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Rhythms of Focus

Kourosh Dini
Rhythms of Focus
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69 episodes

  • Rhythms of Focus

    67. ADHD, Mindfulness, and Anchoring

    06/08/2026 | 17 mins.
    As someone with ADHD or a wandering mind, you may have been told to keep a scratchpad on you at all times. It's a great way of capturing our thoughts in the moment so they don't flutter away as our minds are want to do.
    But, a scratchpad on its own doesn't always spur us into action. And in some cases, it can turn into the thing we avoid at all costs, serving as a reminder of many things that have been left undone.
    So how to we move past the scratchpad phase and turn into a powerful tool that is helpful? This week we walk through the different layers of the anchor technique. It's a tool that has worked very well for my students and for myself when feeling scattered. It's one that can be used in conjunction with other tools and often makes them more helpful.
    We close with a new take on a composition I've played here before, Caregiver, in C minor.
    Transcript
    What do we actually do with a scratchpad? There are various ADHD talking heads out there who tell us, "Keep paper on the desk, in the car, by the bed, on your person. Capture whatever's loose. Get it out of your head."
    Good advice. But you've likely noticed writing things down doesn't make them done. Sometimes it just builds the pile higher. The list itself can become something we dread. So what's the difference between a scratchpad that helps us and one that haunts us?
    Again and again, students have told me how they find the anchor technique to be a powerful way of engaging work and life in general, whether they're scattered, exhausted, even when they are focused and they're just trying to figure out a way to be even more so.
    Whatever system they build or use, whatever productivity method or app they try, they bring this anchoring technique with them. And I've explained it in some detail in episode sixty-two if you wanna have a listen there.
    But what about it works? Isn't it just using a scratchpad? Well, this is similar to asking, "Isn't meditation just about focusing on one thing?" Well, eh, kinda, maybe, some ways, yes. But it also misses the entire point.
    Mindfulness, reconsidered
    We engage a type of mindfulness. The trouble, I think, is in that word, mindfulness. I, I don't know about you, but the word tends to make me feel a bit of the ick. I think it's been kind of mauled by the marketing machinery of, of everything. It's so amorphous, so soft and squishy. Aren't we mindful all the time?
    And even if I were to suddenly be mindful somehow, whatever that means, so what? I've still got things to do, matters to address, stuff to stuff. I like this comment that a particular Redditor pointed out and said, "Mindfulness is an unlucky translation of the Pāli word 'sati.' It's remembering to observe how mind's attention moves."
    When we do engage in this mindful approach, which I'll point out in a moment, we tend to help ourselves move from scatter to smoother waves of thought where we can more deliberately, deeply, calmly engage the moment.
    Okay, so well, that's all well and good. What am I talking about anyway? What is anchoring and how does it relate? So I'm gonna walk you through eight levels of how this practice of pen and paper deepens and, and how it becomes more mindful and hopefully it'll, it'll give you a sense of , what I mean by this.
    From to-do list to a menu of the moment
    Level one. We all know how to use a scratch pad, right? You write stuff and sometimes that's totally what we need to do. There's nothing more that we need to do. We just need to write what we need to do and do the things.
    Typically we write a to-do list of sorts. We throw things down, remember, "Oh, I gotta do this, that, the other thing," all the things that are weighing us down and ah, doesn't that feel good to get out?
    Trouble is none of it's done and that can be exhausting depending on what we've written. Sometimes we can even overwhelm ourselves looking at whatever we've just created, this awful golem ready to destroy its creator.
    One thing that's missing is any respect for working or short-term memory, those parts that engage the now. These are the things that would hopefully help us stay with this present moment instead of having to juggle the zillions of things that are bubbling outside.
    So level two. What if we just listed what was on our mind to do in this moment? What our mind is juggling just about the now. Those things that are not now, well, we could put those somewhere else. Those are quite likely important in their own ways. Fine. But just doing that, chances are you'll have reduced that list considerably.
