In their fifth episode, Mark and Seamus reach their first 20th century poet of the series, the Ohio-born, New York-loving ad man Hart Crane, and his epic 1930 work The Bridge. Directly inspired by The Waste Land, The Bridge sought to address modernity, as Eliot had done, with all its conflicts, contradictions and difficulties, but infuse it with a Whitman-esque expression of American greatness.Mark and Seamus discuss Crane’s multi-faceted mythologisation of the bridge, the baroque complexity of his language, the deployment of Robert Browning and Gerard Manley Hopkins in service of his questing American origin story, and the personal struggles of a man who, for his brief life, found himself in the exhilarating creative centre of modernist experimentation.This is an extract from the episode. To listen in full and to all our other Close Readings series, sign up here: https://lrb.me/closereadingsSeamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London. Hosted on Acast. See acast.com/privacy for more information.

Euripides was the youngest of the fifth-century Athenian tragedians, and is often described as the most radical. But how daring was he? How far did he push the boundaries of dramatic form? Focusing on Medea and Hippolytus, Emily and Tom discuss the ways Euripides sought to shock his audiences, make them laugh, and explore their anxieties in a time of cultural change.This is an extract from the episode. To listen in full and to all our other Close Readings series, sign up here: https://lrb.me/closereadingsEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

If a Middle Ages full of castles, jousts, hawking, illicit love affairs and playful singing in the meadows is what you’re looking for, then look no further than the Lais of Marie de France. These 12th century love stories, written in Anglo-Norman by a writer who was unusually keen to make her name known, describe noble stories of passion, devotion, betrayal, self-sacrifice and magical transformations played out in enchanted woodlands and richly-draped chambers.Irina and Mary discuss Marie’s various portrayals of love, her luscious powers of description, and the frequent deployment of animals in her stories to expose and resolve human problems.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here: lrb.me/closereadingsIrina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.

In episode four of The Long and Short, we turn to the squarely modernist Katherine Mansfield, whose writing famously attracted the envy of Virginia Woolf. Mark and Seamus discuss the decisive break modernist story makes from its 19th century predecessors, exemplified in Mansfield’s work. At turns lyrical, ruthless, moving and darkly comic, these stories demonstrate her knack for close observation and mimicry – no wonder one of them is Mark’s ‘desert island’ story.This is an extract from the episode. To listen in full and to all our other Close Readings series, sign up here: https://lrb.me/closereadingsSeamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London. Hosted on Acast. See acast.com/privacy for more information.

In the fourth episode of Among the Ancients, Emily and Tom ask: what was it like to go to the theatre in Athens in 468 BC? And how far do modern ideas about tragedy, derived from Aristotle, apply to Sophocles’ plays? They then look in more detail at Oedipus Tyrannos and Antigone and what the plays have to say about agency and knowledge, and consider issues particular to Sophocles’ time, including civic responsibility and the role of immigrants in Athenian society.This is an extract from the episode. To listen in full and to all our other Close Readings series, sign up here: https://lrb.me/closereadingsEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.