The Strange Brew - artist stories behind the greatest music ever recorded

Allan Clarke started The Hollies with Graham Nash as a teenager, copying other people’s records at Abbey Road. He left the group, came back, then left again, and along the way his voice carried the group through four decades.

Jason Barnard sat down with Allan again to talk through his new single “Walking On Still Waters,” a decades-long search through faith, the stroke he’s been recovering from, his wife Jenny who got him through the hardest years, and what the future holds for The Hollies and their legacy. Clarke also explains how “Long Cool Woman in a Black Dress” came together with Roger Cook in half an hour, why he’s glad Carl Wayne was first to front The Hollies after he left, and how he ended up singing lead on tracks for Steve Howe, Alan Parsons, and Carla Olson.

Further information

“Walking On Still Waters” by Allan Clarke is out now

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Podcasts also available: Allan Clarke – The Hollies (2023), Allan Clarke (2014) – Part 1, Allan Clarke (2014) – Part 2, Bobby Elliot – The Hollies, Mikael Rikfors – The Hollies, Roger Cook

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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John Leckie joins The Strange Brew to talk through the Dukes of Stratosphear story, from his first sight of a young XTC through to the new Dolby Atmos edition of the complete Dukes recordings.

Leckie was the Abbey Road staff engineer who cut XTC’s 3D EP in three days, then White Music at the Manor, then Go 2 and the dub experiments released as Take Away / The Lure of Salvage under Andy Partridge’s Mr Partridge alias (later gathered on the Explode Together compilation). He explains how that dub habit of pulling a mix apart and rebuilding it shaped his production work and the Dukes sound years later.

He talks through the years between, freelancing after leaving Abbey Road in 1978, work with Simple Minds and Bill Nelson, the Lost Jockey orchestral project, a spell in the Rajneesh commune, and how a collapsed Mary Margaret O’Hara session left Andy Partridge with six spare weeks of studio time, which became 25 O’Clock. Leckie recalls the Chapel in Hampton Bishop, the sound effects tape run live during mixing so nobody knew what would come up when a fader was raised, and the move two years on to Psonic Psunspot at the boat-access-only Sawmills in Cornwall.

Further information

Psurroundabout Ride (Dolby Atmos)

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Podcasts also available: John Leckie on producing Be Bop Deluxe, Terry Chambers, Colin Moulding – Part 1, Colin Moulding – Part 2, Dave Mattacks

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

The post John Leckie on XTC and The Dukes of Stratosphear appeared first on The Strange Brew .

Steve Hackett and Steve Rothery discuss their joint album The Roaring Waves. They explore creative process behind it, their individual artistic histories in Genesis and Marillion, and their respective plans for future work. The conversation ranged from the nautical themes of the album and how it was assembled, to the broader philosophy of progressive music, the influence of early prog and blues-rock guitar heroes, and the personal and professional circumstances that shaped their life in music.

Further information

The Roaring Waves

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Podcasts also available: Steve Hackett – The Lamb Stands Up interview, Steve Hackett on Genesis Revisited and Hackett Highlights, Steve Hackett – on solo career and Genesis, Steve Rothery – Marillion

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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Mari Wilson was the beehived voice behind “Just What I Always Wanted”, the Neasden Queen of Soul who fronted the Wilsations, supported Roxy Music and appeared on Top of the Pops. Then a second album stalled, and she could see where pop stardom was heading: cabaret, built around a medley of her hits. So she turned her back on it and walked away, into jazz clubs, Ronnie Scott’s, the West End stage, and eventually a solo career that has outlasted the pop machine she left behind.

Four decades on, Mari joins Jason Barnard to talk about Girl About Town, her first full album of original songs since 2008, written with longtime collaborator Adrian York. They trace that reinvention from Top of the Pops to Ronnie Scott’s, with Mari talking openly about being pigeonholed by the beehive and why she still believes leaving pop at that time was the right call.

Further information

mariwilson.co.uk

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Podcasts also available: Judie Tzuke, Kiki Dee, Dave Ball – Soft Cell, Martin Fry – ABC

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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Ten years on, Jeremy Clyde is back. Chad Stuart left behind decades of unfinished Chad & Jeremy recordings. Jeremy and guitarist Jo Meacham have now finished them off, and the results are being crowdfunded as When All Is Said and Done. Jeremy calls it the album they always wanted to make and never got round to finishing.

Before any of that, Jeremy takes us back to 1960 and Central School of Speech and Drama, where he met Chad, and to Tina’s Bar in London, where John Barry heard them and took a chance on Yesterday’s Gone. He talks about the mic technique lesson that gave them their sound, handing the Tina’s Bar residency over to Peter and Gordon, watching Paul Simon play songs in his flat before anyone knew who he was, and Peter Asher introducing him to a young James Taylor. Jeremy also covers the late 60s shift into psychedelic material, his second career as a British TV actor, plus the nine albums of solo work he made with lyricist David Pierce, the Bottom Drawer Sessions.

Further information

When All Is Said and Done – Kickstarter (closes 25 September 2026)

chadandjeremy.com

Jeremy Clyde 2016 podcast tracks

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Podcasts also available: Jeremy Clyde – 2016, Peter Asher, Chris White – The Zombies – Inside The Vaults, Mike Vickers – Manfred Mann, Jenny Boyd

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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