The Questlove Show

This Questlove Show mini “mailbag” episode features Ahmir responding to listener questions about underappreciated (and groundbreaking) Philly Hip-Hop group The Goats, his creative process and wild story behind crafting the music-driven opening montage for the SNL 50 documentary, and a deep-dive on The Jacksons’ This Place Hotel (Heartbreak Hotel), including why he sees Michael Jackson as an early influence on Gangsta Rap themes, and reveals he made his own private mix of The Jacksons' Triumph. You can submit questions by direct messaging on IG and Facebook, or through the contact-us portal at QuestloveSupreme.com.
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Electric bass visionary MonoNeon joins Questlove to trace his journey from Memphis church kid and second-generation musician to Prince’s last-hired bassist and a viral internet force. He breaks down his flipped right-handed bass technique, neon-soaked persona, and Dada-inspired art mindset, plus the albums that shaped him. MonoNeon and Quest' dig into his speech-to-music videos, collaborations with George Clinton and Mac Miller, the lessons he took from Paisley Park, and how embracing “mistakes” and self-doubt became the engine of his ultimate goal: total musical freedom.
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On this episode of The Questlove Show, Questlove sits down with Colin Kaepernick live on stage at Web Summit in Qatar for a focused (but abbreviated) conversation about discipline, courage, and purpose. Kaepernick walks through his morning training routine, reflects on his childhood and early athletic ambitions, and examines the influences that shaped his evolution into activism. He speaks about the ongoing work of Know Your Rights Camp, including its response to recent events, and shares how his Lumi platform is designed to expand student engagement, literacy, and AI fluency. The conversation captures where his journey stands a decade after he stepped fully into public activism.
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In this Classic episode of Questlove Supreme, you will hear about the state of Black television, the lifecycle of a script and working on shows like Master of None and The Chi.

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In a bonus clip from James Alexander’s two-part conversation, he recalls witnessing The O'Jays and The Temptations go toe-to-toe musically on stage in Cleveland in December 1967. That showdown—shared amid Alexander’s reflections on Otis Redding’s final days—led into a previously unreleased account of how his band, The Bar-Kays, developed a rivalry with Larry Blackmon's Cameo—a situation rooted in showmanship and cash. Steel sharpens steel...
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