24 episodes
- This playlist is 73% vinyl friendly. Not bad.
The ‘cack handed’ HMV 1507 portable radiogram. When from? It’s old.
An online post from nearly two decades ago… ‘… came across this rather strange record player, though quite admirably I resisted buying it! The casing is a bit weird in that the lid seems to cover the entire thing rather than sitting on a bottom half. Then a closer look at the record deck itself made me wrinkle the noble brow in surprise. The pickup arm rests at 90 degrees to the usual resting place. It looks almost back to front! Unfortunately it didn’t have a maker’s or model name, so unless someone can identify it and leave a comment then it will have to remain a mystery for another ten years or so… ‘
And then a decade later, the answer… ‘Your cack handed record player is an HMV 1507 portable radiogram. The type C cartridges almost never work when found now. It’s a cack handed design alright. The radio part is a transformerless AC/DC design but the record deck motor is AC only.
Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here.
Lyric of Playlist 153
Gil… by a mile!
00.00
(Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info.
00.41
NEW ORDER – World (The Price Of Love) (Perfecto Mix) * – 12″ – London – 1993
Nineties house music legend and a fave remixer of the band, Paul ‘Perfecto’ Oakenfold adding some clout and drive to an already sparkling song that, if I’m honest, didn’t in its era always transfer successfully to a live setting.
Some of what was floating Oakenfold’s DJ’ing boat back in the day. DJ mag article, 15.10.94
06.51
BESERK IN A HAYFIELD – Club Paris – Cold Waves Of Color Volume 3, v/artists LP – Color Disc – 2016
‘Packaged in a fancy pants paper cut
Whoever Beserk In A Hatfield was/is, their mid ’80s output has regularly featured on re-activated label, Color Disc’s compilations… and they’ll be back here.
10.03
CHRISTIAN PROMMER (feat JUSTINE HOERWARTH) – Tryin’ Times – Rhythmique Nocturne, 2LP – Compost – 2026
Tryin’ Times? Ain’t they just!
Maybe not a stream of consciousness in the vocals/lyrics department, at times they’re on more like a bit of a languid ramble… up against busying keyboards that occasionally remind me of Keith Jarrett… but it works! Classy Prommer over some ‘transparent splatter’ vinyl, with a ‘silver particles print’, to boot.
15.24
WATER FROM YOUR EYES – Nights In Armor – It’s A Beautiful Place, LP – Matador – 2025
That’ll be tears then. A duo out of Brooklyn, New York with more motif biziness and on exclusive ‘Clear Blue Smoke’ (with a signed 12″x12″ print, 500 copies) or ‘Coke Bottle Green’ vinyl.
18.34
LA RISSA – Surrender – Download only – 2026
Still with duos but from Brooklyn to Bradford, and never has ‘I wanted to knock your fucking lights out… ‘ sounded so dark wave pop.
22.45
BLONDSHELL – Heart Has To Work So Hard – Download only – 2026
Vocalist, Sabrina Teitelbaum is for some unclear reason doing her best to physically show us her heart on the accompanying promo shot (upcoming Violins album cover?) and I get the feeling her sound is possibly influenced by a bunch of bands in the ’90’s and noughties that passed me by. Could be wrong.
25.53
CABARET VOLTAIRE – Just Fascination (live) – But What Time Is It Really? LP – MemeTune – 2026
Given that the whole album was ‘Recorded on the UK tour Oct-Nov 2025’ and I was at four of the six dates, there’s a 66% chance I was at this performance and that of each of the other tracks. And as it stands right now, I’ll be at the last three of their last ever gigs come October 2026.
An iconic and groundbreaking band bowing out, forty four years after I first saw them, below in 1982.
29.46
A CERTAIN RATIO – And Then Again (Flight 12″ version) – 12″ b-side – Factory – 1980
Simon Topping’s vocal on any ACR is such an era capturing moment for me. I can nearly feel the people, ‘sense’ the places etc I knew then. Thanks to the band’s gigography it seems though this track is not one I heard them play live in the times (including the above) I saw them before Topping’s departure in late ’82.
32.14
LONELADY – The Catcher – Former Things, LP – Warp – 2021
Julie! New music, if you please! Best, Dec.
36.29
THE DURUTTI COLUMN – Liars – Renascent, LP – London – 2026
Vini Reilly’s first album in fifteen years… and with maybe more lyrics on this track than on his entire back catalogue! Good to have him back.
40.13
BROKEN SPINDLES – Induction – Fulfilled / Complete, LP – Saddle Creek – 2004
A 180g vinyl album maybe before they became all the rage? Dunno, I lose track of time. Anyway, Broken Spindles was one Joel Peterson and the many layers Fulfilled / Complete was the second of six album sized projects he/it/they released in the noughties. I often wonder what peeps do when they stop making music… and I always hope it’s ‘keep being artistic’
43.01
RAE & CHRISTIAN with TEXAS Vs THE WORKS – Hush (The Works Remix) – Grand Central Vs The Works-The Soul Sessions Vol-1, download only – ?? – 2026
The ‘Texas’ being wholly that band’s driver Charleen Spiteri, and here with a tad more motion/movement/swing than the original beaut. Hush is still lush.
46.51
GIL SCOTT-HERON (with PRETTY PURDIE and THE PLAYBOYS) – 7″ – The Revolution Will Not Be Televised – Flying Dutchman – 1971
Boy, would he have something to say if he were still alive.
49.50
SHY FX & KINGH – La Prima (B-side) – Download only – 2026
With a third of the utuuuube views that the dub-step’y and longer version has attained in the two months since release but this funkier take is the proper version.
51.16
DOROTHY ASHBY – Soul Vibrations * – 7″ – Cadet – 1968
In her time, a jazz harpist of some standing, with both the album (1968’s Afro-Harping) this cinematic feel track leads off and the single itself now costing serious money in their original form.
54.24
PATRICK COWLEY (feat PEGGY GIBBONS) – Ice Age – Hard Ware, 2LP – Dark Entries – 2025
Whether Ms Gibbons sounding a lot like Donna Summer was a coincidence or Cowley ideally would have liked the latter to get involved on this simple plodder I’ll never know but at least he got to later remix I Feel Love.
01.00.27
SHEILA CHANDRA – Satyam, Shivam, Sundaram – The Struggle, LP – Indiepop – 1985
After her Monsoon ‘Ever So Lonely’ days but she was still crossing over.
01.05.09
JAZZ THE GLASS – MeMorY PalacE – Download only – 2026
Dunbar in the area! Averaging a 41 Rooms appearance roughly every ten shows but in case there’s any suggestion of nepotism, with a whole bunch of tunes I haven’t played.
01.08.12
JC-001 – All My Children (Mother’s P-Phunk Mix) (41 Rooms – edit) * – 12″ – Anxious – 1993
A massive 41 Rooms edit to be honest… and if I was ever to have carried on DJ’ing, I’d have maybe opened any set with the a cappella of ‘All my children now… ‘ An idea to others? You’re welcome.
01.11.39
SIOUXSIE and THE BANSHEES – Happy House – 7″ – Polydor – 1980
Siouxsie once said of this, the band’s second top 20 hit: “It is sarcastic. In a way, like television, all the media, it is like adverts, the perfect family whereas it is more common that husbands beat their wives. There are mental families really but the projection is everyone smiling, blond hair, sunshine, eating butter without being fat and everyone perfect“.
