Trve. Cvlt. Pop!

It's time for us to have a look at some of the stinkiest music ever made and continue our search for the nadir of the album in Trve. Crvp. Pop!
On this episode Steve and Sam take a look at the much maligned 8th studio album from thrash metal legends Megadeth; Risk, released on the 6th of September 1999.
Oh Risk, what are you playing at?! Whilst a lot of the thrash bands from the 80's struggled as soon as Nirvana came into the view of the horizon in the 1990's, Megadeth did a decent enough job of staying relevant for a while. 1992's Countdown to Extinction and 1994's Youthanasia were both a success, and whilst 1997's Cryptic Writings didn't fare quite so well in the newly nu metalled up landscape of heavy music, it had a big radio hit, Trust, on it to keep them ticking over. Megadeth saw for themselves just how things were going to be as they played the Ozzfest in 1998 and Woodstock in 1999, getting a chance to witness Korn, Limp Bizkit, System of a Down, Kid Rock, Sevendust, Snot, Coal Chamber, Godsmack and the rest at their peak. So they knew what to do with this information right? Yeah, make a radio friendly hard rock/electro pop mash up that sounded a bit like Savage Garden and Bon Jovi... wait... what...?
It flopped, the band left their label, split up a few years later and, were it not for a phoenix like return, this may have been one of the final abiding memories of Megadeth as a band. But, come on, is it that bad really?

Hello mates, welcome to the 200th episode of Trve. Cvlt. Pop! you should know that it is a music podcast by now.
On this week's show we are joined by Cameron Humphrey of fast rising UK alt-metal crew Love is Noise to celebrate the news that they have new music coming... we can't say much more than that, with Cam delivering us a road trip playlist. that veers from classic, old school hard rock to modern UK hip hop and basically everything in between.

Welcome back to another episode of Trve. Cvlt. Pop! it's all about music basically.
On this week's show Merlin Alderslade joins us once again, to give, and be given, a little education on an artist that he loves, and one he has never heard before, in what might be a new podcast idea. Merl gives Steve the 2006 album Random Album Title by Canadian house producer Deadmau5, whilst Steve responds by giving Merl his first listen to German electro pioneers Kraftwerk's underrated 1986 album Techno Pop (or Electric Cafe if you're going to go with its original title.) In the process they find plenty of similarities, and muse on the evolution of electronic music as well.
There's also reviews of new music from Emma Ruth Rundle, No Cure, Foaming Mouth, Dexy's Midnight Runners, Diljit Donsanjh and Mykki Blanco.

Hello and welcome to another look at the world of musical movies with Trve. Cvlt. Fvlm!
On this episode Steve looks at the new documentary/concert film Oasis: Don't Look Back in Anger, the story of the massive Oasis reunion and subsequent world dominating tour that followed their return.
Directed by Will Lovelace and Dylan Southern, famous for their documentary work with Blur, LCD Soundsystem and the New York garage rock documentary Meet Me in the Bathroom, the film follows Oasis around the world, showing the reaction from fans, the rebuilding of the relationship between the Gallagher brothers and some truly breathtaking live footage from the concerts.

Hello and welcome back to another episode of Trve. Cvlt. Pop! a podcast for your music needs.
On this week's show Steve is joined by Jimi and Dazz from the Bangers & Mosh Podcast to talk about the sad news that we lost Andy Williams, wrestling star and former guitarist of Buffalo, New York hardcore band Every Time I Die, at the all too young age of 48 last week.
As a tribute to him, we look at the incredible career of his band with a beginners guide to ETID. Formed in 1998, Every Time I Die released nine studio albums that straddled the line between pure metallic hardcore, Southern rock, melodic post-hardcore, groove metal and much much more until they abruptly split in 2022. They may not be the biggest band, but theirs is a back catalogue of rare quality, here we present the album to start with, the underrated classic, the album to avoid (if such a thing exists) and namecheck our own personal favourite live shows by the band.