The Strange Brew - artist stories behind the greatest music ever recorded

Fairport Convention made a £5 profit from their first gig, at St Michael’s Church Hall in Golders Green on 27 May 1967. About 30 or 40 people turned up, and the band had printed the tickets and hired the hall themselves. Simon Nicol, whose house gave the group its name, was a professional musician at the age of 16.

Here Simon talks as Fairport embark on their autumn 2026 UK tour, a seated acoustic run that includes village halls and social clubs, and for the 60th anniversary shows in May 2027.

Nicol grew up in North London, where Ashley Hutchings lived just down the road and his father was Pete Quaife’s doctor. He saw the Kinks play their last gig as the Ravens and their first as the Kinks two weeks later. Fairport’s own break came when Joe Boyd watched them support Pink Floyd at UFO and signed them, though their debut single, “If I Had a Ribbon Bow”, sank without trace. Judy Dyble then left and Sandy Denny arrived, and Nicol says she “made a huge impression musically and personally”. The band made What We Did on Our Holidays, Unhalfbricking and Liege & Lief within 11 months, a stretch that also included the May 1969 motorway crash that killed Martin Lamble. Reflecting on those 60 years, Nicol explains why Fairport have remained active while “not a tribute band to ourselves”.

Further information

Tour dates and tickets from fairportconvention.com

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Podcasts also available: Simon Nicol (2023), Ric Sanders, Ashley Hutchings, Dave Mattacks, Chris Leslie, Iain Matthews 

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Geoff Downes and Chris Braide talk about Trauma, the new Downes Braide Association album, and how the project has evolved since the first DBA record in 2012. They discuss the difficult circumstances behind the record and the hope that runs through it.

They also trace how DBA began, and how bringing in Dave Bainbridge (guitars), Andy Hodge (bass) and Ash Soan (drums) has expanded their sound. They explain why making the records they wanted, with no A&R department steering them, has been essential, and how Roger Dean’s artwork has shaped their identity.

Along the way, they cover the David Longdon recordings drawn from the archive for Trauma and other collaborators, including Marc Almond and Andy Partridge. They also discuss how DBA sits alongside Geoff’s work with Yes and Asia and Chris’s songwriting and production career.

Further information

Downes Braide Association – Trauma

Downes Braide Association website

A dinner for David Longdon with Geoff Downes in London, 6 November 2026

DBA podcast tracks

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Podcasts also available: Annie Haslam & Jim McCarty: The Story of Renaissance, Inside Kate Bush’s Never For Ever, Alan Parsons on Pyramid, The Beatles and Pink Floyd

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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Deep Purple play their last show of this run on 19 December in Mexico City. After two weeks at home for Christmas, Gillan goes straight back into work with the band, before leaving their Nashville sessions three days early to rehearse for a twenty five date speaking tour built around the practice that gives it its name: filling gaps with nonsense words until the real lyrics catch up.

Gillan covers The Javelins, Episode Six’s German club circuit, joining Deep Purple, the new album SPLAT!, Jesus Christ Superstar, the Ian Gillan Band and a year with Black Sabbath he still calls the longest party he ever went to. He also describes Ritchie Blackmore rejoining the band on stage for Smoke on the Water, and how a broken guitar string at the Lyceum turned into a stage habit he still uses today.

Further information

Talking Gib’rish tour
Deep Purple official site
Ian Gillan online

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Podcasts also available: Nick Simper – Deep Purple, Chris Slade – AC/DC, John Coghlan – Status Quo, Michael Schenker

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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When Jimmy Webb first saw Joni Mitchell at the Troubadour, he sent roses to her dressing room with a letter asking her to tea. It went unanswered. The following decade, after they had become friends, she told him she had moved the couch while clearing out her Laurel Canyon house and found the letter, and asked if he would still like to go. Webb wrote ‘Simile’ for her.

He tells that story in a conversation I recorded in February 2022, ahead of live dates in the UK. Elsewhere he describes the organ sound in the fade of ‘Wichita Lineman’, which he calls “a stroke of pure luck”, sessions with Richard Harris on ‘MacArthur Park’ that ran until the Pimm’s was gone, and a paper aeroplane contest with George Martin.

This episode was one of those that did not transfer when my website failed. I have re-edited it and put it back online under the Second Brew series.

Further information

jimmywebb.com

Jimmy Webb – Second Brew – Podcast tracks

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Podcasts also available: Dan Penn, Michelle Phillips, Melanie (Safka), Judy Collins

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Randy Edelman is probably best known to British listeners for the records he made in the 1970s and early 1980s, including Uptown Uptempo Woman and Concrete and Clay. The Carpenters recorded his songs and took him on tour, and his records found an audience in the UK that he hadn’t found in America.

Then his career took a different turn. After working his way into film scoring, Twins led to a long run of Hollywood films including Ghostbusters II, Kindergarten Cop, Gettysburg and The Last of the Mohicans. Randy spent two decades concentrating on film music and didn’t write a song during that time. He’s now making records and performing again, with a new album, Green Park. We talked about his early records, his connection with London, The Carpenters, the move into film, and why he returned to songwriting.

Further information

randyedelman.com

Randy Edelman – Green Park

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Podcasts also available: Dean Friedman, Rick Wakeman, Danny Kortchmar, Leland Sklar

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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