01.15.03
EYELESS IN GAZA – (Across The) Pulse Of The Rain – Mania Sour, CD only – Ambivalent Scale – 2014
Often performed live in early EIG gigs but it took thirty plus years for them to lay down a studio version… and apologies for the slightly brutal intro I edited.
01.17.25
THE SOUND – Unwritten Law (Mike Read session, BBC Radio 1, Oct 1980) – The BBC Recordings, 2CD only – Renascent – 2004
Those BBC sessions – produced in just a few hours – very often turned up superior versions and though I’d possibly be outvoted on this, with more edge in the production and presence in the vocal I prefer this take to the one on their debut album, Jeopardy.
01.21.00
MISTY IN ROOTS – Wise & Foolish (John Peel Session) – The John Peel Sessions, CD only – Strange Fruit – 1995
For me, they were absolutely flying in their earliest (1979-1980) JP sessions, with Wise… being from the third of the nine they did for the great man.
01.25.49
MOUTH – Voyage To The Bottom Of The Sea – Voyage To The Bottom Of The Sea, 12″ EP – Emotional Rescue – 2016
Released thirty five years late(r) but added here to their only ever releases (2 singles)… and that’s definitely Mark Stewart ranting in there at the end.
01.32.24
BLACK UHURU (feat MICHAEL ROZE) – Party – 7″ – Ajang – 2000
A tough reworking of the band’s Party Next Door from 1983.
01.35.43
LADY BLACKBIRD vs CROOKED MAN – When The Game Is Played On You – Crooked Spirituals 12″ EP – Foundation – 2025
The power of electronics – in this case Sheffield-based Richard Barratt – reeeeally adding to a great vocal.
01.41.09
CARON WHEELER – In Our Love (Club Remix) – 12″ – EMI Records USA – 1992
One of a number of tunes she released after her Soul II Soul days proving she was making some top tunes post Jazzie B.
01.44.58
MARXMAN – Theme From Marxman – 33 Revolutions Per Minute, LP – Talkin’ Loud – 1993
‘Marxist Hip Hop group, formed 1989 in London. Consisting of Bristol MC’s Hollis Byrne (H) and Stephen Brown (MC Phase) and Oisin Lunny and DJ K One from Ireland‘. – Discogs
Were they the first hip hop act to play on the ‘revolutions per minute’ thing?
01.48.11
TALKING HEADS – Take Me To The River – 2×7″ – Sire – 1978
David Byrne sounding in less of a hurry to get to the water than Al Green on the original.
01.52.58
SOUL II SOUL – Back To Life (Club Mix) * – 12″ – Ten Records – 1989
Just a couple of tunes along, Caron Wheeler returns with the song she’ll always be remembered for.
Show 154 will be with you Aug 2.
Dec x
The post Post Punk Plus Podcast Playlist 153 – Original upload 5.7.26 appeared first on 41Rooms. - This playlist is 87% vinyl friendly. Impressive.
Döhmann Helix One MK III Turntable with Vacuum Hold-Down
Previewing at The 2026 AXPONA Show, I’m not sure whether the $150,000 price tag included the Wilson Benesch Graviton Ti arm, Tessellate Diamond cartridge, Supatrac Nighthawk 12** arm with DS Audio Grandmaster EX cartridge, analog front end feeding the ARC Ref 10 phono (or DS Audio TB-100 tube equalizer), the new ARC Ref 20 preamp, ARC Ref 330 mono amps, Wilson Audio XVX loudspeakers, cables from Transparent and the Olympus Ultra racks from Critical Mass Systems… or not.
Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here.
Lyric of Playlist 152
Sad Alex!
00.00
(Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info.
00.41
NEW ORDER – The Village (Kilkenny Rose Hill Hotel, 24.4.83) – Power Corruption and Lies, Definitive Edition – Warner Music – 2020
It gets off to a slightly shaky start at what was a legendary night in early years New Order history, with Barney and Hooky acting as a modern day comedy double act for the evening.
The onstage antics were definitely inspired by seeing the hotel’s flyer in the afternoon… and I don’t remember Liam turning up.
Me on photos duty, none of which I would have remembered until Steve Morris sent me photos I’d taken this night… with my writing on the back… followed by the above Movement Definitive Edition then including the video. I remember the afternoon soundcheck chat and Ozzy leaving the mixing desk mid gig and standing next to me but the things you forget…
05.03
PAUL HAIG – Trip Out The Rider – 7″ – Impotent Fury – 2010
‘Packaged in a fancy pants paper cut sleeve that is hand screen-printed, foil embossed and limited to 500 copies. Rumoured to be the first of six vinyl releases… ‘ – Discogs
His albums surface only very occasionally these days and any teaser singles even less so. This 7″ – driving with the zest of his early years – appears to have been the most recent but he’s a ‘signature’ voice we should hear more of.
07.41
LINES OF SILENCE – Lines In Opposition (Radio Edit) – Lines In Opposition, LP – Sprechen – 2026
These sleeves aren’t getting any easier to look at. An experimental krautrock band (Can? Neu?… ) out of Todmorden, UK – ‘a hotbed of UFO activity and home to the UK’s highest ever beach‘ – and I slightly cheated the vinyl thing here, as the Radio Edit is only downloadable, with the full version on the just released vinyl album. Should have gone with the latter.
11.12
SILICON VALLEY – X-Cell – Cold Waves Of Color Volume 3, v/artists LP – Color Disc – 2016
Whoever they were/are, they seem to have only released six singular tracks over a period of forty two years(!) * and on Color Disc label, v/artist albums only. A side hustle, the SV releases are not.
* Makes Got-Ta-Scatta look prolific.
15.09
CLOCK DVA – 4 Hours (7″ Version) – 7″ – Fetish – 1981
Adi Newton is a voice that sits you up but they’d had a bucket load of self and semi released material before I tuned in with the Thirst album that includes this their debut 7″.
18.59
THE EVENT GROUP – Approach Work (Pt B) – Approach Work, self released, cassette only – ? – 1983
For any kids picking up on this, the voice you hear here is of England cricketing legend of yesteryear, Freddie Truman, also featured on the main Approach Work track already playlisted on 41 Rooms and the cassette’s cover, obviously, where he nearly looks like he’s got his ever present pipe on the go. And as for the church bells on the track… maybe adding to the image of a village green setting? Search out the band’s Feb ’82 Riverside TV appearance at some point. An entertaining watch at the time and another release for me to upload (the images anyway) to Discogs at some point, maybe.
25.11
UT – Evangelist – Split 7″ – Blast First – 1989
Yep, also the lead track from the 1987 album, In Gut’s House but I’ve gone for the, split with Dinosaur Jr., 7″ and as mentioned before here at 41 Rooms, a band I’ve grown to like more now than I maybe did back then. Cheers for the 41 Rooms iD snippet, Nina!
Supporting The Fall, Bedford Boys Club, 1.10.83
Photo credit: Dec Hickey
27.57
YOUNG MARBLE GIANTS – Include Me Out – Colossal Youth, LP – Rough Trade – 1980
In YMG world this is them nearly rocking out!
29.50
KAREN MARKS – Cold Café – 7″ – Astor – 1980
Out of Australia and her only release at the time but the price tag the single has acquired through the years since (one of a few on this show), brought about a 2019 EP of tracks also recorded back in the day. Definitely an ‘indie’ sound.
