MickeyJoTheatre

The Broadway revival of CABARET, currently playing at the August Wilson Theatre in New York, has recently welcomed Adam Lambert to the cast as their new Emcee. Lambert, who is best known as a vocalist and lately a frontman for Queen, has replaced Olivier Award winner Eddie Redmayne who opened this production when it first started in London. Check out this mini review for Mickey-Jo's thoughts on Lambert's performance and how it's affected the entire production. • 00:00 | introduction 02:18 | history / context of this revival 06:03 | Adam Lambert as the Emcee 18:28 | how this affects the show • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Mickey-Jo attended an early screening of WICKED, the long-awaited film adaptation of the long-running, hugely popular stage musical currently seen both on Broadway and in the West End. After having shared his spoiler-free thoughts from an advance screening of the film earlier this week, Mickey-Jo is now bringing you his more detailed, spoiler inclusive review of the film discussing everything from changes to the plot, to the affected character arcs and even some exciting cameo appearances! The 2024 feature film, which is the first in a two part series, has been directed by Jon M Chu and stars Cynthia Erivo (The Color Purple) as Elphaba, pop star Ariana Grande (13 the Musical) as Glinda, and Jonathan Bailey (Company) as Fiyero. The supporting cast also includes Marissa Bode, Ethan Slater, Michelle Yeoh, and Jeff Goldblum. Check it out and don't forget to share your thoughts about the film in the comments section below. • 00:00 | introduction 02:51 | overall thoughts 08:25 | plot + changes 17:12 | themes 23:15 | Cynthia as Elphaba 27:16 | Ariana as Glinda 32:28 | musical numbers 37:37 | supporting cast 44:15 | the cameos • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Tonight Mickey-Jo attended an early screening of WICKED, the long-awaited film adaptation of the long-running, hugely popular stage musical currently seen both on Broadway and in the West End. The 2024 feature film, which is the first in a two part series, has been directed by Jon M Chu and stars Cynthia Erivo (The Color Purple) as Elphaba, pop star Ariana Grande (13 the Musical) as Glinda, and Jonathan Bailey (Company) as Fiyero. The supporting cast also includes Marissa Bode, Ethan Slater, Michelle Yeoh, and Jeff Goldblum. Check out this brand new *spoiler-free* review for Mickey-Jo's thoughts on the film, its aesthetics, its themes and its performances without the details that would prevent you from enjoying the experience for yourself when the film is released on November 22nd. Remember to keep your thoughts spoiler-free in the comments section! • 00:00 | introduction 02:49 | overall thoughts 05:46 | visuals 07:43 | pre-criticisms 08:53 | themes 11:14 | music 13:39 | performances • • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

One of a handful of new musicals to open on Broadway this month is TAMMY FAYE, the musical story of the life of the controversial evangelist Tammy Faye Bakker. Having seen the show's world premiere production at the Almeida Theatre in London in 2022, Mickey-Jo was eager to catch the show's New York transfer at the recently refurbished Palace Theatre. This new production, directed by Rupert Goold stars Olivier Award winner Katie Brayben alongside Tony Award winners Christian Borle and Michael Cerveris, with a score by Sir Elton John and Jake Shears and a book from James Graham. Check out this full review for Mcikey-Jo's thoughts on the show's Broadway evolution, and why it fails to practice what it preaches. • 00:00 | introduction 02:51 | overview 10:13 | material 17:10 | production 23:36 | performances • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre