Opening Lines

Flight was the second novel by one of twentieth century’s America’s most influential figures, Walter White. Published in 1926, it asks questions about race and identity when its central character chooses to ‘pass’ as a white woman. A prime mover in the Harlem Renaissance, White was a celebrated writer and activist but his book has largely been forgotten. John Yorke looks at the man and his work.
John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.
Written and presented by John Yorke.
Contributors:
Kenneth Janken, Professsor of African American history at the University of North Carolina and author of White: The Biography of Walter White, Mr. Naacp.
Gayle Wald, Professor of English and American studies at George Washington University and author of Crossing the Line; Racial Passing in TwentiethCentury U.S Literature and Culture. .
Reading by Eric Stroud
Producer: Alison Vernon-Smith
Production Coordinator: Dawn Williams
Researcher: Henry Tydeman
Executive Producer: Caroline Raphael
A Pier Production for BBC Radio 4

John Yorke explores themes of loss, longing and the founding of America, in Willa Cather’s innovative novel, My Ántonia. A milestone in American literature, the novel’s heroine is - unusually for the time - a Czech immigrant, Ántonia Shimerda, seen through the eyes of her childhood friend, lawyer Jim Burden. Ántonia survives poverty, tragedy and betrayal through her hard work, energy and optimism.
The novel shows ‘the other side of the rug, the pattern that is not supposed to count in a story. There is no love affair, no courtship, no marriage, no broken heart, no struggle for success’. Deceptively easy to read, Cather communicates feeling in a strikingly modern, cinematic way, with a mastery of visual storytelling, using language to capture the soul of a nation.
With contributions from Melissa Homestead, Professor of English and Director of the Cather Project at the University of Lincoln-Nebraska.
John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain, from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.
Producer: Mary Ward-Lowery
Reader: Riley Neldam
Executive Producer: Sara Davies
Production Hub Coordinator: Dawn Williams
Sound: Iain Hunter
A Pier production for BBC Radio 4

Owen Wister’s 1902 novel The Virginian did more than any other single piece of art in establishing the parameters of the Western as a genre. Telling the tale of a charismatic tight-lipped cowboy whose actions always speak louder than his words, it was wildly popular with readers and viewers of its many screen adaptations. The book is a celebration of rugged individualism and frontier spirit that spoke profoundly to its audience at the beginning of the twentieth-century - but does it offer any insights into the state of America today?
The programme features James Annesley, Professor of American literature at Newcastle University.
John Yorke has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.

Contributors: James Annesley, Professor of American literature at Newcastle University. Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Reader: Eric Stroud
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

In the series that takes a look at books, plays and stories and how they work, John Yorke concludes his exploration of Margaret Mitchell’s epic Civil War romance, Gone with the Wind.
In the 90 years since it was published it has sold more than 30 million copies – it was the bestselling American novel of the 20th century - but the book has become increasingly problematic for modern readers.
In this third and final episode, John considers the themes of nostalgia and survival that made Gone with the Wind such a phenomenal hit when it was published at the height of the Great Depression in 1936. And he explores the complexity of the book’s legacy today.
John is joined by Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells; Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford; and Rachel Joyce, who has adapted Gone with the Wind for BBC Radio 4. Together they explore what the book offers readers today. Is it a classic of American fiction or an extremely uncomfortable, racist period piece? And they ask if we should even read it at all.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4.
Contributors:
Sarah Churchwell, Professor of American Literature at the University of London
Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4
Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford
Reading by Samantha Dakin
Credits: Gone with the Wind by Margaret Mitchell, published by Vintage Books
Produced by Jane Greenwood
Executive Producer Sara Davies
Sound by Sean Kerwin
Researcher Henry Tydeman
Production hub coordinator Dawn Williams
A Pier production for BBC Radio 4 and BBC Sounds

In the series that takes a look at books, plays and stories and how they work, John Yorke continues his exploration of Margaret Mitchell’s epic Civil War romance, Gone with the Wind.
In the 90 years since it was published it has sold more than 30 million copies – it was the bestselling American novel of the 20th century - but the book has become increasingly problematic for modern readers.
In this second episode, John considers how the history of the American Civil War and its aftermath inform the way the story is told. And he asks how we should address Margaret Mitchell’s shockingly complacent attitude to slaveholding and the racist language in the book.
John is joined by Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells; Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford; and Rachel Joyce, who has adapted Gone with the Wind for BBC Radio 4. Together they explore the racism that underlies the story and the difficulties of navigating Mitchell’s attitude to her black characters.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4.
Contributors:
Sarah Churchwell, Professor of American Literature at the University of London
Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4
Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford
Reading by Samantha Dakin
Credits: Gone with the Wind by Margaret Mitchell, published by Vintage Books
Produced by Jane Greenwood
Executive Producer: Sara Davies
Sound by Sean Kerwin
Researcher: Henry Tydeman
Production hub coordinator: Dawn Williams
A Pier production for BBC Radio 4 and BBC Sounds