32.42
DEENA WEBSTER – Scarborough Fair – 7″ – Parlophone – 1968
A folk standard I seem to remember hearing fairly regularly when I was young, so in one guise or another it must have cropped up on the radio and TV, though I never had the urge to buy it until I heard Deena’s version in more recent years and though she maintained the tempo of the song’s more traditional singers it’s everything backing her wasting no time in getting ‘busy’ that helps this version get my vote. ‘Bustling folk’, so let’s hear it for Deena and her arranger…
“I chose none of the singles (from the album Is Tuesdays Child) apart from Scarborough Fair.” The track was one of the first arrangements for another artist by Barbara Moore. She was best known for her work as a singer with The Ladybirds and, when she arrived at the studio, many of the musicians thought that she’d come to help with backing vocals. She remembers that when she got onto the rostrum to conduct,
the baton “it fell out of my sweaty little palm and ended up on the bass drum – that relaxed the whole atmosphere”. At the end of the session, Moore received a standing ovation from the 60 string and
horn players present. – Record Collector/Ian Shirley, #424, Jan 2014 edit
35.38
AL STEWART – Turn Into Earth – 7″ b-side – Decca – 1966
The flip may from Stewart’s debut release and his vocal ‘swagger’ makes this a rarity, in that it’s the only time I can think of where I’ve preferred a Yardbirds song performed by others… not that there are many of those.
38.29
MASSIVE ATTACK – Angel (Live) – Stream only – 2006
Performed as part of UK Channel 4’s first season of Live from Abbey Road series, with the Bristol band and Horace Andy managing to give the track even more gravitas and tension than on the its studio recording. No small feat.
43.15
CALLERS – Bloodless Ties – Life Of Love, LP – Western Vinyl – 2010
Sara Lucas’ vocal is just sublime, even if that bass guitar keeps hitting a note that I DO NOT LIKE.
47.39
PLATON DAVYDOV (feat OLEG KIRILKOV) – Sadness * – Stream only? – 2019
Violins…
49.02
MARTYN BATES – I’ll Wrap Your Hopes – Letters To A Scattered Family, LP – Integrity – 1990
Poetry, with a rippling outro.
53.01
FINK – Memorise Your Senses – The City Is Coming To Erase It All, LP – R’COUP’D – 2026
It took this his ninth album for me to have even heard of him, so I might have to rewind on him.
56.41
BÔA – Duvet – 7″ – Cinema-Kan – 2018
Or bôa… and on listening to the 1998 debut album, The Race Of A Thousand Camels, that first included this song, a band even at that point sounding like they might have been fighting to be two bands? I’d never heard of them until this track recently bumped into me but you then do a bit of a dig and Duvet has 43million Youtube hits… so you have to do a bigger dig. Here they sound not unlike The Sundays but that bigger dig explains some of the above.
01.00.00
RENAISSANCE – Back Home Once Again – 7″ – Warner Brothers – 1977
And what were the chances? Looking for something to follow Boa’s Duvet I decided on this 1977 single from Renaissance, a ‘prog folk’ band who for a couple of years in the late ’70s I had a real liking for. It turns out that Bôa’s drummer, Lee Sullivan is the son of Renaissance’s former drummer, Terry Sullivan. Who’d have thunk, eh?
01.03.03
HANNE HUKKELBERG – Do As I Do – Little Things, LP – Leaf – 2005
Promo’d (albeit as a CD only) as the single off the album at the time, so this was the ‘teaser’ – and it’s easy to see why. Cute!
01.06.39
08/15 – 1000 Gelbe Tennisbälle – 7″ – Sterbt Alle – 2025
If you had thoughts of releasing music on the subject of 1000 yellow tennis balls then someone’s beaten you to it. A 300 run re-release of their 1981 and only single.
01.11.25
COLDCUT – Beats + Pieces (Mo’ Bass Remix) – 12″ – Ahead Of Our Time – 1987
With a nod to Steinski, they were ahead of most of the others.
01.17.15
RAE & CHRISTIAN – Check The Technique (feat Tony D, Jazzy Jeff and Agent 86) (edit) – Mercury Rising, 2LP – LateNightTales – 2013
Minus the wonderful Veba’s vocals but with Mark Rae’s hip hop credentials they still produce.
01.21.10
THE JUJU ORCHESTRA – What Is Hip (Mo’ Horizons Hipstyle) – 12″ – Remixes – Agogo Records – 2006
TC (RIP) spending some time in the studio with the youngsters.
01.26.55
SAD ALEX – Ice Ice Baby (But You Have Anxiety) – Stream only – 2025
The only way Vanilla Ice was going to get on 41 Rooms was via som break borrowing… and songwriter Alex Saad has done just that.
01.28.59
SIMPLE MINDS – King Is White And In The Crowd – 12″ b-side – Virgin – 1982
Thankfully still here holding on to their futurist feel, even if the sound is housed in a contender for Worst Record Sleeve of all time. So, you’re only get the reverse… and that’s bad enough.
01.34.27
WAMDUE PROJECT – King Of My Castle (Original Version) * – 12″ – Eruption – 1998
More kings! Unusual for a dance track with nothing special in the vocals department to chart mainstream but this did just that. Maybe some intrigue and charm in the ‘Must be the reason why I’m king of my castle‘ lyric as it chugs along? Sometimes there’s just no knowing…
01.39.04
JOHNNY MAESTRO & THE CRESTS – I’m Stepping Out Of The Picture – 7″ – Scepter Records – 1965
If there’s a world in music I won’t stop finding ‘new’ gems it’s the rare/northern etc soul scene. I heard this gritty and restrained-in-equal-measures brassy belter for the first time only recently, via Beth Arzy (Jetstream Pony and others) capturing herself in front of a DJ spinning this tune.
Re-released a couple of times in the intervening years, I won’t though be getting an original copy any time soon, as that could be anywhere between $800 and for a promo copy, $1700!
01.41.17
JIMMY RUFFIN – It’s Wonderful (To Be Loved By You) – 7″ – Tamla Motown – 1970
Motown still in their prime in these years and come the mid-late 70s I had the grand notion of collecting every UK Motown single between TMG 501 and TMG 801… but I soon gave up the ghost, though this one made it into the fold.
01.43.58
McFADDEN & WHITEHEAD – Ain’t No Stoppin’ Us Now * – 12″ – Philadelphia Int – 1979
Reminds me of Bedfordshire clubs of the time, and footballing mates and girlfriends and not a care in the world.
01.49.53
THE TYRREL CORPORATION – Going Home (Original Mix) * – 12″ – Cooltempo – 1992
Had three or four biggish tunes that gave them an identity of sorts.
Not sure why great train robber, Buster Edwards is here but this was a 15.8.92 ad, most probably in Record Mirror.
01.55.08
NEW ORDER (Again!) – World In Motion (1990 No Alla Violenza Mix) * – 12″ – Factory – 1990
It’s World Cup time again! So, for only the second time (I think) in 41 Rooms’ history it’s New Order twice in one show – and the last time was Show 1! With a break in there nicked from somewhere I can’t quite grasp and Barney’s vocal deservedly getting some real breathing space here in between the Italo piano, will it do the job for us footie fans this time around? Who’d be an England fan, eh? If we’re still in the mix by show 153 we’re doing OK.
Show 153 will be alive July 5.
Dec x
The post Post Punk Plus Podcast Playlist 152 – Original upload 7.6.26 appeared first on 41Rooms. - This playlist is 73% vinyl friendly. Not bad.
