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ResDance

Dr. Gemma Harman
ResDance
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  • ResDance Series 8: Episode 5: Dwelling in the interstice: Cross-disciplinary research as a mode of discovery with Mary Kate Connolly
    ResDance Series 8: Episode 5: Dwelling in the interstice: Cross-disciplinary research as a mode of discovery with MaryKate ConnollyIn the episode, Mary Kate shares insights from her experience as a writer and curator, and her particular interest in performance legacies and the material remains of performance. Situating our conversation around her recent monograph, In Smithereens: The Costume Remains of Lea Anderson’s Stage (Intellect, 2024), we discuss therole of costume in contemporary dance and explore hands-on practices as means of revealing what gets left behind in the wake of performance. In this episode, Mary Kate reflects on her preoccupation with the intersections between disparatefields of research and a willingness to embrace the role of the novice when inhabiting them.Dr Mary Kate Connolly is a writer and curator based in London, UK. She is currently undertaking research in partnership with Victorian College of Arts, Melbourne. Mary Kate is Co-Editor (with artist David Caines) of COMPOST, a multidisciplinary arts zine.Her monograph In Smithereens: The Costume Remains of Lea Anderson’s Stage (Intellect, 2024) is the culmination of a longstanding collaboration with choreographer LeaAnderson; many years spent experimenting in the costume archive, writing about the fabric remains of performance and curating exhibitions of costume artefacts. Mary Kate continues to be preoccupied with performance legacies (both material and immaterial). Looking to find alternative ways in which theycan be unfolded.She has curated exhibitions and live events at studio 1.1, London, Barbican Pit Theatre, TACO! Gallery, and Anthony Wilkinson, Soho. Edited publications include Lea Anderson's The Cholmondeleys and The Featherstonehaughs: 40 Years of Style and Design (2024), People Show: Nobody Knows butEverybody Remembers (2016) and Throwing the Body into the Fight: A Portrait of Raimund Hoghe (2013).Mary Kate is former Programme Leader of the MA and MFA creative practice at Trinity Laban Conservatoire of Music and Dance. She has performed at Prague Quadrennial, Brut Wien and as part of SPILL festival, UK. Contact Details:Email: [email protected] Media: @connolly.marykate@compost_art_zineRecent Publications and Related Links: In Smithereens: The Costume Remains of Lea Anderson’sStage:https://www.intellectbooks.com/in-smithereensCOMPOST Art Zine:www.compostartzine.comLea Anderson’s The Cholmondeleys and The Featherstonehaughs: 40 Years of Style and Design:http://www.leaanderson.com/40th-anniversary-bookPlease share this episode with students, educators, practitioners, performers, andinterdisciplinary researchers curious to learn more about dance research in action.
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  • ResDance Series 8: Episode 4: Thinking differently about training practices and the value of health care within dance with Steven McRae
    ResDance Series 8: Episode 4: Thinking differently about training practices and the value of health care within dance with Steven McRaeIn this episode, Steven reflects upon his experiences as a professional dancer and Principal of The Royal Ballet.  We position our conversation around the recently aired documentary “Steven McRae: Dancing Back to the Light”, which documents Steven’s journey with rehabilitation and return from injury. He reflects upon the revolutionary work of the Royal Ballet and a new sense of value he places on the role of scientific and embodied knowledge in underpinningand informing his practice.  Steven advocates the need for open dialogue and conversation around practices within dance and a greater accessibility of health provision within the sector.  Throughout the episode, he reflects upon the hope he holds for a greater sharing of experiences and the opportunity for a cultural shift in the training and workload practices of dancers.Australian dancer Steven McRae is a Principal of The Royal Ballet. He joined The Royal Ballet School on a Prix de Lausanne scholarship in 2003. He graduated into The Royal Ballet in 2004 and was promoted to First Artist in 2005, Soloist in 2006,First Soloist in 2008 and Principal in 2009. McRae was born in Sydney and trained with Hilary Kaplan and at The Royal Ballet School. He won the 2002 Adeline Genée Gold Medal and the 2003 Prix de Lausanne. His roles with The Royal Ballet include all the classical repertory and leading roles in works by choreographers including Frederick Ashton, George Balanchine, David Bintley, William Forsythe, Kenneth MacMillan, Alastair Marriott, Wayne McGregor, LiamScarlett and Christopher Wheeldon. His role creations include Magician/Mad Hatter (Alice’s Adventures in Wonderland), Jack (Sweet Violets), Sandman (Hansel and Gretel), Florizel (The Winter’s Tale), Emble (The Age of Anxiety), Creature (Frankenstein) and roles in Three Songs – Two Voices, Children of Adam, Chroma, Acis and Galatea (Royal Opera), 24 Preludes, The Human Seasons, Tetractys, Connectome, Woolf Works, Multiverse, The Illustrated Farewell, Yugen and concerto pour deux. McRae has performed as a guest artist with companies including American Ballet Theatre, National Ballet of Canada, Australian Ballet, Tokyo Ballet and at numerous international galas. His awards include the 2006 Emerging Male Artist (Classical) and the 2011 Best Male Dancer awards at the Critics’ Circle National Dance Awards. In 2014 he was named Young Australian Achiever in the UK by the Australia Day Foundation. https://www.rbo.org.uk/people/steven-mcraePhoto Credit: ‘Ballet Nights’Contact details:Instagram @stevenmcraeOther social media platforms:@royalballetandopera@verdensballetten@a_resilient_man.filmPlease share this episode with students, educators, practitioners, performers, and interdisciplinary researchers curious to learn more about dance research in action.