    Just what's going on in our mind right now? What is on my mind? We might even recognize that having these items of the now sitting on paper can now support us. We have more mental energy available to clearly decide where we want to rest our attention next. We're not being dragged down by whatever we cannot do in this moment.
    In this way, anchoring answers two questions. First is, what's on my mind? Maybe something that's bubbling just below consciousness or right there. What's on my mind to do? And then secondly, where would I like my mind to be? And that's where we circle something.
    Now, we're only at level two here in terms of the levels of mindfulness, if you will. So let's keep going here. So far, we've only written down the things that are likely "shoulds", but what's also in our mind are "wants."
    What if we expanded? What if we allowed onto this list our current wants? I wanna play a game. I wanna step outside. I wanna watch a show. Even allowing ourselves to recognize that we have wants, that they might have a place to sit side by side with our needs, that can be a revelation.
    Not the least of which, and one that can take considerable practice for some, is realizing how this sheet of paper can now shift from "shoulds" and "have tos" into a list of options, a sort of menu for the moment.
    At the fourth level, even further, when we start to conceptualize more deeply how this is just about the now, we can start feeling like this paper is not here for us to serve it, it's there to serve us. It supports us.
    The way we do that is we allow ourselves to throw it away. We can throw this away at any moment, whenever it no longer represents the now. Now, of course, if there's something we wanna keep, we can put that somewhere else. But here we've got this thing that is dynamically shifting to meet us in this moment.
    Okay, but what about when we finish writing this beautiful list and perfect it in whatever ways, although I'm not saying that one ought to perfect it in whatever ways, but let's say you're doing it anyway, and then wander off immediately. Well, we've been impulsive, haven't we?
    So we can define impulse as this sort of flow of emotion into action that at least in part has overwhelmed or bypassed consciousness. Let me say that one more time. We can define impulse as a flow of emotion into action that at least in part overwhelmed or bypassed consciousness. In other words, something unconsciously happened.
    We suddenly realized we were in our emails or social media, three tabs open researching the best possible air fryers when all we wanted was a snack. Well then, what if we acknowledge those, too?
    That's level five. In those moments, we catch ourselves, which we may not always be able to do, but when we can, we can return to that list, that anchor path that we've been building here, and write down where we wandered.
    In that way, we're doing a few things. We're, we're making the unconscious conscious. But not only that, we're giving it a space, a place that it can rest, where our working and short-term memory can again be supported, where we can gently decide where would we like our mind to be. We're not forcing ourselves out of where we went. We're not forcing ourselves into something else. It is now an option amongst the rest. Agency is strengthened.
    WIN, WIND, WIND-E, BE WIND
    With these ideas so far, we've got want, impulse, need. A lovely mnemonic already. WIN. Win of the now, right? This prompt can already be helpful to help us be mindful in engaging, in helping support that sense of agency at the moment.
    But there's deeper we can go yet. What if we wanna do nothing?
    Level six. Don't we have that right? Of course. We can drift. D for drift. Adding to our mnemonic, we have WIND.
    Level seven, deeper yet. We can recognize how our options are all formed from emotion that which is cresting into consciousness. These emotions are coming from somewhere, maybe somewhere of meaning, known, unknown, conscious, unconscious, well beyond.
    We could, if we wanted, don't have to, write a word or two about where our mind is. Write one part frustrated, three parts worried, and a dash of curiosity somewhere in the corner. Maybe we start to journal or not at all, but doing so adds E for emotion to a misspelled WIND-E mnemonic.
    Finally, we've got level eight. We can think about how these emotions even rest in the body, a tension in the gut, a crinkle of the eyebrows, a tightening of the breath. Our bodies are trying to tell us something, whether clear or not.
    So B for body creates the mnemonic B WIND. I find there to be something deliciously paradoxical between the idea of anchoring and being wind, but it works. Anchoring is pausing, not tethering. Often when I mention anchoring, people at first think I'm talking about tying ourselves to something, and that is not at all the case.
    Anchoring is about pausing. It's creating that breather, that space between the waves of focus to look at the possibilities....
  • Rhythms of Focus