From 2016, the TechDas Air Force One Premium turntable might well have been aimed initially at the present user of said plane, if features like vacuum clamping, pneumatic bearings, the Disc suction system and an impressive Wow & Flutter ratio of 0.03% (WRMS) were his or her thing and depending on the spec required it retailed at between $140,000 and $152,000. You read that right.
Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here.
Lyric of Playlist 151
Nearly as good as captured cinematically. A busy day in the life of Joni.
00.00
(Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info.
00.41
NEW ORDER – Sunrise (Writing Session Recording) – Low-Life, Definitive Edition box set – Warner Music – 2023
Yep, slower than the version most will know – either from the album or when played live, or indeed the equally vocal-less ‘Rough Mix’ take the band generously gave me for the Discreet Campaigns v/artist cassette that kickstarted the short-lived Rorschach Testing label – but it’s another where you’re practically hearing the band getting to grips with a rhythm and/or the shell of a song. My money’s on Hooky being the one who suggested the tempo should be taken up a notch or two.
04.48
THE WAKE – The Calendar (demo) – Unreleased – 1983
Onwards to become The Torn Calendar but here it was one of three tracks demo’d (along with ‘Places’ {pre Send Them Away} and Rise and Shine) on a TEAC 4-track reel to reel the band borrowed from me. They certainly made far better use of it than I ever did.
The written lyrics given to Bedford’s Katie Possum at some point, along with her review in the local paper of the band’s second gig at Winkles… and that’s Stephen, my dog, Flanagan and Mac at my house the day before said gig.
08.10
A CERTAIN RATIO – And Then She Smiles – Force, LP – Factory – 1986
It’ll be no surprise to those that know me that I’m a bigger fan of the ‘tougher’ earlier ACR but here Jez Kerr’s voice is so sublime over a more ‘reflective’ sound.
11.59
THE OUBLIETTE – That’s Enough – Stream only – 2026
This is a complete first! Here – by complete accident – sits the first ever AI generated track to feature on 41 Rooms! And who knows re the video? It’s not an area I intend actively searching out, so expect them very infrequently but The Oubliette’s Youtube channel has a bucket load of tracks if you fancy your ’80s indie and darkwave-sounding tunes on the ‘artificial’ side.
15.18
LOVELAND (feat RACHEL McFARLANE) – Let the Music (Lift You Up) (Full On Vocal Radio Edit) – 12″ – Big Beat – 1994
‘The Full On Vocal Mix, with its pounding piano and hackneyed lyrics, is undeniably old-fashioned and is about as cheesy as a lorry-load of Wotsits. But it comes with a guarantee to create absolute mayhem on all but the most elite of dancefloors. For those DJs who are more concerned about their own credibility than their audience’s enjoyment levels, there is also a much cooler garage-style remix from Olympic’s Bottom Dollar crew plus some deep and funky dubs‘. – Andy Beevers, Record Mirror (Music Week), 5.3.94
There are times when storming vocals, ‘less than critical’ lyrics and hands in the air are all you need… and this Big Beat belter had me smiling back then.
18.30
MARCO BENEVENTO – Houdini – Glera, LP – Big Crown Records – 2026
A bit of a broken beat and summery, Latin thing going on here, like someone taking a late ’60s Sergio Mendes vocal snippet on a wild ride.
20.59
MIDNIGHTROBA – Day’s Gon’ Come – Raise A Symphony, 2LP – Sonder – 2026
Roba El-Assawy has been heard far too infrequently since her days fronting Attica Blues.
22.42
THE ISLEY BROTHERS (feat RONALD ISLEY and ANGELA WINBUSH) – Float On (Bad Boy Remix) (Instrumental edit) * – Floatin’ On Your Love, 12″ – 4th & Broadway – 1996
I cut out all the ‘bump and grind’ lurrrv thang lyrics, as it was the beats, bv’s and ad libs stuff on this mix that made me buy the 12″ in the first place. Oh, and Ronald Isley could always sound like he was just itching to break into Summer Breeze any second. No bad thing.
24.31
HONEY DIJON (feat. JACOB LUSK) – Satisfied – The Nightlife, download only – Someothershit -2026
On first listen I briefly thought that Anohni (previously of Antony and the Johnsons) was on board here sounding soul sexy but it’s ‘competitor in American Idol’ (Season 10, apparently), Jacob Lusk quivering and sailing high on Ms Dijon’s production. African beat vibes sparkling all the way.
28.32
THE YOUNG DISCIPLES – Apparently Nothin’ – 12″ – Talkin’ Loud – 1991
Early in the Gilles Peterson and Norman Jay’ label catalogue and one hell of a funky strut.
The wonderful Straight No Chaser mag was always a must read, even if a lot of the sounds and artists passed me by. I could still find tunes I’d never happen on anywhere else, unless I’d stood all day in London Soho’s Mr Bongo’s shop (or the likes) back in the day.
32.55
RÓISÍN MURPHY – If We’re In Love – 12″ – Echo – 2005
Strut Part 2! Between her Moloko days and solo career the Arklow, Ireland girl is a regular of sorts at 41 Rooms. Not sure about that sleeve cover, though.
37.20
CAN – I Want More – 7″ – Virgin – 1976
‘German experimental electronic artist makes the UK’s Top 30 singles chart’ shock, horror probe.
40.34
FINITRIBE – Catch The Whistle – Promo 12″ only – Finiflex – 1993
First heard by me as a Tommy Vance-spoken ‘One FM exclusive’ on the Beeb’s lead radio station, though my mixtape forever played it slower than intended. Still rather it a tad pitched down. Squelchy sounding snares were often the order of them days.
46.14
ZIN MIYAKEZAWA – A Sanctuary Of Twilight Filled With Tranquility * – Classical Music, Vol. 108- Instrumental BGM – Download only – Audiostock – 2025
BGM = Background music, but ‘Incidental’ sounds so much classier, don’t you think? I’m slightly doubting whether Zin Miyakezawa is a real human but either way A Sanctuary… brings to mind Richard Harvey’s Elegy (the theme from TV’s 1983 Shroud For A Nightingale) and to a certain degree, parts of Harry’s Theme – Terminus (Silent Witness, S10, E10), and as all three have now made it to 41 Rooms you’ll instantly remember them all, I’m sure. You’re welcome, though a proper musician would tell me where exactly I’m right or wrong on all that.
48.39
ROBIN TROWER – Bluebird – Robin Trower, 12″ EP – Chrysalis – 1977
With a lot more guitar here than is usually found on 41 Rooms, for me with any Robin Trower I heard back in the day it was always Jimmy Dewar’s vocals that I took to.
54.07
KELELA – Idea 1 – Download only – Warp – 2026
A wash of a sound from the decade-long Warp label artist.
57.23
CALLERS – Young People – Life Of Love, LP – Western Vinyl – 2010
Dark Folk, I reckon. When Sara Lucas’ vocal gets earthy and ‘gutteral’ and let’s loose. It’s a switch that used to get me with Liz Fraser, though her ‘switch’ sounded more polarised.
01.01.01
THIS MORTAL COIL – Strength Of Strings – Filigree & Shadow, 2LP – 4AD – 1986
The first of two times vocalist Dominic Appleton fronted TMC, and I have to admit that I got the title wrong on the show. So, without time to correct it you got no title and I’d have better gotten away with it (or sounded less vague?) if there hadn’t been twenty five TMC tracks on the release, all with different personnel involved. Sod’s Law.
