The XS Noize Podcast

Tim Wheeler joins Mark Millar on the XS Noize Podcast to discuss Ash's landmark debut album 1977, its 30th Anniversary Edition, "Girl From Mars," "Goldfinger," Owen Morris, young fame, Northern Ireland and taking the album back out on the road.
Originally released in 1996, 1977 turned Ash from teenage upstarts from Downpatrick into one of the defining guitar bands of the era. Featuring "Girl From Mars," "Goldfinger," "Kung Fu," "Oh Yeah," "Angel Interceptor" and "Lose Control," the album captured a young band moving at full speed — melodic, noisy, chaotic and full of life.
In this conversation, Tim reflects on what it feels like to see 1977 turn 30, why the album still belongs to both the band and the fans, and how Ash managed to stay together when so many bands from that era did not.
Tim also looks back on working with producer Owen Morris, who brought energy, chaos and confidence to the sessions. He talks about recording "Kung Fu," "Angel Interceptor," "Girl From Mars" and "Goldfinger," how Owen pushed the band in the studio, and why "Goldfinger" became such a major step forward for Ash as songwriters.
The episode also explores the new 30th Anniversary Edition of 1977, including the B-sides, the long-lost track "Bittersweet Blue," the band's live STABAL performance, and why the B-sides from that era might be the strangest Ash album of all.
Elsewhere, Tim opens up about the pressure of becoming successful at 19, having a number one album, appearing on Top of the Pops, touring the world, and trying to deal with the mental and emotional weight of dreams coming true while everything was moving too fast.
Tim also discusses the Northern Irish identity in Ash's music, the humour, melancholy and resilience that helped carry the band through, the emotional pull of playing Belfast, and why the 1977 anniversary tour feels like a celebration rather than simple nostalgia.
At its heart, this episode is about youth, friendship, pressure, survival, guitar music, and a record that became a coming-of-age story for both Ash and their fans.
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Tony Visconti joins Mark Millar on the XS Noize Podcast to discuss David Bowie, Marc Bolan, T. Rex, Thin Lizzy, Phil Lynott, Blackstar, Scary Monsters, Holy Holy and the art of producing timeless records.
Best known as one of the most celebrated producers in music history, Tony played on Bowie's early records and went on to produce some of the most important albums of David Bowie's career. He also worked closely with Marc Bolan and T. Rex, worked on classic Thin Lizzy records, and remains a vital part of Bowie's musical legacy through Holy Holy.
In this conversation, Tony discusses Holy Holy's Final Tour – A Celebration of Bowie. He reflects on keeping Bowie's music alive on stage, why he still practises bass every day at 82, and what performing gives him that producing doesn't.
Tony also opens up about the craft of production — what a great producer gives an artist, how he listens to a song in its earliest form, and why vocal performance is so important. He shares a brilliant story about Bowie recording "Where Are We Now?" in one take, and explains how they kept the surprise return of Bowie's music completely secret.
The conversation also explores Tony's long creative relationship with Bowie, from The Man Who Sold The World and Heathen to Blackstar and Scary Monsters. Tony discusses Bowie's voice, his constant reinvention, the secrecy around his later recordings, the creative vitality of Blackstar, and why Scary Monsters became his favourite Bowie album to work on.
Elsewhere, Tony looks back on Marc Bolan and T. Rex, explaining the difference between Bolan's fast, instinctive studio approach and Bowie's more meticulous creative process. He also shares memories of working with Thin Lizzy and Phil Lynott, describing Phil's presence in the studio, his bass playing, and the brotherhood within the band.
Tony also talks about the Bowie archive, Glenn Gregory singing Bowie without impersonating him, what younger artists should understand beyond Bowie's image and fashion, and what it means for Holy Holy to keep Bowie's music alive with love.
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Rosa Walton joins Mark Millar on the XS Noize Podcast to discuss her debut solo album, Tell Me It's A Dream, out now via Transgressive Records.
Best known as one half of Let's Eat Grandma alongside Jenny Hollingworth, Rosa steps into a bold new chapter with her most personal and expansive work to date — a record full of light, colour, open skies, friendship, dreams and emotional honesty.
In this conversation, Rosa talks about why Tell Me It's A Dream did not feel like a solo project made to prove a point, but rather a natural space to explore songs that did not quite fit inside Let's Eat Grandma.
She reflects on making music outside the band, developing a different vocal style, writing constantly, and how the album became a world of its own.
Rosa also discusses working with Sam E Yamaha, recording in Wales at StudiOwz, and co-producing the album with David Wrench, whose long creative relationship with Rosa helped make the process feel safe, open and freeing.
The conversation also explores songs including "Sorry Anyway," "Prettier Things," "Heart To Heartbreak" and "Halfway Round The World," as well as Jenny Hollingworth appearing as Jenny On Holiday on "Prettier Things."
Elsewhere, Rosa reflects on the huge life of "I Really Want To Stay At Your House" from Cyberpunk 2077, why the song's success felt disorientating, and how she separated that moment from the guitar-led world of Tell Me It's A Dream.
As Rosa says in the episode, if Tell Me It's A Dream was a place, it would be a vast, freeing, dreamlike landscape in the sky — with ice cream.
Listen to episode #290 of the XS Noize Podcast with Rosa Walton.

