The Writing Life

In this episode of The Writing Life, literary newcomer Grace Murray shares the process from mentorship to the publication of her debut novel Blank Canvas – a work of literary fiction about grief, reinvention and the ripple effects of telling lies.

 

Grace Murray was born in 2003 and grew up in Norwich. She has recently graduated from Edinburgh University, where she read English Literature and found time to write between her studies and two part-time jobs. Her short fiction has been published in The London Magazine. Blank Canvas was written over the course of a year as part of WriteNow, Penguin Random House’s flagship mentorship scheme for emerging talent. Grace Murray won one of nine places on the scheme on the exceptional strength of her writing, selected from a pool of over 1,300 applicants.

 

She sat down with National Literacy Trust’s Victoria Tynemouth to reflect on her path from early creative mentorships to publishing Blank Canvas. In their conversation, she also discusses writing about the female body, her approach to crafting unreliable and unlikeable narrators, and the process of developing her own voice and identity as a writer.

 

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In this episode of The Writing Life Podcast, novelist, poet and Associate Professor of Creative Writing Sam Meekings shares the process behind writing his latest book, Wonder and Loss: A Practical Memoir for Writing about Grief, which interweaves memoir and his personal journey through grief with practical guidance and insight on how to write about it.

 

Sam Meekings is a British novelist and poet. He is the author of Under Fishbone Clouds (called 'a poetic evocation of the country and its people' by the New York Times) and The Afterlives of Doctor Gachet. He currently works as an Associate Professor of Creative Writing at Northwestern University in Qatar, and has spent the last few years living and working in China and the Middle East. He balances his time between teaching, research, raising two kids as a single father, and drinking copious cups of tea.

 

Sam sat down with Steph for a candid and insightful discussion about writing as therapy, the importance of intention and of setting boundaries, the role of vulnerability, and of embracing the unknown when undertaking a writing project which draws upon lived, painful experiences. There is also lots of room for wonder, magic and play!

In this episode of The Writing Life, Trinidadian writer Celeste Mohammed reflects on the role of family, mythology, and Caribbean folklore in her writing.

 

Celeste has been a lawyer since 2001 but she has been telling stories all her life. A native of Trinidad and Tobago, in 2016, she graduated from Lesley University, Cambridge, Massachusetts, with an MFA in Creative Writing (Fiction). Her debut novel Pleasantview won the 2022 OCM Bocas Prize for Caribbean Literature. Ahead of its publication in the Caribbean and the UK, a story from her current novel-in-stories Ever Since We Small was shortlisted for the 2024 Commonwealth Short Story Prize.

 

She sat down with her friend and fellow Trinidadian writer Ayanna Lloyd Banwo to discuss Ever Since We Small, a powerful novel-in-stories in which survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family. Together, they explore her use of the short story form to create an intricately woven tapestry of stories, Caribbean folklore, and the book's themes of belonging, resistance, and legacy.

In this episode of The Writing Life Podcast, novelist and essayist Matt Greene shares the process of writing his latest novel, The Definitions – a work of dystopian fiction which interrogates and plays with the relationship between language, memory and the self.

 

Matt is a novelist and essayist. His first novel, Ostrich, published in 2013, won a Betty Trask Award and was a Daily Telegraph book of the year. His memoir, Jew(ish) was published in 2020. His latest novel, The Definitions, was published in October 2025. He lives in London with his partner and two sons.

 

The Definitions is an elegant and haunting dystopian novel about a group of individuals gathered to relearn how to navigate the world after a mysterious illness strips them of their memories. 

 

He sat down with NCW’s Steph McKenna to discuss the genesis of the novel, which began as a philosophical experiment, and how working within the dystopian genre allowed him to explore how language shapes identity. They also touch on his approach to writing characters who lack memory or a sense of self, and how their gradual understanding of the world was conveyed through a playful, vivid use of simile and metaphor.

In this episode of The Writing Life, Singapore-based writer Choo Yi Feng shares his approach to writing speculative fiction.

 

Choo Yi Feng is an intertidal explorer, climate activist, ecologist and fiction writer. The Waiting Room is his debut short story collection. Elsewhere, his short stories have previously been published in Foglifter Journal, Anathema: Spec from the Margins, Queer Southeast Asia and Alluvium, the journal of Literary Shanghai. He was nominated for the Pushcart Prize in 2022. His residency in the Dragon Hall Cottage was supported by the National Arts Council of Singapore.

 

He sat down with writer and mentor Simon K Jones to discuss world building in speculative fiction, and how his work blends elements of science-fiction, horror, mythology, and more. Together, they touch on his month-long residency in Norwich UNESCO City of Literature, his method for developing mysterious, compelling characters, and how his interest in the sea and sea animals translates in his stories.