01.05.11
DRY CLEANING – Sliced By A Fingernail – Download only – 4AD – 2026
And from the 4AD label in 1986… to their 2026 output and I’d be slight wary of anybody saying ‘Happy birthday’ in this tone to me.
01.09.10
GNAG OF FOUR – He’d Send In The Army – Solid Gold, LP – EMI – 1981
Always saying it like they saw it.
01.12.56
YOUNG MARBLE GIANTS – Cakewalking – Final Day, 7″ – Rough Trade – 1980
In a most understated manner they sort of made a statement when they appeared on BBC 2’s Something Else in late ’80.
01.15.42
OSCAR FARRELL – Tripping Up In A Rush – I’ve Already Called, 12″ EP – dh2 – 2025
I might have to keep an eye and ear on this chap.
01.18.40
CABARET VOLTAIRE – Sleepwalking (John Peel session track, 1984) – Radiation (BBC Recordings 84-86), LP – Get Back – 2001
Having earlier been Cakewalking, now we’re Sleepwalking. All part of the service. Though actually released three years earlier (but only on CD) the above Get Back-label vinyl release has been followed up in 2026 by a bootleg version. The people dictate… and I’ll be with them catching the very last CV gigs ever, near the end of the year.
01.24.03
GIFT – Pinkhouse Secret Rave (Redux) – Download only – Self-released – 2026
A track from their 2022 debut album, Momentary Presence given a 2026 rework/remix, sorry ‘Redux’ and according to Discogs there are at least 33 acts called Gift! In this day and age – what with both the clamber for attention and the availability of info out there – you’d think…
01.28.16
GANZHEIT – Bolt It Down (Why Work?) * – Summer Of ’84 (demo cassette only) – Self-released – 1984
Out of Bedford. Clattering and driving punk electronic stuff. From the same time-frame, this one reminding a bit of Portion Control, a band who’d played the town earlier in the year above.
01.34.21
SUPER EXTRA BONUS PARTY (feat SORCA McGRATH) – Some Dark Forces – LovesVinyl Issue 02, v/artist 12″ – LovesVinyl – 2019
Ex-Ships vocalist sails over a Running Up The Hill-like drum pattern.
01.38.30
TRACEY THORN – Easy – Out Of The Woods, LP – Virgin – 2007
On the quieter side, One of the ‘signature’ voices,
01.41.49
BETH HIRSCH – Miner’s Son (Aquatic Mix) – 10″ – Artefact – 1997
Bang Bang’s mix sets Beth back a bit in the mix but if lesser known than Ms Thorn above, it’s yet another signature voice.
01.46.43
JONI MITCHELL – Song For Sharon – Hejira, LP – Asylum – 1976
Epic storytelling in a single song.
01.54.46
WAR (feat JOSE FELICIANO) – East L.A. – Peace Sign, 2LP – Avenue – 1994
This show had to be totally put together on the fly, between daily meet ups with friends back in Bedford and London, but the weather was brill right through and the piecing together ended up in the Leytonstone sunshine… even though that’s nowhere near East L.A. There’s a longer, more up front vocals version of the song where Jose also takes on the verses and given my JF leanings I could have placed that one here, but I actually like him ‘countering’ to War vocalist, Lonnie Jordan. Everything about Jose’s vocal when he first drops in here is why I first loved the man back in the late 60’s/early ’70s. I once reminded Jose of the track’s two versions and also (importantly) why I liked this one more… and maybe understandably he seemed a bit disappointed.
Show 152 will be here June 7.
Dec x
The post Post Punk Plus Podcast Playlist 151 – Original upload 3.5.26 appeared first on 41Rooms. - This playlist is 68% vinyl friendly. Poor.
Teenage Engineering’s PO–80 Record Factory turntable.
In a move to avoid wrecking their dads’ pride and joy, maybe an inexpensive (approx £300) route to young kids getting the feel of spinning vinyl? Beyond maybe playing a Factory Records record on this Record Factory turntable, with six black five-inch blank records plus sleeves included they can even cut their own recordings! That’s all after you’ve built the thing… as it comes in a kit.
Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here.
Lyric of Playlist 150
‘And the award goes to… ‘ Tracey Thorne and Ben Watt… A long, long time ago some of their words would have rung true here.
00.00
(Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info.
00.41
NEW ORDER – Crystal (Lee Coombs Remix) * – 12″ – London – 2001
Fresh from the release of the band’s Get Ready album, both its opening track and their set opener on all three of the Brixton Academy, London gigs I caught in 2001, this version is maybe weighted more on the remixers side than usual when kicking off 41 Rooms with New Order but this one really drives.
08.13
MESOSAUNA (feat DANIELE GAS) – Rotta Calabra – Download only – Factory Flaws – 2025
Out of Milan and Italy (albeit with a bit of a Teutonic feel) the title translates as “Calabrian Route”, ‘naming the path many take across the sea, hoping for something better on the other side‘. That fish below though needs to stick to the water.
13.46
FOUR TET – A Joy (Album version) – 7″ – Domino – 2005
The ‘Album version’ on a 7″ single and to these ears, Kieran Hebden sounding a long way from anything joyous.
16.42
WIELORYB – Iron – Stream only? – ? – 2026
‘Spongey industrial’ sounds from Poland and best explained, aurally and visually, within his regular Meta/Fb page posts.
19.08
CHOZE x BARBARELLA – Heartbeat Drums – Stream only – Facebook – 2025
‘Built from the ground up, written, recorded and filmed in a single five hour session‘… with, as I hint on the show, Massive Attack’s Bristol, UK in their bones it would seem, even though with far flung ancestry they’re based in London.
22.40
MASSIVE ATTACK – Safe From Harm (12″ Version) – 12″ – Wild Bunch – 1991
And to the slow beats bosses themselves…
‘Wailed like ‘Unfinished Sympathy’ by Shara Nelson, this wind swept strange very densely rumbling slow swaying tugger is out first (contrary to the sleeve listing) in Nellee Hooper’s (0)-81.6bpl 12″ Version and 0-81.4bpm Instrumental, plush group’s 0-82.3bpm Original, with apparently a Paul Oakenfold remix to follow‘. – James Hamilton, Record Mirror (Music Week), 1.6.91
29.13
RAE & CHRISTIAN – Anything U Want – 12″ – Grand Central – 1998
The instrumental dub side made it to 41 Rooms eons ago but contrary maybe to the ‘antennae’ of a hardcore rap fan, this vocal version is an example of how my senses tend to pick up on any counter vocals or sounds to the rap – and here it’s that soulful bv. If they weren’t there this tune would have passed me by without much fuss – even though it’s Mark Rae (and Steve Christian) at the controls.
32.47
ADDIS ROCKERS – Enter Addis Ababa – Enter Addis Ababa, LP – Warriors International – 1985
An album I only honed in on decades after John Peel played the album’s Broadwater Farm Affairs track and if ever anyone can find a near mint copy of this album, they’re a better soul than me. It’s the sleeve that’s always the bigger problem. Lamination of some sort might have done the trick.
37.06
MISTY IN ROOTS – Soddom and Gomorrah (Peel session, 27.11.79) – The John Peel Sessions, CD only – Strange Fruit – 1995
Importantly for me, The John Peel Sessions covers four of the seven tracks recorded for the band’s first two (and best?) visits to the Beeb’s Maida Vale studios, with the second being right up there with any or most done for Peel’s radio show, and before the dawn of Discogs I had the notion the above release might have been on vinyl as well. Sadly, to date it’s not the case.
