Today on Art of the Cut we’re speaking with editor ElÃsabet Ronaldsdóttir, ACE, and first assistant editor, Matt Absher about editing Nobody 2.Elisabet has been on Art of the Cut before for Atomic Blonde, Shang Chi and the Legend of the 10 Rings, Bullet Train, and The Fall Guy. Elisabet has also edited Love Hurts, Kate, Deadpool 2, and John Wick.Matt was on Art of the Cut with Elisabet for The Fall Guy. He was first assistant editor with Elisabet on all the aforementioned productions and has also been a first assistant editor on Us and Nope.This week’s episode features an in-depth discussion of how to cut two movies at the same time, how the assistant director is the captain of the ship, and why Elisabet got a co-producer credit.If you want to read along with this interview with clips, trailers and photos, go to the BorisFX blog site:borisfx.com/blog/aotc
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39:29
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39:29
WEAPONS
Today on Art of the Cut we speak with Joe Murphy about editing the new Zach Cregger movie, Weapons.We last spoke to Joe and director Zach Cregger about their last collaboration, Barbarian. Joe’s other editing work includes features like Swallow, Don’t Come Back from the Moon and Beach Rats. His TV episodic work includes A Friend of the Family.This week’s episode features an in-depth discussion of how to maximize a jump scare, the benefits of working with the director on multiple projects, and the value of NOT temp scoring the movie.If you want to read along with the podcast, you can do it at the BorisFX blog! borisfx.com/blog/aotc
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31:59
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31:59
HACKS
Today on Art of the Cut I’m speaking with Emmy-nominated editor, Susan Vaill, ACE, who’s joined by her assistant editor, Stephanie Goldstein to discuss editing the HBO series, Hacks.  Susan edited 70 episodes of Grey’s Anatomy and also directed three episodes. She won an ACE Eddie for editing Hacks, and this is her second Emmy nomination for the show. She’s also edited Abbott Elementary, The Time Traveler’s Wife, Space Force, and This is Us.Stephanie has been an assistant editor on Gotham, Brooklyn 9-9, and Single Parents. She was bumped up to the editor’s chair on that show for 2 episodes.On this episode, we talk about how an editor transitions to directing, understanding the process of notes and revisions, and - since this episode of Hacks is nominatead for an EMmy, how do you judge editing?
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THE STUDIO
Today on Art of the Cut, Eric Kissack, ACE is here to discuss his Emmy-nominated editing on Seth Rogen’s TV series, The Studio.In addition to his Emmy nod for The Studio, Eric’s been nominated for three ACE Eddies and an Emmy for The Good Place, and an Emmy for Veep, among lots of other films and TV series.In this episode, Eric discusses the difficulties of editing a show that’s supposed to basically look like a oner for every scene, the fear of not being the funniest guy in the cutting room, and being on-set to essentially edit LIVE.You can read along with this podcast and see great exclusive images, trailers and more at borisfx.com/blog/aotc.
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38:25
THE PENGUIN
Today on Art of the Cut, we’re in conversation with the Emmy-nominated editors of The Penguin. They are (in order of their nominated episodes) Henk van Eeghen, ACE, Meg Reticker, and Andy Keir.Henk has been on Art of the Cut before for The Morning Show. Henk has won two Emmys and an ACE Eddie. His other past work includes the TV series Lost, Watchmen, and Fargo.Meg has been nominated for five Emmy Awards and won an ACE Eddie - and was nominated for another, mostly for her work on 30 Rock. Her other work includes Tulsa King, Perry Mason, and American Rust.Andy was nominated for ACE Eddies for two shows in 2009, winning for True Blood. His other work includes the TV series, Your Friends & Neighbors and Warrior, and the feature, Roger Dodger.In this episode, discover the way perspective changes the edit, how to organize to allow deep notes from the showrunner, and keys to regulating tone with a minimum of music.If you want to read along with this interview and see trailers clips and exclusive images, visit the BorisFX blog site at:borisfx.com/blog/aotc
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