Throwback Thursday: John Feldmann discusses Goldfinger’s “Superman”
In this Throwback Thursday episode, originally released on June 5th, 2023, John Feldmann of Goldfinger sat in for Episode 158 to break down the writing and recording of their 1997 single “Superman.” He shares how the song evolved in the studio, the creative choices that shaped its energetic sound, and how it became an unexpected fan favorite—thanks in part to its inclusion in Tony Hawk’s Pro Skater. It’s a behind-the-scenes look at a track that continues to resonate with listeners more than two decades later.
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1:22:21
Ep. 262: Ian Dench discusses EMF's "Unbelievable"
In this episode, Ian Dench of EMF joins the show to discuss the writing and recording of the band’s explosive 1991 hit, “Unbelievable.” From its instantly recognizable hook to its genre-blending sound, the song became a cultural phenomenon and an enduring stadium anthem. Ian offers a look behind the curtain at the song’s construction, including its layered instrumentation, unique pre-chorus, and the clever use of samples—most notably the shout of “Oh!” lifted from Andrew Dice Clay’s stand-up album. He also recounts how a chance encounter with Rick Rubin at a New York restaurant led to Rubin casually granting sample clearance with the words, “Fax my office in the morning.” The conversation explores the emotional and musical influences that shaped the track, the challenges of creating in the analog era, and how personal experiences and playful experimentation helped fuel the song’s unforgettable energy.
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1:25:22
Ep. 261: Roger Lima discusses Less Than Jake’s “Sunny Side”
On this episode, Chris is joined by his Less Than Jake bandmate Roger Lima to dive into the writing and recording of their 2024 single "Sunny Side." The conversation explores the song’s layered instrumentation, dynamic horn arrangements, and emotionally resonant lyrics that center on self-realization, identity, and personal growth. Inspired by a fan’s encouragement to “keep your sunny side up and your dirty side down,” the track blends heavy riffs with melodic textures, channeling arena rock energy while remaining rooted in ska-punk sensibilities. From the tension-building breakdown to the soaring vocal finale, Roger and Chris break down every element of the collaborative process that brought “Sunny Side” to life—both in the studio and on stage.
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For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at http://www.ChrisDeMakes.com
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1:09:32
Ep. 260: Elyse Rogers discusses Dance Hall Crashers “Lost Again”
On this episode, Elyse Rogers of Dance Hall Crashers joins Chris to talk about the writing and recording of the band’s 1997 fan favorite single, “Lost Again.” Elyse reflects on the group’s collaborative dynamic, the comfort and shared vision she found working with producer Stoker, and how the song’s lyrics touch on personal and industry struggles faced by artists trying to stay true to themselves. The conversation dives into the technical side of recording, including the band’s use of tape to achieve their signature sound, and highlights how each member played a vital role in shaping the track. With candid reflections on the emotional toll of promotion, the joy of live shows, and the importance of mentorship, this episode shines a light on a band that’s always put fun and authenticity first—and continues to influence the world of ska punk today.
Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes
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1:07:14
Ep. 259: J Navarro discusses The Suicide Machines “S.O.S.”
In this episode, J Navarro of The Suicide Machines joins the show to discuss the origins and last-minute magic behind “S.O.S.,” a fan-favorite track from their 1996 debut Destruction By Definition. J reveals that the song nearly didn’t make the album, coming together late in the recording process after a scramble to finish it. At the time, the band was young and more interested in diving into the L.A. punk scene than soaking in the legacy of A&M Studios, where they recorded among the ghosts of classic albums. J credits producer Julian Raymond for capturing the energy and urgency that gives the album its lasting punch, and he gives drummer Derek Grant props for his significant songwriting and performance contributions to both this song and the album as a whole. Nearly three decades later, “S.O.S.” still hits hard, igniting crowds and standing tall as a staple of the band’s live set.
Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes
For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at http://www.ChrisDeMakes.com
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Chris DeMakes A Podcast, hosted by Chris DeMakes of the legendary punk rock band Less Than Jake, features guests who have written iconic songs, exploring their backstory, creation, inspiration, and significance. Each episode offers an in-depth exploration into a specific track from renowned artists, with guests providing untold stories and fascinating details. From chart-toppers to hidden gems across various genres and eras, the podcast offers a rich listening experience. Chris's passion for music and songwriting fuels engaging discussions on lyrics, melodies, production techniques, and cultural context. Combining informative storytelling, interviews, and analysis, the podcast appeals to music lovers, die-hard fans, and anyone curious about the songwriting process. It provides insight into the artistry behind timeless songs, making it perfect for those seeking inspiration or simply wanting to immerse themselves in musical magic.
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