    66. ADHD and the Power of Care in Story with Guest Neal Foard

    30/07/2026 | 56 mins.
    This week I am joined by storyteller Neal Foard to discuss the act and emotion of care. Those of us with ADHD and wandering minds can often get overwhelmed by the negativity taking over our social feeds, looking at the news, or even just talking to those around us.
    Neal reminds us that while compassion fatigue is real, it's also not all doom and gloom. Our algorithms are created for engagement, doom sells and our attention is our currency.
    It's important to take a step back and look at the good things going on around us - even at a micro level. From the person letting you merge during heavy traffic, to someone turning in a lost wallet. Good things are happening all around us, and when we put more care into the world, more care comes back.
    Learn more about Neal and his work on his website StoryFire.net
    Mentioned in this episode:
    Waves of Focus YouTube Series
    Look out for new episodes of the new Waves of Focus YouTube series here: https://www.youtube.com/playlist?list=PLJpQS5q6yvRw
  • Rhythms of Focus

    65. ADHD and the Seductive Pull of Passion

    23/07/2026 | 14 mins.
    When the universe puts something fun or interesting in front of us, it can become a welcome distraction from what we are "supposed" to be doing. This can be especially true for those of us with ADHD and wandering minds.
    We can easily be swept away, like a boat at sea, riding the current of thoughts and emotions taking us further and further away from our plotted destination.
    Instead of going against the current, I propose a structured pause to reflect on where you are being pulled, as well as what is pushing you away.
    Take a deep breath and notice your thoughts and the feelings flowing through your body. Then name and write down the activity pulling your attention towards it.
    You can then turn tasks into options, allowing deliberate consideration for how you would like to precede and where to focus your attention.
    We end with a piece entitled ā€œWaves on Night’s Shore.ā€
    Clunking down the stairs, dragging myself to the laptop, an idea or two rattling in my head.
    I need to get back to that person. It's been a couple days since they emailed me. Starting to get rude not to answer.
    Ah, but I still have to research something.
    Pet the dog, pull out the chair. Wait, I need my tea. Grab the decanter, go through the motions of preparing a gong fu session of tea, this wonderful little art of creating tea, a shortly brewed small cupful at a time.
    Finally, I crack open the laptop. Barely conscious whispers of that email evaporates as if I said, "I can wait. I have all day." 'Cause as I open that lid, that project I'd been working on, open overnight, greets me with its virtual open arms. "Hey, you, here's that next step ready to go. Just nudge me forward."

