No Nostalgia, No Mercy: Why Clipse’s New Album Hits Harder Than Ever
“Let God Sort Em Out” isn’t just a comeback it’s a calculated strike. Clipse have returned with one of the most competitive, ruthless rap records in years, and they brought Pharrell and Kendrick Lamar into the ring with them.In this episode of The Last Mixed Tape, we dive into the philosophy behind the album, how Pusha T and Malice weaponise precision, and why this record proves that hip-hop is still a full contact sport.🎙 Featuring a deep dive on Chains & Whips, Pusha’s legendary beef track record, and how Clipse’s return rejects nostalgia in favour of confrontation.00:00 Intro00:30 Pusha T01:46 Clipse Let God Sort Em Out 03:10 First Impressions 06:58 Chains & Whips 08:10 Music As A Full Contact Sport17:34 Clipse Are Ruthless18:24 What do you think?19:05 Pusha
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Bob Vylan, Censorship & the Fight for Protest Music at Glastonbury 2025
Glastonbury 2025 became one of the most politically charged festivals in recent memory from Bob Vylan’s explosive set being investigated by police, to Kneecap’s BBC censorship, and Rod Stewart backing Nigel Farage in the press.In this episode of The Last Mixed Tape, we explore the growing tension between protest art and platform control, and ask:Who gets to speak freely on the biggest stages and who gets silenced?With Palestinian flags in the air, a woman live-streaming censored sets in real time, and police watching musicians instead of listening to them, we’re witnessing a major shift in how protest music is treated.00:00 Intro00:30 Nina Simone 01:33 Why Glastonbury 2025?02:03 Bob Vylan 04:12 Matty Healy 05:26 Freedom of Expression10:45 The Politics of Glastonbury 202512:15 Why?19:43 We Choose The Art We Consume 21:07 Dangerous Days22:37 Chuck D
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The Night Sinéad O’Connor Ripped Up the Pope & Refused to Stay Silent
In 1992, Sinéad O’Connor tore up a photo of the Pope live on Saturday Night Live and paid the price for telling the truth. Booed at Madison Square Garden. Silenced by the industry. Mocked by the media.But what if she was right all along?In this episode of The Last Mixed Tape, we revisit that moment not as scandal, but as protest, an act of defiance rooted in Ireland’s painful history with the Catholic Church. From the SNL performance to the Bob Dylan tribute, and all the backlash in between, we trace the legacy of Sinéad’s bravery through the artists carrying her torch today: Kneecap, CMAT, Pillow Queens, Radie Peat, Boygenius and Dua Lipa, who just honoured her live in Dublin.This is not just a music story.It’s an Irish story.And it still matters.00:00 Intro00:30 Sinéad O’Connor01:06 Performance as Protest01:38 Ripping Up The Pope03:22 The Legacy of Catholic Ireland07:08 Booed at Bob Dylan Tribute Show09:34 Why it matters16:34 Sinéad O’Connor’s Legacy 18:18 Final Thoughts19:24 Sinéad
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Kneecap, Mo Chara & The Irish Voice Britain Still Can’t Silence
In this episode of The Last Mixed Tape, we break down the powerful courtroom moment when Kneecap’s Mo Chara demanded to speak Irish during his trial in London and why that decision echoes far beyond the courtroom.From The Pogues to Johnny Rotten, Shane MacGowan to Fontaines D.C., this is a history of Irish voices using British stages to express defiance, identity, and survival. Mo Chara’s stand isn’t new, it’s the latest verse in a long rebel chorus.The Last Mixed Tape is hosted by Stephen White00:00 Intro00:28 Mo Chara01:54 Kneecap, Mo Chara & The Courts02:24 Mo Chara Vs The Crown04:19 The Irish Voice07:12 Voices From The Past09:44 Thoughts21:49 Future 23:18 Outro
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Fontaines D.C., Blindboy & Ireland’s Lost Generation | In the Modern World
Ireland’s housing crisis. The ghost of Dublin. The music of frustration. In this episode of The Last Mixed Tape, we dive into Fontaines D.C.’s “In The Modern World” and explore how it captures the voice of a generation let down by their country.With echoes of Gertrude Stein’s “Lost Generation”, this episode connects the cultural disillusionment of Hemingway and Joyce with Ireland’s own Generation Perdue, the artists and outsiders shaping our modern protest music.Featuring a key moment from Blindboy almost a decade ago, this is an exploration of art as identity in exile.00:00 Intro00:29 Blindboy 02:01 Gènération Perdue 04:17 Fontaines D.C In The Modern World09:46 Surviving 202511:28 Reflections20:30 Ghost Towns21:50 Your Comments?22:29 Outro
UK