41.42
MAE McKENNA – Sayonara – Nightfallers, LP – Virgin – 1988
Find me another online playlist where Mae McKenna has sat next to Misty In Roots. It won’t be happening. Somewhere soon after this album came out I was on a holiday back in Ireland and after an evening in the pub with cousins we reconvened in my mum’s childhood home and were playing ‘Rings’ (look it up, kids) on a Ring Board on the door down to the ‘parlour’ and this tune came on the radio. The things you remember…
47.04
RAIN TREE CROW – Every Colour You Are – Rain Tree Crow, LP – Virgin – 1991
With all four (ex)members of Japan involved, Rain Tree Crow was seen at the time as ‘a long term project, with a fresh artistic start‘. Keen to avoid any notions of a nostalgic Japan reunion, David Sylvian, especially, was aiming to ‘create improvised, atmospheric music departing from their past commercial sound.’ Unsurprisingly, I’ve gone for the track that maybe could most happily have sat on any new Japan album of the time. :)
50.44
DAVID BOWIE – Right – 7″ b-side – RCA – 1975
This mistakenly slipped off the 41 Rooms radar til now. Gold star quality from my fave Bowie era.
54.55
CHAKK – Falling – 10 Days In An Elevator, LP – MCA – 1986
From the early doors, tougher industrial funk of Out Of The Flesh through to the ‘10 Days… ‘ album and Falling, where he’s absolutely soaring, Jake Harries was well suited as Chakk’s vocalist, even if (it seems) singing didn’t transpire to being a long term career path.
58.35
TERRY CALLIER – Love Theme From Spartacus – Timepeace, LP – Talkin’ Loud/Verve – 1998
Folk… soul… class… The film’s instrumental theme tune re-imagined.
01.03.01
LYNDA SLOANE-CUSACK – Dreams (part) – Stream only – 2026
I’ve side-stepped matching the track after this, here with the more obvious Fleetwood Mac reference point (Rhiannon) – and albeit a short, one-time take, this is a beaut of a FM cover. Cork, Ireland-based, Lynda’s actually a wedding ceremony singer and guitarist, so that accounts for the church acoustics in the mix.
01.04.50
KELLY JEAN CARTER – Yellow-Back Novel – Yellow-Back Novel, download only – Red Bird Music – 2025
Seemingly out of nowhere (though there’ll have been an algorthymic reason) this quality song popped up on my Fb/Meta feed and seeped into my brain. A sleeper of a song that maybe mostly hits the mark with anyone who grew up in the ’70s hearing singer-songwriters regularly on the radio.
01.09.53
DAVID McWILLIAMS – As I Used To Know Her – Livin’s Just A State Of Mind, LP – Dawn – 1974
The first of two artists from Northern Ireland on this show and until recently, McWilliam’s signature tune, Days Of Pearly Spencer was the only single/track of his I (back in the ’70s) ever owned. If I’m honest, this was one of those grab-the-album-for-the-one-and-only-track-I-like sketches… but I recently spotted and bought this acetate, so that added some appeal. Maybe half a dozen at most ever cut?
01.14.11
THIS MORTAL COIL – I Want To Live – Filigree & Shadow, 2LP – 4AD – 1986
Deirdre Rutkowski owns it here but I remember thinking F&S was a single album at best and listening now to the two LPs it still feels ‘patchy’ and like a project that fell short of its initial goals. Could be wrong, of course.
01.18.04
JAZZ THE GLASS / GOT-TA-SCATTA – The Journey – Demo, unreleased – Stream only – 2015-2025’ish
Dave Summersgill and myself (GOT-TA-SCATTA) with the ‘ingredients’ here and judging by the working versions I have, this track is only(!) a little over a decade old, though this version was fine-tuned in more recent times by Dave (Jazz The Glass). With our favourite unwitting contributor of the time, Maya Angelou on the mic and samples from elsewhere.
01.22.16
BUNNYDRUMS – Ugh
and…
01.25.13
BUNNYDRUMS – Sleeping – P.K.D., LP – Red Music – 1983
Such is the way I put these shows together I was smugly thinking Sleeping very neatly fitted after Ugh before I realised it was the same band! So, an accidental and rare ‘double tune’ outing on 41 Rooms.
01.29.28
JOY DIVISION – The Only Mistake – Still, 2LP – Factory – 1981
Yep, my copy of Still sadly water damaged along the way. As for the ribbon that ‘wrapped’ it in 1981, that would have been low on my radar to conserve back then.
01.33.28
MOUNT PALOMAR (feat ENOLA GAY) – Feeding Frenzy * – Stream only – 2026
Tuff!!!!! Something akin the traits I mention above with Rae & Christian, I’m a bit of a sucker for a verse and chorus structure that wildly contrasts… and this really smacks.
01.37.04
ATRIC & FRIDA DARKO – My Dog – Download only – 2025
Even though they’re from Leipzig, Germany, this sounds darker than some of their profile pics and track visuals would suggest.
01.42.13
SHIPS – Where We Are – Precession, LP + 7″ – Self released – 2017
Actually, the a-side of the (blue vinyl) 7″ part of the package – with the album being clear vinyl. With my copy currently residing in California, let’s hear it for the bespoke packaging approach! The Dublin-based duo, Sorca McGrath & Simon Cullen’s first and only album, to date.
01.46.47
EVERYTHING BUT THE GIRL – Missing – Amplified Heart, LP – Blanco y Negro – 1994
It’s maybe hard to remember there was a time – before Todd Terry’s intervention took the song global – when Missing was (just) a track on an album, as classy as the duo, Ben Watt and Tracey Thorn are. If I’d gone for the purest ‘least cluttered by other tracks and/or mixes’ vinyl to get this original version, it would have been on an expensive Italian promo only 7″… but I haven’t.
01.50.25
FAYLEINE BROWN – You Know I Missed You (Todd Edwards Remix) – 12″ – Azuli – 1996
‘Device and Devibes deliver a mature-sounding vocal with a smokin’ underground break which continues in the dub with whirling vocals and swinging drums. The Todd Edwards mix has his typical anagramatic vocal arrangements and although it will not win him any new fans, it will certainly keep a confused but contented smile on the faces of his existing ones. Finally, there is D&D Tribal dub which will work well for those who prefer harder repetitive house‘. **** Jeremy Newall, Record Mirror (Music Week), 2.3.96
And from a song with the line ‘and I miss you’ to one with the title, ‘You Know I Missed You’. Totally coincidental… with Todd Edwards in the house garage! Maybe with a bit of a nod to M(ark) K(inchen)’s vocal cut up style, this had me bouncing and cheery in its time, as it did with the London underground scene… and yet it’s another 12″ you can now pick up, still in mint condition for less than the price of a pint.