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  • ResDance Series 8: Episode 3: Exploring Dance as a Tool for Awareness and Wellbeing with Alice Marshall
    ResDance Series 8: Episode 3: Exploring Dance as a Tool for Awareness and Wellbeing with Alice Marshall In the episode, Alice shares insight into her experiences both as a professional dancer and choreographer and the work of her company - Adaire to Dance. Through exploring her choreographic identity, she offers insight into performative work and her drive for encouraging accessibility of the arts, presenting opportunities for all in dance. Alice reflects upon the role dance has as a tool for raising awareness ofexperiences and conversations that feel difficult to have, sharing her personal journey with baby loss and the role dance has played in her recovery. Throughout the episode, Alice highlights the need for open dialogue and conversation within dance and reminds listeners as to the wider value of dance.Please note this episode contains dialogue around baby loss Alice Marshall is a leading Dance professional in the Midlands area. After an extensive performance career with choreographers such as Paul Bloom, Katie Green and Cathy Seago, Alice went on to form Adaire to Dance – a professional performance company that demonstrates the diversity of Contemporary Dance. Her work with her own company concentrates on accessible dance and combining other art forms with the movement created. Often a collaboration with Illuminos is at the centre of her work. As Choreographer and performer within this company Alice also taught Dance toall ages in the community. As a lecturer she has a keen interest in the development and upholding of the work of Dance Artists, and therefore strives to present them all with opportunities that her connectionsin the industry can provide. Alice's dance academic research has been recognised, and she has presented papers across the sector including ELIA and Advance HE. Her work has been published in the form of a book Entertainment in the Performing Arts by Routledge and is the start of her exploration into a new way of accessible writing for academia. Alice was awarded Derbyshire's Inspirational Woman of the Year Award in the Arts (IWA) in 2015,and was one of three shortlisted for One Dance UK’s Lecturer of the Year 2018.https://alicevale.weebly.com/about.html  Contact details:Email: [email protected] Instagram @aeamarshall Linkedin: Alice Marshall (Vale) - SeniorLecturer - University of Derby | LinkedInOther social media platforms:@adairetodance@creativeparentPlease share this episode with students, educators, practitioners, performers, and interdisciplinary researchers curious to learn more about dance research inaction.
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  • ResDance Series 8: Episode 2: Giving Care: A conversation on dance, motherhood, and sustainability with Satu Hummasti and Shaun Boyle D’Arcy
    ResDance Series 8: Episode 2: Giving Care: A conversation on dance, motherhood, and sustainability with Satu Hummasti and Shaun Boyle D’ArcySatu Hummasti and Shaun Boyle D’Arcy share insight into their individual careers and how their collaboration exploring ethics of care giving and care giving began. In the episode, they explore their ways of working and reflect upon their processes of making and collaborating. Through discussion of their sharedthinking and practices, we explore having accountability and responsibility for beings other than ourselves; gender parity; the role or policy in creating change and the value of collective dance making. Throughout the episode, Satu and Shaun highlight the importance of using dance to share livedexperiences and the hope that through open dialogue and conversation, family life can more readily be integrated into arts and dance spaces. Satu Hummasti, originally from Helsinki, Finland, is a choreographer, dancer, educator, and writer who hasperformed, choreographed and taught throughout the United States, Europe, South and Central America, and Russia. Her work has been seen in Medellin, Colombia; Bordeaux, France; Edinburgh, Scotland (as a part of the 2007 Edinburgh FringeFestival); St. Petersburg, Russia (as a part of the Open Look Festival 2011), Helsinki, Finland, Oulu, Finland (as a part of the Arctic Steps Festival 2015), Kökar, Åland, and San Jose, Costa Rica; and nationally in New York, Boston, Phoenix, Salt Lake City, Edinburgh, Texas, and Seattle. Her work has beencommissioned by Compañía de Cámara Danza UNA in San Jose, Costa Rica; Repertory Dance Theater in Salt Lake City; Kannon Dance Company in St. Petersburg, Russia; for graduate students at the University of the Arts in Helsinki, Finland; and for the graduating class of professional artists at the Keskuspuisto AmmattiOpisto TanssiPuoli, also in Helsinki, and SBDANCE Curbside Theater in Salt Lake City. In NYC she has shown dances at Dance New Amsterdam, Chashama, The Construction Company, Sal Anthony’s Movement Salon, and at The John Ryan Theater at White Wave, as a part of the d.u.m.b.o. and Cool New