This week we're joined by one of our favorite guests, Alaina Urquhart from the massively popular podcast Morbid to take a trip back in time and bask in the warm nostalgic glow of 1998's The Faculty from director Robert Rodriguez. Along with our usual exhaustive break down of the movie you'll hear about the unusually violent high school that we attended (and also was home to Pam Smart), that time Bryan and his girlfriend sat in on a Heaven's Gate presentation at the local library, hosted by Marshall Applewhite, and how Bryan and that same girlfriend were hoodwinked by members of the Church of Scientology into taking their Oxford Capacity Analysis test.It's tales of peril and high strangeness, sandwiched between a love letter to an underrated gem of 90's horror, made possible by a talented and passionate director and his extremely photogenic cast. Sure, the end of this movie sucks but if you shut it off before the heinous Breakfast Club coda you end up with a ton of fun and no better way to kill 100 minutes.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
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2:13:35
(Sample) Do You Think I'm Spooky? S1E15: Lazarus
To unlock the full episode go to Patreon and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.This week we slog it out through another Gansa and Gordon filler episode. Scully's ex gets gunned down during a bank robbery and is somehow resuscitated with the spirit of his killer inside him. He's out to find his lady and the whole thing is a little exasperating if we're being honest. We're positively exhausted by the repeated attempts to fill in Scully's backstory with nothing but daddy issues, deadbeats on the dating scene, and in this case, a wildly inappropriate and unlikely scenario where foxy Dana Scully shacked up with one of her instructors, a suitably dumpy bureau guy who couldn't possibly have landed a fine lady like Specia Agent Dana Scully.We also run down the headlines, talk about the inexplicable success of Mrs. Doubtfire, and marvel at the rising tide of booty jams and sweaty silk-shirt R&B tracks on the radio.
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6:03
(Sample) Millennium Edition: House of Wax
To unlock the full episode go to Patreon and subscribe at the $5 level to unlock all of our Millennium Edition episodes as well as our X-Files rewatch and 90's history podcast, Do You Think I'm Spooky?, and Radio Free Haddonfield our bi-weekly DJ and music show.This month we're taking a big step back into the 2000's for a look at a movie that somehow manages to typify the entire decade in a single package. You get: heinous mall fashion, a cast of WB/CW soap actors, a Hot Topic-ready soundtrack of all the hottest nu-metal acts, Paris Hilton, and the last gasps of casual misogyny and homophobia in the days before social media. House of Wax is a soulless, artless, remake in the high holy days of the horror movie remake.Dave asks the question: does the culture owe Paris Hilton an apology? Bryan asks the question: Is this actually a remake of the Vincent Price House of Wax? It seems to be a remake of Tourist Trap. Collectively they ask: Is this all Millennials had to look forward to? House of Wax is the worst of all possible outcomes and we're going to tell you all about it.
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10:57
99CR 33: Highlander
Heeeeeeeere we are! Born to be kings! We're talking immortals, sword fighting, decapitations, Queen! It's 1986's cult classic, Highlander, an absolute mess of a movie that somehow, against all odds, has amassed a worldwide following of super fans. It's a little bit of column A and a little bit of column B, just a mishmash of nerdy tropes thrown together and somehow working together in a way that made every twelve year old boy a megafan.Christopher Lambert plays a brooding Scottish guy who must fight a crazy evil heavy metal black knight while Sean Connery chews scenery. It's all sword fighting all the time and a soundtrack provided by Queen that is easily as memorable as the entire movie. Russell Mulcahy is out here putting his music video filmmaking skills to work on a stylish action adventure that endures as an unstoppable cult movie item that Bryan and Dave are at a loss to explain.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
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1:53:07
72: Hour of the Wolf
This week we're joined by Chris Haskell of Punk Vacation, Mondo Macabro, and They Live By Film as we continue our series of high-class horror movies. We're talking about the divine black and white Swedish torment of Ingmar Bergman's Hour of the Wolf. Bergman is one of the all-time film making greats and you can see his fingerprints on the weirder corners of American film. In the case of Hour of the Wolf you can draw a direct line from this deeply introspective movie to the work of David Lynch. With Max Von Sydow and Liv Ullman, Hour of the Wolf is a movie about a lot of things. It's about an artist's place in his own work, what it means to own a piece of art, it's about guilt and regret and the damage left in your wake when you're constantly following your heart. Ingmar Bergman is a filmmaker who seemed to be constantly going through something and this is one of the results of a man living in his head 24/7.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
Bring Me the Axe is a comedy podcast celebrating the best (and worst) horror from a time when the video store ruled the night. Every other week, brothers Bryan and Dave White (and the occasional guest) heed the call of nostalgia and evaluate the classic 70s and 80s horror movies they loved in their childhood to determine whether the movies are still relevant today or should be allowed to fade into obscurity.
UK