Belfast rock duo Dea Matrona join Mark Millar on the XS Noize Podcast to discuss their second album, Hate That I Care — a bold, more personal and self-assured new chapter for Mollie McGinn and Orláith Forsythe.
Written, recorded and produced entirely by the band, Hate That I Care finds Dea Matrona leaning further into alt-rock while exploring vulnerability, identity, pressure, friendship, self-production and the feeling of not fitting neatly into other people's expectations.
In this conversation, Mollie and Orláith look back on what they learned from their debut album, For Your Sins, how that record helped them understand who Dea Matrona were, and why Hate That I Care feels like the album where they are now telling people who they really are.
They discuss the title track, which Mollie describes as being written to herself, the exhaustion of masking emotions, and how the album became a way of processing difficult feelings through songwriting.
The conversation also explores "My Own Party" and the powerful line "always feeling like an outsider at my own party," the heavier emotional world of "John Doe," the deeply personal story behind "Aisling," and the moment "Magic Spell" helped unlock the direction of the record.
Mollie and Orláith also talk about producing the album themselves, writing and finishing music while on tour, their creative partnership, the early school-day rivalry that turned into a band, and how they continue to push each other as writers, musicians and producers.
They also reflect on Dea Matrona's journey from busking in Belfast to playing Reading and Leeds, Electric Picnic and Rock Werchter, touring with The Beaches, and preparing to join Sting on tour across Europe.
As Orláith says near the end of the conversation: "For Your Sins was introducing who we are, and Hate That I Care is telling you who we are."
Listen to episode #289 of the XS Noize Podcast with Dea Matrona.

Danny McNamara from Embrace joins Mark Millar on the XS Noize Podcast to discuss the band's new album Avalanche, 30 years of Embrace, and why he feels more inspired now than ever.
In this conversation, Danny reflects on the band's landmark debut The Good Will Out, the huge comeback with Out Of Nothing, and why new music — not nostalgia — is still what drives him.
Danny also talks about the life lesson running through Avalanche: life doesn't wait for you to be ready. He discusses marriage, fatherhood, learning to live in the moment, and how those changes have reshaped his songwriting.
Elsewhere, Danny opens up about songs including "Road To Nowhere," "Up In Your Feelings," "Pure O," "Get Out Of My Own Way" and "Coming Home," as well as his creative relationship with his brother Richard McNamara, the stories Embrace fans share with him, and why this chapter feels like a beginning rather than a look back.
Listen to episode #288 of the XS Noize Podcast with Danny McNamara from Embrace.