    The Project That Greets You
    So here I am, dragged myself to the laptop. I had an idea of what to do, and it's gone as soon as the laptop's opened and there was something sitting there waiting for me. What would it hurt if I just tapped it forward? I do have all day, don't I?
    And we all know where that thinking leads.
    I've been working on a major project both using and exploring the potential of AI and more specifically, Claude Cowork, building what are called "skills" along the way.
    Questions have been bubbling. Am I giving up my sense of agency? Am I harming the environment? W-I can do what now? This is the neatest thing.
    Back and forth ideas go as I come to grips with the ideas of its impact on society as well as the minutiae of the moment's project. All wonderful problems to wrestle with and excite me along the way and distract me from that email.
    I Can Feel the River
    I'm being pulled. Paraphrasing Dungeon Crawler Carl, "I can feel the river."
    A wandering mind can easily be caught in eddies of emotion. Interest, passion, that regular visit to something that engages us, tantalizes, promises, develops a sense of meaning, flares from play into challenge along some paths of mastery.
    Forget the dishes, forget that email. There's the thrill. We're doing something. Maybe we hadn't been doing something before. Maybe we're just pulling out of some period of exhaustion, some not only still but stagnant waters, and here before us is that feel, that pull.
    For some, it's a game. For others, it's a book, a garden, an exercise, an event, a world developing within and without. May even be the dishes or cleaning beyond.
    Whatever it is, we inherently sense that distortion that comes from that powerful emotion. Any emotion, particularly the powerful ones, passion or otherwise, distort that lens of the now.
    For those with ADHD, we're already myopic, monotropic, magnified. This moment is already heightened, in the not now, meaning beyond current conscious awareness, flows along the periphery, shrouded in a fog we hardly even know to be there.
    Maybe you have an overwhelming list of things to do. Maybe you have a meeting waiting to stare you down in a calendar. But those negative associations, themselves a rocky, thorny, ugly worry reflexively deflecting our gaze away, seemingly steer us even further into the rapids of that promised play.
    Boats, Not Cars
    I've often said we're not cars with poor brakes. We're boats floating on the seas of emotions, and there are no brakes.
    Why the Pause Is So Hard
    The pause is vital, but my goodness is it the most difficult of all the productivity ideas, the executive function skills, whatever terminology you want to give it. Pausing is difficult in part because we haven't a clue as to what to do with it.
    Do I look at the ceiling? Do I white-knuckle avoiding the thing I really wanna do? Do I force myself to do the thing I don't?
    Framing the Pause
    But how about if we frame a pause with the following?
    One, first know the pull, the push, the joy, the anger, the worry, the fear, the care, the overwhelm, the whirling winds and waters ready to drag us about. Again, the hardest of all steps.
    Second, take at least a single deep breath to be there, though to whatever caring degree makes sense. Give those feelings their space to be recognized as thoughts, felt as feelings, sensed in the body.
    And three, name the thing of interest. What's pulling us? Maybe even write it down, optimally with pen and paper. In this situation, part of what's thrown matters off is that ease of access.
    The laptop said, "Hey, I'm right here," as I opened it. The hope, though, is that we can then hold ourselves in that space so that we can better craft our environments. We can then raise the thresholds against those things that we'd prefer to avoid simply drifting into and lower the thresholds towards those things we'd like to engage more deliberately.
    We hope to guide ourselves.
    Begin, or Wind Down
    So here in this pause, where we've written down this idea, we can consider also writing the words begin and wind down next to whatever idea.
    So if I've been working on a project, I might write down wind down project with the idea that I would clear it out. Doing this, we've now created the options of one or the other, acknowledging that we can engage or deliberately consider how we can set it aside. With that deep breath, we can then more fully decide perhaps to wind it down, and let's say we did.
    The Project Map
    Now with a piece of paper again, I could write a title, play the game, garden, explore the AI. I can write down what's on my mind to do about this. I can write, if I were to put this away somewhere out of the way of other things that I find meaningful, maybe even out of sight, how would I get there?
    How could I get there from this document I'm writing right now? Could it be a link? Would it be directions? Could I start putting things in places, hiding them so that they're out of the way of other things?
    So that this thing won't jump out at me once I open the laptop, and then I can still get there from, from this piece of paper, from this document.
    Once I've done that, maybe I can think, is there anything else about this on my mind? Can I even let it consciously drift from my mind?
    If I can do that I'm acknowledging the momentum that's there, the strength, the power, the whatever it was that was, so fueling me in that moment, and with that, addressing that momentum.
    Now, those questions that I just mentioned, those steps that I walked you through, create what I call a project map. That document, that object can now act as a portal. Makes it easy to get to everything, but keeps everything else out of the way.
    You no longer have to rely on the thing to be the reminder of itself, a surefire way to distract or shame yourself as it continually sits there undone. Now you have this central place, and you can cross off wind down that you'd written earlier.
    One More Breath
    Pause. See what comes to mind. Maybe you still wanna dive in even after you've cleared it all out. But I also wonder if after doing something like this, you might have more mental room for other ideas to come to mind, other wants, other needs.
    Maybe write those down. You have every right to dive back in. Those currents are still there ready to ride. But if you decide to do so, you'll be much more conscious of that decision.
    "Waves on Night's Shore"
    Well, July just seems to be a month of improvisations. Years ago, I performed live on various stages. I remember one such performance about 20 years ago or so now at an electronics festival in Black River Falls, Wisconsin.
    I was talking with other performers. One of them asked me about the bed I used. A bed in the musical sense is this sort of background rhythm, a beat, something that would go where, you know, you could, create things above it. Generally something in a higher register, a melody, typically, it was something pre-programmed. But I said I didn't have one.
    Everything I did and continue to do is generated live. I take my inspiration from jam bands like Phish, who I admire greatly. There's an importance to underlying structure, but it needs to be able to match the energy, sound, rhythms, and the like of the melodies above, at least as I feel it.
    Maybe that can happen. Maybe those pre-recordings need to happen, especially if we're recording in a studio. But something fun does seem to happen when, the background and the foreground reacts with each other. Same thing that happens when musicians play together live. In any case, I hope you can hear that in this following piece called Waves on Night's Shore, and I hope you enjoy it.
    Mentioned in this episode:
    Waves of Focus YouTube Series
    Look out for new episodes of the new Waves of Focus YouTube series here: https://www.youtube.com/playlist?list=PLJpQS5q6yvRw
  • Rhythms of Focus

