The New Society | culture from the New Statesman

Historical fantasy, campus satire, industry exposé; five books in, and no one's quite worked out what a "RF Kuang novel" is supposed to look like. That's rather the point.

This September she publishes her sixth: Taipei Story, a semi-autobiographical account of a summer spent learning Mandarin in Taiwan - her most personal book yet.

She joins Tanjil Rashid in this episode of the podcast.
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From the fall of the Ottoman Empire to the current escalation of the war between Israel, Palestine and their neighbouring countries, the Middle East has been besieged by almost constant conflict.

Is it history? Politics? Resources? Or religion driving these tensions?

Tanjil Rashid is joined by historian and author Simon Sebag Montefiore, whose new book The Cauldron tells the story of the making of the modern Middle East.
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Charlotte Higgins has spent most of her career interviewing and critiquing artists, authors and poets as the Guardian's chief culture writer. It was unlikely that her work would ever take her to a warzone.

But following Russia's full-scale invasion of Ukraine, she found herself drawn to this country under siege. She wanted to ask, what happens to art under war? And could Ukrainian culture not just survive, but flourish?
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In the summer of 2024, riots tore through British towns, and since then old questions have continued to resurface about who belongs in the country.

Taj Ali has spent years digging into a history that’s rarely told in full: the long tradition of South Asian political activism in Britain.

His debut book, Come What May, We’re Here to Stay, traces that tradition and asks what it means for Britain now.

Taj Ali joins Tanjil Rashid.
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Every year, more libraries across Britain close their doors.

As councils have their funding slashed, these are often the first spaces to go.

What do we lose when we stop reading and collecting? What is a library to a community, beyond its books?

Tanjil Rashid is joined by the University of Oxford's Bodley's Librarian, Richard Ovenden.
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