The New Society | culture from the New Statesman

Throughout history, art, and artists, have caused moral outrage.

For a long time we had the liberal notion that we could separate great art from bad artists, but we do seem to live in a time of heightened moralisation around works of art and their creators. Why is that?

Tanjil Rashid is joined by Daisy Dixon, who has written the book Depraved: The Story of Dangerous Art.
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Christopher Nolan’s film adaptation of Homer’s epic poem is one of the most anticipated films in recent cinema history.

But what is it about this story, first told maybe 3000 years ago, that so fascinates us?

Who really wrote it and why does it represent, with Homer’s other great work The Iliad, the foundation of western literature?

Tanjil Rashid is joined by The Odyssey’s latest translator, classical scholar and literary critic Daniel Mendelsohn
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Hot dogs, fireworks, old glory, it’s the 4th July. This year marks the 250th anniversary of the USA’s Declaration of Independence.

What led up to these crucial events in 1776? Was the revolution truly American? And what does this anniversary represent today?

Tanjil Rashid is joined by Sarah Pearsall, historian and author of Freedom Round the Globe: How the World Made the American Revolution.
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Tayari Jones is one of America's most celebrated novelists, twice chosen by Oprah, shortlisted for prizes on both sides of the Atlantic, and read by presidents.

Her newest book was meant to be a tale of gentrification in the American South, she found herself an entirely different story. Kin follows two motherless girls coming of age in 1950s Louisiana, the Jim Crow South.It's a novel about female friendship, class, race, and motherhood.

Jones discusses her latest book, about growing up "bourgeois and segregated" in Atlanta as the daughter of civil rights activists, and what it's like to watch America try to turn the clock back on progress as it approaches its 250th birthday.
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Andrew Marr and the New Statesman's art critic Michael Prodger join Tanjil Rashid to discuss the life and legacy of David Hockney, who passed away last week.

A Bradford boy who became one of the most famous artists in the world. A gay man who made desire visible decades before it was safe to do so. A painter who took on the iPhone and the iPad and bent new technology to the oldest of artistic impulses. What do the pools, hedgerows and iPad drawings add up to?
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