York Dance Festivals. She currently collaborates on community-based projects and dance theater projects with Daniel Clifton- her most recent project “Shore” was awarded an ÅlandIsland Guest Artist Residency in Åland, Sweden. She is an Associate Professor in the School of Dance at the University Utah.Contact details: Email: [email protected] Instagram: @satuhummasti Shaun Boyle D’Arcy is a dance artist and educator who hadan extensive performing career, dancing in classical ballet and contemporary companies including BalletMet (USA) and Cedar Lake Contemporary Ballet (USA). She danced in a broad spectrum of works by leading choreographers such asGeorge Balanchine, Edwaard Liang, Jodie Gates, Larry Keigwin, James Kudelka, David Dorfman, Alonzo King, David Nixon, Marius Petipa, Emily Molnar, and Benoit-Swan Pouffer. Shaun’s own choreography stems from this lineage, intertwining her roots in ballet and contemporary styles. Her work has beenpresented internationally at venues including the Joyce Soho Theater (USA), Ailey Citigroup Theater (USA), Bonnie Bird Theatre (UK), Robin Howard Theatre at The Place (UK), and the Kennedy Center (USA) amongst others. Shaun holdsdegrees from New York University (BFA), Trinity Laban Conservatoire of Music and Dance (MA), and George Mason University (MFA). She currently serves as a full-time faculty member in the School of Dance at George Mason University,located just outside of Washington D.C., and previously held academic appointments at the University of California, Irvine and the University of Utah. Additionally, Shaun continues to teach and choreograph as a guest artist at dance organizations in the United States and abroad.Contact details: Email: [email protected]: @tiny.dancer.shaunInstagram: @gmu_schoolofdanceWebsite: Website
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  • ResDance Series 8: Episode 1: The Unknown In Dance with Rhiannon Faith
    ResDance Series 8: Episode 1: The Unknown In Dance with Rhiannon FaithIn the episode, Rhiannon shares insight into her experiences and interests in dance, choreography and theatre and the role theatrical devising continues to play in her work. Throughout the episode, we explore the inspirations for her ways of making, the thinking that underpins her processes and how her creations serve a connection and relationship with an audience. We discuss consideration of the audience in her work and the curating around which audiences the work is trying to reach, where the work is most useful and ways to create a community of work through this.  Rhiannon shares the value she places on the role of legacy in making a change and the potential both her work and more generally, artistic practice, has to make a difference.  Throughout the episode, Rhiannon reflects upon her continued appreciation for her own personal background, who she is and how she responds to her support network around her.  The importance of following your instinct and trusting in the work you make is highlighted throughout, alongside the value of surrounding yourself with a team who share the same vision and are willing to embark on the journey with you. Rhiannon Faith is a boundary-breaking Artist whose work and experiences cross artforms.  Brought up in a big Irish Catholic, working-class family, she is an exciting British female voice making waves in choreography, directing, social activism and as a published author. Artistic Director of Rhiannon FaithCompany, nominated for five National Dance Awards; ‘Best Digital Choreography’ (2021), ‘Best Dance Film’ (2022), and ‘Best Independent Company’ (2021, 2022 & 2023). Critically acclaimed work DROWNTOWN received 4STARS across the board, and recently toured to Wuzhen Festival, China. New work Lay Down Your Burdens, Co-Commissioned by Barbican,London and Harlow Playhouse, premiered at the Barbican in November 2023 and was shortlisted for a 2023 One Dance UK Award for ‘Innovation in Dance’ and nominated for a 2024 Olivier Award for ‘Outstanding Achievement in Dance’.Photographer's credit: Foteini Christofilopoulou Contact details:[email protected]://www.rhiannonfaith.com/Social media platforms:X: @RhiannonFaithFacebook: @RhiannonFaithCoInstagram:  @rhiannonfaithcompanyRelated links:Rhiannon Faith Youtube Channel: https://www.youtube.com/channel/UCrBJ9bj8Gg4tq9x-vArHfGQHarlow Care Film: https://www.youtube.com/watch?v=ybfu4fpKEzUPlease share this episode with students, educators, practitioners, performers, and interdisciplinary researchers curious to learn more about dance research inaction.
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About ResDance

A podcast dedicated to research in dance practice, intended for educators, students, practitioners and performers and interdisciplinary researchers curious to learn more about dance research in action. Series 1 - 7 of ResDance are now live! podcasters.spotify.com/pod/show/resdance Social media platforms - follow ResDance: Instagram: @resdancepodcast Facebook: facebook.com/resdancepodcast Twitter: @GemmaHarman8
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