London Review Bookshop Podcast

• Ken Worpole & Melissa Benn: Brightening from the East

  Ken Worpole, ‘a literary original, a social and architectural historian whose books combine the Orwellian ideal of common decency with understated erudition’ (New Statesman), has written on many subjects during his long career, from cemeteries to hospices to the novels of Alexander Baron, but has often returned to the subject of his beloved Essex. His latest essay collection Brightening from the East (Little Toller) focuses on the natural and built landscapes of the ‘region of the mind’ that is the estuarine marshlands of the Thames and the East Anglian coast, bringing us stories of radical communities and arcadian dreams of new ways of living. Worpole is in conversation with writer and journalist Melissa Benn; the evening will be hosted by writer and producer Gareth Evans.

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• Paul B. Preciado & Nathalie Olah: Dysphoria Mundi

  With Testo Junkie, Pornotopia, An Apartment in Uranus and Can the Monster Speak, Paul B. Preciado became established as one of the most exciting and challenging social thinkers of our time. His latest book Dysphoria Mundi (Fitzcarraldo), a mutant text assembled from essays, philosophy, poetry and autofiction, draws on the experience of the Covid pandemic and the social convulsions that accompanied and followed from it to argue that dysphoria, far from being a form of mental illness, is the defining condition of our age. In what is his most accessible and significant work to date he seeks to make sense of a world in ruins around us, at the same time mapping a joyous, radical way forward. Preciado was joined by Nathalie Olah, author of Bad Taste and Steal as Much as You Can. From the LRB: Subscribe to the LRB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/subsbkshppod⁠⁠⁠ Close Readings podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/crbkshppod⁠⁠⁠ LRB Audiobooks: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksbkshppod⁠⁠⁠ Bags, binders and more at the LRB Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/storebkshppod⁠⁠⁠ Get in touch: [email protected]

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• Xiaolu Guo & Philip Hoare: Call Me Ishmaelle

  Gender, race and identity collide on the open seas in Xiaolu Guo’s Call Me Ishmaelle (Chatto), a powerful, feminist reimagining of Herman Melville’s Moby Dick. She was in conversation with Philip Hoare, author of Leviathan: Or the Whale, who has described Guo’s latest novel as being ‘as animal and visceral and shape-shifting and subversive as the broad back of the mythic whale themselves.’

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  1:07:40

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• Didier Eribon & Mendez: The Life, Old Age & Death of a Working-Class Woman

  In The Life, Old Age, and Death of a Working-Class Woman (Allen Lane), sociologist Didier Eribon continues the historical, political and personal reflection he began with his classic memoir Returning to Reims, this time turning his attention to the end of life. Tracing his mother’s rapid physical and cognitive decline, and drawing on works by Simone de Beauvoir, Norbert Elias, Annie Ernaux and Michel Foucault among others, Eribon transmutes his rage, sadness and the shame over her death into a nuanced portrait of the woman who raised him. How does our society treat the elderly, Eribon asks? Can the completely dependent speak for themselves – and if not, who can speak for them? Eribon was in conversation about his work with the essayist and novelist Mendez. From the LRB: Subscribe to the LRB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/subsbkshppod⁠⁠ Close Readings podcast: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/crbkshppod⁠⁠ LRB Audiobooks: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksbkshppod⁠⁠ Bags, binders and more at the LRB Store: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/storebkshppod⁠⁠ Get in touch: [email protected]

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• Jennifer Hodgson & Lara Pawson on Samuel Beckett

  Seventy years after the publication of Samuel Beckett’s first novel in English, Faber have reissued Molloy, Malone Dies and The Unnamable with ritzy new covers and fresh introductions. To celebrate, Lara Pawson, author of Spent Light, and Jennifer Hodgson, whose biography of Ann Quin is forthcoming, deliver their own tribute to Beckett's fiction, and discuss his life and work. ‘Oh the stories I could tell you if I were easy,’ as Beckett wrote, ‘What a rabble in my head, what a gallery of moribunds.’

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