01.55.32
ST. GERMAIN – Alabama Blues (Todd Edwards Vocal Mix) – 12″ – F Communications – 1995
‘This label’s best release gets another chance with some more radio friendly mixes that feature a lot more vocal and mixes by Todd Terry that make the blues/house combinations less effective but still catchy. The sparser deeper original mix is still the best with its simple moody organ creating the atmosphere, but this groundbreaking tune deserves a re-release and the new versions at least give it a new angle‘. – Tim Jeffery, Record Mirror (Music Week), 11.11.95
‘Todd Edwards is New York’s fastest rising production star. Here, he helps the leading light of the French new school jazzers to forge stronger links to the dancefloor. With his distinctly smooth yet hyper style, the MK-like vocal snippets work particularly well on the dub, where Stevie Wonder cut-ups jump off the vinyl. And for those who missed out on the first release of this in 1993, the oh-so-cool original is also included‘. ****1/2 Michael Morley, Muzik #6, Nov ’95
Yep, with the wrong Todd noted in the first review, it’s a Todd Edwards reprise as he works his skills on the French producer’s original.
Show 151 will upload May 3.
Dec x
The post Post Punk Plus Podcast Playlist 150 – Original upload 5.4.26 appeared first on 41Rooms. - This playlist is 63% vinyl friendly. Very poor.
The Vertere DG-1 Dynamic Groove.
One commentator queried whether ‘the design wandered in the direction of form over function‘, but this, the company’s entry level version, was voted in What Hi-Fi‘s updated 2025 ‘20 very best turntables of (the magazine’s) lifetime‘… but it had detractors elsewhere.
My first thought was ‘sandwich’ and lo and behold the review mentions the plinth’s ‘three layers of acrylic reinforced with a steel chassis to give a rigid yet well-damped structure‘ with that middle layer, from a distance, reminding me of some marbled cheese. Near £2k for one standard version spotted on eBay and £3550 for a DG-1S updated model, with a bullet pointed spec to match. When you get up to these prices (and way, way beyond) manufacturers are duty bound to work overtime to justify their prices.
NB: Apologies. A bit of a glitch in recording my parts for this show but they just about do the job.
Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here.
Lyric of Playlist 149
On another day and in another frame of mind it could have gone to Baby Rose but much aided by a gorgeous key change backdrop, the gold star sticker goes to Banderas! It’s hard to tell though if their ‘There is no rehearsal. No second chance. No false start. No better circumstances… ‘ words of wisdom would change much with the type of peeps in their video.
00.00
(Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info.
00.41
NEW ORDER – Doubts Even Here (Instrumental) (Cargo Demo) (2019 Remaster) – Movement, Definitive Edition Boxset – Warner Music – 2023
Doubts Even Hear? I should coco, and if you want ‘tentative’ in your music then this has it in shed loads. My guess is this maybe wasn’t Hooky’s first stab at the track in the band’s rehearsal room but you can nearly hear him finding his way into and over the ARP Quadra’s strings.
05.15
COCTEAU TWINS – Road River and Rail (Live) – Stream only – 2026
Live in 1991 but only very recently uploaded to the net, a mixing desk recording from The Warfield, in San Francisco and a rare treat to hear Liz this clear in a gig setting. At your leisure, search out the rest of the gig.
There’s no visual from the above show, so here’s a barely rescued – but previously unseen/unpublished – photo of mine. Liz and Simon soundchecking at Newcastle’s Tiffany’s, 19.4.84.
Photo credit / copyright: Dec Hickey
08.37
JOHN CALE – Thoughtless Kind (M:FANS) – M:FANS, 2LP – Double Six – 2016
A pedestrian, sledgehammer beat and a more forceful take on the lyrics than found in the ex-Velvet Underground man’s original. To my ears, they’re better suited here.
13.59
EMERSON, LAKE & PALMER – Take A Pebble * – Emerson, Lake & Palmer, LP – Island – 1970
I bought this album maybe four or five years after release and without doubt after having heard maybe just one of the three tracks on it I had taken to. I wouldn’t have been listening to any radio that might have played this album, so I’m guessing I borrowed it from a mate – very likely Phil Harris or Tom Locke (RIP). Greg Lake’s vocals were the thing for me back then and on my National Panasonic SG-1070L I’d have skipped Keith Emerson’s often lengthy rock-orchestral leaning keyboard workouts from all three… and likewise it’s a massive edit on the show for Take A Pebble.
17.33
BABY ROSE – Stop The Bleeding – Through And Through, LP – Secretly Canadian – 2023
If I thought the vibrato in Baby Rose’s vocal on the last 41 Rooms’ show entry (‘Go’) reminded me of Anonhi/Antony and the Johnsons then this does so with knobs on… as it maybe sounds even more of a song and arrangement the latter could have penned.
21.17
A RACE OF ANGELS – Golden – Broadcast No. 1, CD only – Luv Classics – 2005
It’s not often a CD gets a visual look in on 41 Rooms but the majority of Broadcast No. 1’s tracks have been or are on course for inclusion… and there was no vinyl. A 21st century left field folk soul beaut. Saluting Yeofi Andoh once again.
23.56
KRAFTWERK – Boing Boom Tschak * – Electric Cafe, LP – Kling Klang / EMI – 1986
The German maestros with some playful mid ’80s electro. Who else could it be?
27.01
BESIDE (with BERNARD FOWLER) – Odeon (Dance Mix) – 12″ – Celluloid – 1984
In 1984 the only place I’d have heard this was on John Peel’s radio shows – and he was partial to some electro. With the other side playlisted on 41 Rooms years ago, that would make this Afrika Bambaataa-produced 12″ a bargain to me these days, at less than the price of a pint on Discogs. Back in 1984, ordering it on import from Bedford’s HMV (as I did) its £5.29 price tag would seemingly have between five and ten pints plus worth!
32.37
MIDNIGHT STAR – Midas Touch (Vocal Extended Remix) – 12″ – Solar – 1986
With Electro roots, some breezy mid ’80s glitzy dance which has aged far better than – ‘Look away now’ (or don’t look at all) – the clothes and hair in the video.
38.42
ROZALLA – Born To Luv Ya – 12″ – Pulse-8 – 1990
At some point, when I do get to wade through the Record Mirror‘s I have from the the late ’80s/early ’90s I’d put a quiet fiver on the late James Hamilton having used ‘bubbling’ in a review of this particular mix of the tune. Par for the course lyrics but given some decent beats Rozalla has a voice that more than matches.
43.00
THOMAS LEER – Forgive and Forget – 1982, CD only – Klanggalerie – 2015
When I first happened on the 1982 CD recordings I thought Leer had re-found his youthful energy in the ‘now’. It’s in the title, Dec… so, a ‘series of tracks for unreleased album circa 1982‘ states the man himself. That would put them around the time of his Letter From America and Contradictions EPs but way before the ‘pop’ album, The Scale Of Ten. Forgive and Forget is though definitely a dry run for that album’s belter, Control Yourself.
47.23
MINT ROYALE – I Don’t Care – See You In The Morning, CD only – Faith & Hope Records Limited – 2005
Aagghh, it’s another CD… but needs must, as no vinyl surfaced and by this point Neil Claxton was flying solo as Mint Royale.
51.48
OSCAR FARRELL (feat SAMPHA) – Dream Therapy (George FitzGerald remix) – Download only – ? – 2026
The So Far South EP original rightly has many admirers but I’m more with this moodier take.
Screenshot
55.22
NOSTALGIX – Mess With Me – Download only – Confession – 2019
Out of Vancouver, British Columbia, she seems through the years to have occasionally just digitally floated singular tracks out there.
58.32
SUICIDE – Ghost Rider – Self-titled, LP – Red Star Records – 1977
There’d be a bunch of my early ’80s mates who’d have gone for the album but it’s only this track that grabbed me.
