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Art of the Cut

Steve Hullfish, ACE
Art of the Cut
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  • FRANKENSTEIN
    Today, we’re talking to Evan Schiff, ACE about editing Guillermo del Toro’s Frankenstein which is available now on Netflix.Evan’s feature editing career includes Nobody, Southside With You, John Wick Chapter 2 AND Chapter 3, and Birds of Prey, among others.Today: A discussion of the importance of editing speed while collaborating, the advantage of having the time for many screenings, and how being a “sound-aware editor” can shape the story.If you'd like to read along with this interview and see exclusive photos and a timeline screenshot, visit the BorisFX.com blog site at:borisfx.com/blog/aotc
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  • BUGONIA
    Today on Art of the Cut, we’re talking with Yorgos Mavropsaridis, ACE, the editor of Yorgos Lanthimos’ latest film, Bugonia.Yorgos has been on Art of the Cut before for Poor Things and for The Favourite for which he was nominated for an Oscar and a BAFTA, and won an ACE Eddie. He was also an ACE Eddie nominee for The Lobster. In addition he edited The Killing of a Sacred Deer among over 100 other international film credits. Today’s discussion is about a 30 year career collaborating with the same director, understanding the philosophical aspects of editing, and how to collaborate with the film’s … audience.If you'd like to read along with this interview and see exclusive photos and clips and trailers, please visit the BorisFX blog site.borisfx.com/blog/aotc
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  • A HOUSE OF DYNAMITE
    Today on Art of the Cut we talk with multi-Oscar winning editor Kirk Baxter, ACE about editing Oscar-winning director, Kathryn Bigelow’s film, A House of Dynamite, now playing on Netflix.Kirk’s been on Art of the Cut before to discuss Gone Girl, Mank, and The Killer and the TV series, Mindhunter. His other films include The Girl with the Dragon Tattoo, Social Network, The Curious Case of Benjamin Button, and Zodiac.Today’s discussion is about the traits of a good editor, the advantages of cutting a movie linearly, and the sensitive nature of the editing room.You can read along with this podcast and see clips and exclusive photos and timeline screenshots at BorisFX's blog site: borisfx.com/blog/aotc
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  • TRON ARES
    Today on Art of the Cut we talk with Tyler Nelson, ACE, about editing Tron Ares.Tyler’s been on Art of the Cut before numerous times including for his editing of The Batman, Creed III, and Mindhunter. He’s also been an editor on Love, Death and Robots and Shadow and Bone.Today’s discussion includes a discussion of the use of previs, building rip-o-matics with Shot Deck, and juggling the power of a score by Nine Inch Nails with incredible sound design.If you want to read along with this podcast you can visit BorisFX's blog site to see timeline screenshots, exclusive photos and more.borisfx.com/blog/aotc
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  • HIGHEST 2 LOWEST
    Today on Art of the Cut we speak with Oscar-nominated editor Barry Alexander Brown, ACE about editing Spike Lee’s latest film, Highest 2 Lowest.Barry’s been on Art of the Cut before to discuss editing BlacKkKlansman, for which he was nominated for an Oscar and an ACE Eddie. He was also nominated for an Oscar for The War at Home, a documentary he co-directed. His other films with Spike include sound design on She’s Gotta Have It, and editing on School Daze, Do the Right Thing, Malcolm X, Crooklyn, He Got Game, and Summer of Sam, among others. Barry’s also directed several feature films including The Who's Tommy:, the Amazing Journey, and Lonely in America.If you want to, you can read along with this podcast on BorisFX's blog site. borisfx.com/blog/aotc
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Conversations with Film, TV, and Documentary editors.
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