    64. Creativity and the Wandering Mind with Graphic Designer Extraordinaire, Matt Strieby

    16/07/2026 | 38 mins.
    This week I welcome creative mind and graphic designer extraordinaire, Matt Strieby of New Leaf Design. I was first lucky enough to work with Matt in 2005, when he captured the vision for the art gracing the CD for my album, Ontogeny. We've been collaborating ever since.
    We discuss the creative process for those of us with wandering minds and neurodivergent/ADHD traits, the importance of play balanced with structure. We also talk about embracing and learning from our earlier "cringe" moments, and the importance of sometimes literally walking away from a project to give space for our creativity to breathe.
    We talk about Matt's personal process: reflection/visualization (often sitting quietly or walking), playing in the ā€œsandboxā€ phase of sketching and experimentation, a refining phase that narrows options while preserving play, and a final production phase with technical, structured execution.
    Matt’s design work is at newleafdesign.com.
    Mentioned in this episode:
    Waves of Focus YouTube Series
    Look out for new episodes of the new Waves of Focus YouTube series here: https://www.youtube.com/playlist?list=PLJpQS5q6yvRw
  • Rhythms of Focus

    63. Creativity and Frustration

    09/07/2026 | 8 mins.
    Frustration is an emotion that can be elusive in its origins while being capable of putting a halt to almost anything we're trying to accomplish.
    We feel frustration doing something like putting together IKEA furniture. Sometimes it really is about the furniture. Other times we may have something entirely different lingering in the back of our mind making it difficult to use the hex key, thus derailing our ability to put the Früken shelves together.
    We may buy a new tool or software that is supposed to make life easier, only to find it too complicated to use and too much of a burden or embarrassment to return. We may even feel a sense of failure tied to it.
    Frustration is the feeling that arises when reality fails to meet a preconception, whether that vision is clear or blurry.
    This week, we explore how frustration can be a great teacher if we pause to see what we can learn from it.

