[School of Movies 2025]
A sequel where the plot is hugely influenced by one of the original cast members playing hardball for a higher fee and getting left off the project should not be this great, and yet here we are. Likewise, the whole first act being set in the (then) faraway future of 2015 was almost entirely only there to fulfil promises from the end of the first film (even if Marty and Jennifer being in the timeline twice actually doesn't even make sense). How is it still wonderful?
A second film that utilises time travel to go back to the first from a new angle in such a singular and unique fashion that any subsequent occurrence is shorthand "doing a Back to the Future II", this also presents us with a nightmare dark alternate timeline where a gaudy, dangerous moron becomes so powerful that he pretty much ruins America. Thankfully none of us have to live in THAT reality.
Most of all though, of the three films this is the most lively, taking the form of a time-hopping adventure and allowing the two amazing leads to play off each other and the wildly up-for-it support cast, aging and de-aging across sixty changing years of Hill Valley.
Guest: Jesse Ferguson @TheDapperDM from the Recorded Tomorrow Podcast
Those early Digital Gonzo shows can be found on the School of Movies Archive podcast feed. They are rough as hell, amateur hour on my part and each barely breaks the sixty minute mark. The best bits of all of them are featured at the end of each of these three new shows. Many thanks to my vintage guests, James Batchelor and Nikki Taylor.
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2:47:26
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2:47:26
Back to the Future
[School of Movies 2025]
Teenager from 1985 accidentally winds up in 1955 and meets his parents as teenagers, endangering his very existence. Bob Zemekis and Bob Gale made time travel immense and exhilarating, yet fun, intimate and personal, wisely choosing to focus (in a way that was rare at the time) on the everyboy hero's family relationships. And to illustrate quite how the alchemy of casting and crew was so key, they got several weeks into the original shoot with a completely different actor for Marty McFly. Things only finally clicked into place when Eric Stoltz exited the project and Michael J. Fox entered the scene, simultaneously filming day-shoots of the sit-com Family Ties.
Three of the greatest movies ever made, and perennial occupants of my most beloved top spots, Back to the Future, both as a trilogy, and as a stand-alone film is so close to perfect that it can be rounded up to perfect with minimal argument. It has been fifteen years since I first recorded a show on each of these, and more than any other previous show, they were in desperate need of a revisit.
Guest: Jesse Ferguson @TheDapperDM from the Recorded Tomorrow Podcast
Those early Digital Gonzo shows can be found on the School of Movies Archive podcast feed. They are rough as hell, amateur hour on my part and each barely breaks the sixty minute mark. The best bits of all of them are featured at the end of each of these three new shows. Many thanks to my vintage guests, Nikki Taylor and Giles Thomas
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2:45:03
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2:45:03
Falling Down
[School of Movies 2025]
This is a commissioned episode for our hardworking Pez-loving Discord moderator Mike Hasko. It's a relic from 1993, a period just after the Cold War and not too long before the War on Terror, and the focus is on a middle-aged, white, American, divorced, straight, cis, male office-worker who one boiling hot Los Angeles morning decides that he has had enough.
The man known throughout most of the movie by his personalised license plate as D-FENS (played with vigour by Michael Douglas in this memorable and divisive Joel Schumacher joint) steps out of the car he leaves stuck in traffic, walks across a city that is not designed for pedestrian travel, and clashes with everyone who gets in his way.
The creative team are really trying to have their cake and eat it by making the protagonist also the antagonist and how much they succeed or fail is very much down to the perception of the viewer. Pull up a breakfast 'Whomelette' and an ice-cold, aggressively-priced can of Coca Cola and we shall guide you through this eventful day.
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2:22:31
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2:22:31
Dead Talents Society
[School of Movies 2025]
In an unprecedented show-type for us, what we have here began life as an After School Club commission by Tylor Long. Before it could be released it got upgraded to become a full Main Event show after this wonderful, darkly-funny, warm-hearted ghost story got included in our Discord Halloween watch-along.
The premise is familiarly bureaucratic, and simple enough for little kids to understand; In the afterlife ghosts must work to scare the living in order to be remembered. The results are what feels like the Taiwanese Beetlejuice, utilising the trappings of horror movies without ever actually being scary. It also seems to have a hell of a lot of things to say about the attention economy in a world where MrBeast is the highest aspirational figure for so many young people. What Dead Talents Society hints at is that there's so much more to existence than just being talked about by strangers.
Released straight to streaming in 2024, this movie is ironically virtually unseen and unheard of, but you should absolutely listen to this show and track this film down. It's going right at the top of our films of the year list.
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1:48:15
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1:48:15
The Crow
[School of Movies 2025]
Several years ago, Sharon and I recorded an After School Club on this 1994 film, the botched production of which took the life of its young star Brandon Lee. We were scathing and derisory, having never much liked it (and the awful DVD transfer did it no favours) whilst expressing contempt for director Alex Proyas (I, Robot, Knowing, Gods of Egypt).
But this time (actually a year ago on its 30th anniversary) with Willow in tow, in conjunction with watching the appalling remake, we finally took in the 1080p blu ray, and I subsequently brought it to my editing bench to see if I could file off the sharp, jagged corners that bothered us so much and shape it into something worthier of the last screen appearance of the son of Bruce Lee.
And wouldn't you know it... now we LOVE The Crow.
Super in-depth analysis of movies (and occasionally TV, and video games). Hosted by veteran podcasters Alex & Sharon Shaw with different guests for round-table chats every week.
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