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Movies are Life

Movies are Life
Movies are Life
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  • #120: Stationed at Home
    In this episode, Nathan kicks things off with a quick update on the release schedule for the rest of 2025 and a sneak peek at what’s coming to the podcast in 2026—then dives into a conversation with writer-director Daniel V. Masciari about his hauntingly tender feature Stationed at Home.Nathan and Daniel dig into the film’s gently magical mood, its fascination with strangers colliding in the cold and the way Stationed at Home finds wonder in mundane moments. Daniel shares how the movie grew from a single bus-stop image into a fully realized feature, why Christmas Eve and the International Space Station became key to its tone and how he worked with his cast and cinematographer to create performances and images that feel fully lived-in.If you’re drawn to offbeat holiday-adjacent stories, character-driven night movies or modern indies that believe there’s still real magic in human connection, this is a conversation worth tuning into and a film you’ll want to seek out on your favorite digital platform.Watch the critically acclaimed film / Learn more: stationedathome.com/watchFollow the film on Instagram: @stationedathomefilmRead Nathan's thoughts on ‘Stationed at Home’.Subscribe to our Substack!
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  • Reel 21 – #97: Gravity (2013)
    Alfonso Cuarón’s 2013 thriller Gravity follows Dr. Ryan Stone, a first-time astronaut who becomes stranded in orbit after a devastating cascade of satellite debris destroys her shuttle. Blending stunning visual effects, groundbreaking sound design and a career-defining performance from Sandra Bullock, Gravity transforms a simple premise into an immersive, edge-of-your-seat cinematic experience.In this episode, Nathan revisits Gravity more than a decade after its release to explore Cuarón’s visionary direction, why the film became a technical benchmark of the 2010s, and how its blend of tension, metaphor and spectacle earned it a spot among the essential films of the century.Up next: Ryan Coogler’s Black Panther (2018).Read Nathan's thoughts on ‘Gravity’.
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  • You Had Me at Rewind - Teenage Mutant Ninja Turtles (1990)
    Cowabunga, dudes! We’re traveling back to March 30, 1990, when the world’s most unlikely heroes burst from the sewers and straight into pop-culture history. Nathan is joined by longtime friend and fellow movie buff Kyle Radford to talk about the surprise indie hit that mixed martial arts, mutant mayhem and teenage angst into one slice of pure turtle power.From Jim Henson’s Creature Shop suits to Casey Jones’ questionable life choices, the guys dig into everything that made this movie way better than it had any right to be. They swap stories about VHS rentals, forbidden viewings, action figures and the eternal debate—who’s the best turtle? (Spoiler: it’s not Raphael.)So grab a slice, crank up that M.C. Hammer end-credits jam and join us for a totally tubular trip back to where it all began.Read Nathan's thoughts on Teenage Mutant Ninja Turtles.Support the podcast: https://www.buymeacoffee.com/moviesarelife
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  • You Had Me at Rewind - Good Will Hunting
    It’s not your fault. This week on You Had Me at Rewind, Nathan Chandler travels back to Dec. 5, 1997, to revisit Good Will Hunting, the film that made therapy cinematic and turned two childhood friends, Matt Damon and Ben Affleck, into Hollywood legends.Nathan is joined by returning guest Beau Gatlin for an in-person conversation recorded deep in the heart of Texas. Together they unpack why the story of a janitor-genius from South Boston still resonates, reflect on Robin Williams’ unforgettable performance and explore how this film made emotional vulnerability cool long before it was mainstream.From Elliott Smith’s moody soundtrack to the movie’s lasting influence on pop culture (and a few laughs about AOL screen names), Nathan and Beau dig into what makes Good Will Hunting both timeless and very, very ’90s.Read Nathan's thoughts on Good Will Hunting.Support the podcast: https://www.buymeacoffee.com/moviesarelife
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  • You Had Me at Rewind - Clerks
    This job would be great if it wasn’t for the customers.We’re heading back to October 19, 1994, to talk about Clerks — the scrappy, black-and-white indie that turned convenience store chaos into cinematic history. Shot for $27,000 on maxed-out credit cards, Kevin Smith’s debut launched a generation of filmmakers (and Jay & Silent Bob) while capturing the sarcasm, boredom and pop-culture debates of ‘90s slackerdom.Nathan is joined by Marisa Boyd for a conversation about Clerks’ raw DIY spirit, its laugh-out-loud realism and why the female characters might just be the smartest people in the room. They also reminisce about video stores, Magic Eye posters, the power of the Weezer Blue Album and that unforgettable “37” scene.It’s a love letter to indie film, Gen-X humor and the jobs we couldn’t wait to quit.Read Nathan's thoughts on Clerks.Support the podcast: https://www.buymeacoffee.com/moviesarelife
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About Movies are Life

Every week, longtime movie enthusiast, Nathan Chandler, breaks down and reviews the movies that shape our lives. Hear Nathan and guests discuss the biggest topics in the cinematic universe. New episodes drop every Wednesday.
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