The Beatles: Note By Note

What happens when an underground Twin Cities hip hop veteran picks the softest song on Beatles for Sale as his favorite track on the album?On this episode we bring in our old friend Alexei, known as Crescent Moon from Kill the Vultures and Mixed Blood Majority, to talk about why I’ll Follow the Sun hits him so hard. We get into his path from early Minneapolis hip hop crews to folk duos busking Dylan style, and how that journey opened the door to the Beatles.We cover:- The wild origin of the song, written by Paul at 16 while sick at home- The stripped down “bedroom pop” feel of the Beatles’ recording, complete with Ringo drumming on his knees- Bad covers of the song- A cursed 7-Up slogan during the "Uncola" campaignWebsite: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

What if Paul’s gentle breakup song is secretly in the wrong key?In this lecture Kenyon takes I’ll Follow The Sun apart piece by piece, starting with the lyrics and their roots in an earlier Paul song, I’ll Be On My Way. We look at rain and sun as more than mood words. Rain can stand in for Liverpool and Britain, the sun for a brighter, maybe more exotic future, and the relationship sits right in the middle of that tension.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

In this episode of our Beatles podcast, we invite music critic and musician Giggens into the room to help us pick apart why this cover still hits like a shot of adrenaline. Let's take Rock and Roll Music and make it Beatles. We kick off with our usual on-mic chaos, then settle into the fun stuff: how we frame a song, what we listen for, and why John’s full-throttle vocal changes the game. Along the way we test the line between rock and roll and rock, talk pacing and sequencing on Beatles For Sale, read period liner notes out loud, and let Giggens weigh the musician brain against the critic brain. It is playful, fast, and very us. No spoiler-y deep dives, just the energy of a barn burner, a few ridiculous jokes, and an honest, punchy verdict at the end. If you like hearing passionate people argue about what makes a performance work, this one’s for you.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

This week on our Beatles podcast, we cover “Baby’s in Black”, not just a normal track on Beatles for Sale. It’s a doorway. Peter and Kenyon step through it and bring listeners along, mixing storytime with close listening and a lot of spirited back-and-forth. They trace a line from early Hamburg nights and an art-school circle to a song that feels old and new at the same time, then dig into why that mood fits this moment in the album. You’ll hear them puzzle out who carries the tune when two voices move as one, why this waltz feel hits differently, and how a few studio choices shaped what we now hear. If you like episodes where the conversation changes how the song lands, this one’s for you. Come for the harmonies, stay for the way longing and loss thread through the whole thing.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

In this session on “Baby’s in Black,” Kenyon treats the song as both language and architecture. The lesson begins with the title and first line, tracing how color words shape meaning and mood, then tests competing readings of grief, longing, and the implied triangle in the lyric. From there, we map the form into three functional sections, compare the blended vocal lines to ask where the “main” melody actually lives, and situate the waltz-like feel within compound meter. Harmony is handled as design rather than trivia, highlighting the familiar movement of the outer sections and the brief middle turn that refreshes the tonal space without leaving home. We also profile the arrangement choice that makes this recording singular: the bent-and-slid guitar figures that frame the track and color the solo. Throughout, the aim is precision: how phrasing, interval choice, and form combine to make a small song carry big emotional weight. Hosted on Acast. See acast.com/privacy for more information.