Misadventures in Music with Ian Prowse & Mick Ord

Nothing Can Hurt Me Any More' is the recently released - and critically acclaimed - album by Michael Weston King, singer-songwriter and one half of the country duo, My Darling Clementine, along with his wife Lou Dalglish.
Two years ago their lives were rent asunder following the death of their 6 year old granddaughter Bebe King - the youngest of three children murdered in the attack at a dance class in Southport.
Eight other children and two adults were seriously wounded in the incident which received worldwide coverage and was followed by riots on the streets of Southport. 
Michael's album, released on Bebe's birthday on April 4th, has been highly praised by Elvis Costello who's described it "a beautiful, complex piece of work".
It's an uplifting and hopeful collection which reflects pain, anger and love,  as Michael explained to Misadventures in Music.

In this episode of Misadventures in Music, Ian Prowse and Mick Ord are joined by singer songwriter Noel Burke, best known for stepping into one of the most challenging roles in British music history when he became the frontman of Echo & The Bunnymen following the departure of Ian McCulloch.Noel reflects on joining the legendary Liverpool band during a period of immense change, working alongside Will Sergeant and Les Pattinson, and the challenge of performing songs that had already become part of British music folklore. He shares candid memories of touring with the band, winning over audiences, and finding his place in a group with such a devoted following.The conversation also explores Noel's early musical influences, his time with acclaimed Irish band St Vitus Dance, the realities of the music industry, songwriting, creativity, and the lasting impact of Liverpool's remarkable music scene.Along the way, there are stories about the post-punk era, life on the road, the pressures of following a celebrated frontman, and the friendships and musicians that shaped Noel's career. The discussion also touches on the late Pete de Freitas, drummer Damon Reece, and the often-overlooked chapter of Echo & The Bunnymen's history that Noel helped write.Thoughtful, honest and often very funny, this is a fascinating conversation with a musician who found himself at the centre of one of the most talked-about transitions in British rock.If you're interested in Liverpool music, post-punk, songwriting, music history, or the untold stories behind iconic bands, this is an episode you won't want to miss.

In this episode of Misadventures in Music, Ian Prowse and Mick Ord sit down with legendary Liverpool songwriter and Ian McNabb for a fascinating, wide-ranging conversation about music, creativity, and a career that has spanned decades.
From the early days of The Icicle Works through to his solo work and latest projects, Ian shares insights that only someone with his experience could provide.
Ian reflects on the rise of The Icicle Works, explaining how the band’s unique sound emerged during the 1980s alternative music explosion. He dives into the story behind the band’s unforgettable name, revealing the quirky, unexpected origins that many fans might not know. He also discusses the songwriting approaches that helped make classic tracks like Love Is a Wonderful Colour and Birds Fly (Whisper to a Scream) resonate with audiences, combining melodic sensibility with storytelling and emotional depth.
The conversation then moves to Ian’s brand new album 65, offering listeners a glimpse into his current creative process. He talks in detail about his cover of So. Central Rain (I'm Sorry), explaining what it meant to reinterpret such an iconic track and how collaborating with Peter Buck influenced the recording and arrangement. Ian also reflects on his broader approach to music production, maintaining artistic integrity, and how he balances homage to his influences with forging a sound that is unmistakably his own.
Throughout the episode, Ian shares candid stories about Liverpool’s vibrant music scene, performing live across the UK and Ireland, life on the road, and the challenges and rewards of sustaining a long career in music.
He offers personal anecdotes that range from humorous to deeply insightful, including the experiences that shaped his artistry, the pivotal moments that defined The Icicle Works, and how early influences continue to inspire his work today.
Whether you are a longtime fan of The Icicle Works, a music enthusiast interested in songwriting and production, or someone who loves hearing behind-the-scenes stories from Liverpool’s iconic music scene, this episode is full of rich, engaging content. It’s an honest, funny, and thoughtful conversation that captures both the legacy of Ian McNabb and the ongoing evolution of his music.

Tommy Scott, the main songwriter and guitarist, from the iconic Liverpool band "Space" is our highly entertaining guest in episode 42 of the Misadventures in Music podcast.
The band scored 8 UK Top 40 singles and had great success with their albums 'Spiders' and 'Tin Planet' in the 1990's and they're still going strong today.
Space' has a new album out later this year - "Ten Neurotic Fairytales" - and a UK tour.
Tommy's imagination and enthusiasm sparkles in this podcast and his wild tales of playing live in China, boozing with Tom Jones and throwing stones at the Prime Minister - when a self-confessed scouse "urchin"- provide genuinely laugh-out-loud moments in the podcast.

It's 1977 and punk has just hit Liverpool.  
The legendary Eric's club is home to the city's rebels and posers - many became pop stars.
Penny Kiley became a music journalist.
Atypical Girl - Punk rock, Liverpool and trying to be normal' is Penny's homage to the city's re-emergence as a musical force which had lain dormant since the Beatles upped sticks and left in the 60's.
The book is also the highly personalised tale of an autistic woman in the male-dominated world of music journalism - working for Melody Maker, Smash Hits and the Liverpool Echo, reviewing gigs by Echo and the Bunnymen and Dead or Alive, and interviewing Jonathan Richman and the rest.
"If anyone can paint a true picture of those glorious days, Penny can." - says Will Seargent.