Errollyn Wallen is one of Britain's most acclaimed and widely performed contemporary composers. Born in Belize and brought up in north London, she was first ever woman to win a Ivor Novello Award for a body of work, and the first ever black woman to have a composition played at the BBC Proms. Errollyn has written 22 operas, as well as orchestral, chamber and choral works which are performed around the world. She was commissioned to write pieces to commemorate the Queen’s Golden and Diamond jubilees, and for the opening of the 2012 London Paralympic Games. She lives and works in a lighthouse in the far north of Scotland. Errollyn tells John Wilson how, after to moving to London from Belize with her parents at a young age, she was brought up by an aunt and uncle in Tottenham. An early love of ballet led her to discover the music of Chopin, and she started to learn the piano at home. She describes the huge influence of Bach on her compositions, but also how her work is influenced by a wide range of music, from avant garde composers to jazz and funk. Producer: Edwina Pitman

John Wilson talks to fashion designer and sculptor Nicole Farhi. Born in the south of France, she designed for various labels before teaming up with Stephen Marks in the early 1970s to establish French Connection as a worldwide clothing brand. She launched her own label Nicole Farhi in 1982 and was one of the biggest names in UK fashion for three decades. Nicole started studying sculpture whilst still in the fashion world, and staged her first solo exhibition in 2014. She has been married to the playwright David Hare since 1992. Nicole recalls the influence of her glamourous and well-dressed aunt Visa who sparked Nicole's early interest in fashion by taking her to the Parisian couture shows. Meeting her partner Stephen Marks proved to be a major turning point and they went on to found two successful fashion labels together. But alongside her life as a designer, Nicole also had a passion for sculpture which had been ignited seeing the work of Giacometti at the Fondation Maeght in the south of France. Her own work in clay was encouraged by the Pop Art pioneer, sculptor and printmaker Sir Eduardo Paolozzi, who became her friend and mentor. Producer: Edwina Pitman

Nick Cave, the Australian born singer-songwriter and author, reveals the formative influences and experiences that have inspired his own creativity. With his band The Bad Seeds, Cave is renowned for the darkness and drama of his narrative based work. His lyrics are often populated by flawed people doing bad things, but seeking redemption in love or God, or both. His musical output is diverse, ranging from rock’n’roll, to piano-based love songs. The tragic death of his 15 year old son Arthur in 2015 has informed recent work, with songs about devastating loss, grief and love explored throughout the albums Ghosteen and Carnage. Nick Cave has also written novels, poetry, a screenplay, and has recently published Faith, Hope and Carnage - a book exploring his ideas about creativity and belief. Nick Cave talks to John Wilson about the influences of his father, an English teacher, and his mother, a school librarian, in encouraging his love of literature from a young age. He recalls seeing The Johnny Cash Show on television at the age of 10 and being spellbound by the country music star, with whom he later worked. He also remembers the life-changing effect of hearing Leonard Cohen’s Songs Of Life and Death album for the first time, and the profound influence the Canadian poet and songwriter had own his own lyrics. He reveals that fellow Australian Barry Humphries was another artist who inspired his own work, having seen a Dame Edna Everage show in Melbourne in the early 1970s. Nick Cave also discusses the impact that the death of his son had on his life, work and marriage. Producer: Edwina Pitman

An inseparable duo for over 55 years, Gilbert Prousch and George Passmore are the artistic couple known as Gilbert & George. Always formally dressed in matching suits, Gilbert & George have described themselves as ‘living sculptures’, and are usually the subject of their own work, which has involved sexual imagery, scatological humour and profane language. They’re best known for brightly coloured imagery depicting contemporary urban life, framed within large scale panels that evoke the stained-glass windows of churches. They won the Turner Prize in 1986, represented Britain at the Venice Biennale in 2005, and were the subject of a major retrospective show at Tate Modern in 2007. They talk to John Wilson about meeting in 1967 while studying sculpture at Saint Martin's School of Art, their first notable work The Singing Sculpture; which launched their career internationally; and the importance of Spitalfields, east London where they have lived and worked together since the late 1960s. Producer: Edwina Pitman

Now one of West Africa’s most internationally acclaimed musicians, Baaba Maal trained at a Paris conservatoire and went on to become a kind of musical ambassador, taking stories of his homeland all around the world. He has collaborated with Brian Eno and film composer Hans Zimmer, recorded an album with Mumford and Sons, and was a key member of the Africa Express touring project led by Damon Albarn. A festival favourite, Baaba Maal has energized crowds at Glastonbury and the BBC Proms alike. More recently, Marvel fans know him as the voice of Wakanda, having sung on the Black Panther movie soundtracks. Baaba Maal talks about his early life in Senegal where, as the son of a fisherman, he wasn’t expected to become a singer. He discusses the role of the griot in Senegalese storytelling and musical culture. He recalls early song-gathering trips around West Africa with his friend and collaborator Mansour Seck, his formal musical training in Paris, the powerful voice of Senegalese singer Sory Kandia Kouyaté, and meeting Nelson Mandela. Producer: Edwina Pitman