    Transcript
    Ah, it's going all wrong. Order the pieces of whatever's lying about. A screw is sitting there. Where did that come from? Frustration at work is quite the companion.
    Digital, physical, even mental piles of whatever sits about as we try to build whatever. How is this ever gonna come together? The garage, the report, the dishes. What do I do? So what do we do?
    When the Pieces Won't Come Together
    Demands from others pile on. The budget, the stakes, hidden or in plain view, all pile onto the pressure and overwhelm. A Camera, and a Decision Somewhere I decided, in the wake of completing the Waves of Focus materials, that I might work on my YouTube channel, maybe something to enhance the Rhythms of Focus podcast.
    A teleprompter would help me look at the screen. A webcam as opposed to a DSLR would save me some money. Research mode engaged. Days, if not weeks later, I emerge victorious. Decisions have been reached. Decisions themselves, these weighty beasts, desires, visions, fears, more ideally rest in reflection until they settle with some clear option forward
    But so often they don't. The ordered supplies sit there, and things aren't working. So I might wonder, do I know what I'm doing? Well, the answer is no, otherwise things would be moving forward.
    Will I know what I'm doing? Well, I don't know. I can only put one foot in front of the next. I think I may have made a mistake with that camera I bought. No, let me see how I can make it work.
    Frustration. The heart of it is frustration, the sense that appears when what is being realized is somehow not meeting that preconception, as clear or as blurry as that vision might have been.
    It's the same gap we find in story, that space between wish and fulfillment that just doesn't seem to resolve. But let me keep trying. Isn't that productivity? Sometimes.
    Push or Run
    Sometimes it's a matter of an unconscious fight playing out on the stage of the now, this anger at IKEA furniture that represents the troubles of an unsolved chronic argument in a relationship that has nothing to do with this.
    A confusion with a report that plays out at a sense of loss at work. Other times, it really is just the furniture itself. How do we know the difference?
    So often we can either push ourselves through or run. Pushing becomes hyper-focused, this unrelenting, "I need to do this. I need to get this done." Everything else is ignored. Seems like we're thinking something through, but in reality, we're being driven by that force unreflected.
    When we run, we look for anything else that's easy to solve. That temptation to jump into email where we can mark something as read, to look at a short video on social media for some easy sense of consumption.
    But what we lose, what I lose, is a recognition of frustration as teacher
    Frustration as Teacher
    Pausing to rest the mind on that sensation of frustration, sometimes we find a clue. In consideration, I might think of where the pieces are now.
    The camera's well-featured, but those features conflict with the setup. I've been trying to make it work. What if I freeze it in place this way? What if I get something to block the glare? All of them might be useful to experiment with.
    Where Bravery Comes In
    But I gradually realize this resistance. I don't want to return it. Not only is it more time, but there's this sense of failure with it. Maybe imagined confrontation with the staff of the place that it's ordered from, the sense of mistake, error, part and parcel of the creative process.
    And while I can consciously say that there might be some emotional part of me that just doesn't see it that way, there's another part that may. Once confronted, though, I can then say, "Oh, that's the point where I can apply bravery."
    In retrospect, it seems simple. While the cost of returning something, the effort, the packing of stuff, yeah, it's there. It's the whatever that might come from conflict that blocks that true work.
    Thought Born from Frustration
    Frustration, when managed well, has opportunity to become thought. In fact, psychoanalyst Wilfred Bion would say that thought doesn't exist without it. If mastery is an ability to do something without thought, frustration gives us the path there, a reflection that something meaningful is attempting to unfold.
    Deliberately pausing with those sensations, allowing thoughts to form from the emotions beneath as we witness the process, lets us see them in greater relief, lets us see the ideas below the surface, the greater meanings, the greater places for bravery.
    Mentioned in this episode:
    Waves of Focus YouTube Series
    Look out for new episodes of the new Waves of Focus YouTube series here: https://www.youtube.com/playlist?list=PLJpQS5q6yvRw
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About Rhythms of Focus
Join psychiatrist, musician, and productivity strategist Dr. Kourosh Dini on a journey to transform your relationship with work, creativity, and focus. "Rhythms of Focus: for Wandering Minds, ADHD, and Beyond" explores the intersection of meaningful work and the art of engaging creativity and responsibility without force, particularly for wandering minds, ADHD, and beyond. Each week, Dr. Dini weaves together insights from psychiatry, mindfulness practices, and creative experiences to help you develop your own path beyond productivity, and to mastery and meaningful work. Whether you're neurodivergent or simply seeking a more authentic approach to engaging the world, you'll discover practical strategies for: - Building supportive environments that honor your unique way of thinking - Transforming resistance into creative momentum - Developing personalized workflows that actually stick - Understanding and working with your mind's natural rhythms Drawing from his experience as both a practicing psychiatrist and creative artist, Dr. Dini offers a compassionate perspective on productivity that goes beyond traditional time management techniques. You'll learn why typical productivity advice often falls short and how to craft approaches that genuinely resonate with your mind's natural tendencies.
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