The Partially Examined Life Philosophy Podcast

Continuing on Raphaël Millière and Cameron Buckner's "A Philosophical Introduction to Language Models, Part I: Continuity With Classic Debates."
We go through the various arguably important features for intelligence, including particular ways of learning and comprehending language, being able to generalize from the data set, and to use a world model to navigate problems. Can something have intelligence without having intentions, and do programmed goals count as intentions?
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On "An Argument for the Identity Theory" (1966), which unlike U.T. Place who merely argued that minds could be brains, argues that minds must be brains, in all possible worlds.
The argument appears functionalist: mental states are defined by their causal roles, and causality is naturally the realm of the physical, so mental causality makes most sense if it is a way of talking about physical causality.
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Dan played bass for and co-fronted NYC band Hypnolovewheel, with six releases 1987-1993. Since 1994, he has fronted Hoboken's The Special Pillow, with nine releases to date.
We discuss "Fond and Foggy" from The Special Pillow Meets the Space Monster (2024 EP), I Woke Up, also by The Special Pillow, from World's Finest (2020), and "Wow" by Hypnolovewheel from Angel Food (1992). End song: "Automatic Doom" from Inside the Special Pillow (2003). Intro: "Sabrina (Open Your Window)" by Plastic Device (1983), unreleased until E Pluribus Plastic (2019). To hear more, look up these bands on bandcamp.com.
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On Raphaël Millière and Cameron Buckner's "A Philosophical Introduction to Language Models, Part I: Continuity With Classic Debates" (2023).
Is the Large Language Model type of architecture currently in use by AIs a legitimate basis for intelligence? M&B explain the technology and run through arguments for and against, with the conclusion that while current LLMs are not properly intelligent, there's no in principle reason why they could not become so.
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We discuss the new Mike Flanagan series adaptation of Stephen King's 1974 novel in comparison to the 1976 Brian De Palma film and the other adaptations (the 2013 film, the 2002 TV movie, and 1998's The Rage: Carrie 2). Featuring Mark, Lawrence, Al, and spanked-in-school Sarahlyn.
What does the story say about human nature? How much agency does Carrie have? Was the new version just a fundamentally different story grafted onto this basic framework of a psychic girl destroying the prom? Does it totally ruin the premise to try to turn this into a multi-season series? Is it destined to devolve into the X-men if this continues?
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