate the sensory whoosh of passing vehicles.Kraftwerk's lyrical paean to the possibilities of freedom via the German motorway system is fifty years old. It was released in late 1974 and became popular worldwide in 1975. These were years in which a new West Germany was being created, one in which a more overt reckoning with history was possible, and in which a new characteristically German culture could be asserted, free from -- and implicitly in opposition to -- that history: new art, writing, cinema, and, with Kraftwerk, among others, music.The autobahn wasn't an innocent choice of subject for Kraftwerk. It connected them back to the 1930s, when the autobahn system was begun and became an integral part of the infrastructure of the Third Reich. After the war it became a symbol of the West German 'economic miracle'. Beginning in darkness, the autobahn could be conceived as a road that drove towards progress and optimism.'Wir fahren, fahren, fahren auf der autobahn': 'We’re driving, driving, driving on the autobahn.' Alan Dein is on the autobahn as well – driving, driving, driving – in Kraftwerk’s wake, and tuned in to the cultural world of West Germany in the 1970s.Featuring: Berthold Franke, cultural historian Daniel Miller, musician and founder of Mute records Emil Schult, artist and sometime member of KraftwerkWith grateful thanks to Dietmar Post and Uwe Schutte.Photograph shows Emil Schult and Alan Dein. Behind them is Schult's painting, used as the original cover of Kraftwerk's Autobahn album.

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