01.01.01
CABARET VOLTAIRE – Nag Nag Nag (Live 2025 Single Edit) – Download only (for now) – Mute – 2026
‘Updating’ and then capturing – just ‘right’ – this classic track’s first live outing in forty five or so years could have gone wrong but all involved nailed it, and seeing as I caught four of the Cabs’ six gigs last year there’s a good chance I was in on this actual recording. In fact, given the advances in sound technology Nag is likely sounding better in the room than it would have done live back in 1979-82… something I never witnessed.
01.05.10
THE SOUND – Heartland (Mike Read session, 1980) – The BBC Recordings – 2CD only – Renascent – 2004
If Adrian Borland and crew were pushing for a radio session in their early throws (who wasn’t) I’d have thought John Peel would have got in there first. The band did subsequently do a Peel session but here Mike Read edged it and the band were firing.
01.08.19
JOY DIVISION – Warsaw – An Ideal For Living, 7″ EP – Enigma – 1978
I never owned this original 7″ but somewhere around 1980-81 and through the back pages of the inkie press I bought the subsequent 12″ from an ‘MJ’ in Crewe who reckoned in an enclosed note he’d leant Steve Morris £60 to pay for the sleeves. When I sold the single years later I thought I’d kept the note… but if I did, it then went AWOL.
01.10.40
TURNSTILE – Dreaming – Never Enough, LP – Roadrunner – 2025
They’ve eased up here on their early hardcore leanings which might go some way to why this tune gets a thumbs up from me and those who take occasionally take a punt on an album because of the sleeve could still be in for a shock.
01.13.00
TV21 – Ideal Way Of Life – A Thin Red Line, LP – Deram – 1981
Other tracks on the album have already graced 41 Rooms as indeed they did back in Winkles in 1981-82.
01.15.27
THE TEARDROP EXPLODES – Went Crazy – Kilimanjaro, LP – Mercury – 1980
Julian in 1980. Sounding ‘quirky pop’ in 2026?
01.18.03
NATURAL SCIENTIST – See Through You – 7″ – Dental Records – 1982
Even though I bought their Terminal Velocity debut 12″ at the time, this their follow up somehow by-passed me for four decades.
01.22.07
IRMA THOMAS – My Heart’s In Memphis – My Heart’s In Memphis – The Songs Of Dan Penn, CD only – Rounder Records – 2000
Criminally, only seven thousand plus peeps have ever viewed the fan video online of Irma on an outside stage, live in New Orleans from 2003 and I nearly went with its muffled sound here, as the more she gets in to the song the more she really lives it.
01.25.53
STEVIE WONDER – (I) Don’t Know Why (I Love You) – 7″ – Tamla Motown – 1968-9
For the UK release Motown couldn’t quite make up there mind on the title – but this stark outpouring and arrangement is still a killer, even though it was maybe trumped for radio play by the lusher, romantic appeal of the b-side, My Cherie Amour.
01.28.25
MT JONES – I Don’t Understand – Joy, LP – ? – 2026
New(ish) blue-eyed retro soul with as much effort on the visual. A fab single but I’ve got a feeling an album of his accentuated vocal might be too much for me. We’ll see.
01.31.49
WILLIE HUTCH – Hurt So Bad – Season For Love, LP – RCA – 1970
Before his switch to maybe his more spiritual Brother’s Gonna Work It Out home of Motown.
01.34.39
BANDERAS – This Is Your Life (PanoΣigma Edit) – Stream only – ? – 2019
Just the one album, squarely aimed at the mainstream, and some cerebral tunes from these two shaven-headed girls. I’m not sure how much the decent lyrics and sumptuous key change helped but this was their biggest UK hit. Even in the sometimes throwaway nature of ‘pop’ charts, quality will out.
01.39.36
DIANA BROWN & BARRIE K SHARPE – Eating Me Alive * – 12″ – FFRR – 1992
‘Weaving together many different dance music sounds of the late sixties/early seventies, including such as vintage Jackson 5 and Norman Whitfield era Temptations, Timmy Thomas beats and Chicago Transit Authority guitar chords (“I’m a man, yes I am, and I love you so”), this brilliant intensely driving jiggly chugger has been promoed as a twinpack with 0-104.7-0bpm Undisputed Mix Part 1 & Part II, 0-104.7bpm Original Groundbeat, 0-105.25-0bpm Funky Funky Sugar Heavy Groundbeat Mix, 0-105.4bpm One Trip Too Many Mix, more recently influenced grooving 115.8-0bpm Groundbeat House Ensemble/Instrumental, hi-hat hustled 118.7bpm Undercover Dub Mix 1 and 118.6bpm Undercover Dub Mix 2, Dianamite!‘ – James Hamilton, Record Mirror (Music Week), 20.6.92
Any time I re-edit etc I really should remember the source of the original… and there’s a heavy 41 Rooms re-edit going on here. Whatever. James Hamilton’s ‘vintage Jackson 5’ reference is spot on and the bridges and chorus are so strong they make the verses sound absolutely tepid. Weird.
01.45.08
RHYTHIM IS RHYTHIM – Strings Of Life (‘Original Piano Mix’) – 12″ – Transmat – 1987
‘So enduringly popular and still steadily selling that it could follow A Guy Called Gerald up the chart, Derrick ‘Mayday’ May’s synthetic strings stabbed and sawed techno pioneeringly jerky instrumental leaper is now out here in its frantic acidic 130/129 1/5-130-0bpm Exclusive Remix, more scrubbingly hustling organ accented 128 1/5-127 4/5-128-128 1/5bpm Flam-boy-ant Mix, and piano emphasising jerkier 122 1/5-122-121 2/5-121 1/5bpm Piano Mix, flipped by the washing machine ‘sizzled’ 129-129 1/3bpm ‘Kaos’ plus the ‘Magic Juan’ Atkins created jiggly wriggling Model 500 ‘Off To Battle’ in its 125 2/3-126 1/5bpm 2emix and 126 1/5-126 2/3bpm Original Version‘. – James Hamilton, Jocks, 3.89
‘Based on a piano sequence by May’s friend Michael James. He dropped in for a visit at May’s house and sat down to play a piano ballad he had been working on called, “Lightning Strikes Twice”. This piece went into May’s sequencer and was kept there until May decided to listen to it all the way through. He found some portions which interested him, and he started to work with it. The song was originally at 80 BPM before May increased the tempo, chopped it up into loops, and added percussion and string samples’. Wikipedia
The history of this stark track is interesting. I called this ‘near punk like, house / techno’ on the show, what with its crude/rough arrangement feeling like it nearly takes four minutes to settle… just in time for it to sound like it’s breaking down on the outro! And it’s become a classic! Enough to warrant a bunch of remixes and the mighty ‘live with orchestra’ version that follows.
01.52.18
RHYTHIM IS RHYTHIM – Strings Of Life (Live, Weather Festival, Paris, France) – Stream only – 2015
Derrick May, with Francesco Tristano (ex-Aufgang) loving it big time on extra keyboards, with the weight of the full Philharmonic Orchestra Lamoureux, under the direction of Dzijan Emin… and all beautifully captured by ‘producer, Amos Rozenberg and Paramax Films in 4K with 9 Cinema cameras by Samuel Petit for Arte TV‘… it says somewhere. Strings Of Life, indeed. Catch the video in the usual places.
Show 150 will upload April 5.
Dec x
The post Post Punk Plus Podcast Playlist 149 – Original upload 1.3.26 appeared first on 41Rooms.
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