The Tone Mob Podcast

Doug Robinson is best known as the voice of The Sleeping, but with his new project Held, he’s stepping into a whole new role: guitar player, riff writer, and newly minted Gibson SG obsessive.

On this episode of The Tone Mob Podcast, Doug joins Blake to talk about Held’s new record Grey, rediscovering the guitar after years of primarily being a vocalist, and the strange joy of realizing people are just as excited about your riffs as they are about your voice.

They get into the punk rock roots that shaped Doug’s approach, the difference between playing with personality and playing for internet points, the disappearing mystery of rock bands, and why sometimes the best music still starts with a few people in a room figuring it out together.

There’s also plenty of gear talk, including Gibson SGs, Fender Tone Master rigs, Mesa cabs, Boss delays, and the eternal truth that Jersey pizza people are always prepared for combat.

Held’s Grey is out now. Go listen.

Get more info at:

https://www.heldsounds.com/

https://thesleeping.net/

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Mark Morton joins the show today, and we somehow manage to talk about the gravitational pull of the electric guitar, the operational realities of a world-class metal band, parenting, vintage Gibsons, noise gates, and New York pizza without anyone needing a liability waiver.

Mark gets into the early magic of the guitar, back when the instrument didn’t just look cool, it felt like a secret door. A wooden plank with wires, knobs, and just enough electricity to rearrange a kid’s entire personality. From there, we talk about the family support that helped him chase that feeling, and how that same idea now shapes the way he supports his own kids as they find their own creative obsessions.

We also dig into the less glamorous, more interesting machinery behind one of metal's most popular acts. Touring, family, business calls, merch approvals, stage production, the whole industrial riff-farm. The rock and roll fantasy is still in there somewhere, wearing sunglasses indoors, but these days it has a calendar invite and probably needs to approve a hoodie sample.

And yes, there is plenty of guitar talk. Mark breaks down his move to Gibson, the creation of his signature Les Paul, his love of vintage instruments, the L.o.G writing process, and why some guitars feel alive while others just sit there like expensive furniture with strings.

Plus: the Boss NS-2 gets its day in court.

Bring a slice.

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Joey Bradford of The Used is back on The Tone Mob, and this one wanders through the good stuff: touring, dad life, studio rabbit holes, guitar rigs, loud amps, weird pedals, and the eternal human illness known as “maybe I need one more piece of gear.”

Blake and Joey talk about what it’s like to spend a massive chunk of the year on the road, then come home and try to be a normal dad like you didn’t just spend the last several months vibrating in a bus bunk. They also get into Joey’s home studio, producing bands, experimenting with sounds, and why sometimes the ugly little noise in the corner is exactly what the song needs.

There’s plenty of gear talk, of course, because this is still The Tone Mob and we have paperwork to maintain. Digital rigs, real amps, analog pedals, guitars that multiply when no one is looking, and the quiet thrill of walking into a music store for “just a patch cable” all make an appearance.

But the bigger theme is this: rock music is not dead. It was never dead. It was just out in the garage with a half-dead cable, a loud amp, and a kid learning a riff that might ruin somebody’s afternoon in the best possible way.

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Ryan “Fluff” Bruce is back, and this time it’s less about chasing tones and more about chasing sanity.

After more than a decade in the YouTube trenches, Fluff joins Blake to talk about what happens when the thing you built starts to feel like a treadmill set to “forever.” Social media burnout, algorithm roulette, and the strange reality of being “internet famous” without it always translating to real life… it’s all on the table.

They get into the evolution from scrappy early content days to a world where nobody cares about subscriber counts anymore (seriously), why passion still beats strategy every time, and how Fluff is shifting his focus toward building something that actually lasts. Along the way, there’s talk of signature guitars, starting new ventures behind the scenes, and why doing cool stuff with cool people might be the only goal that actually holds up.

Also: vintage gear chaos, tuning guitars lower than nature intended, and a brief but important appreciation for YouTube dads teaching the world how to fix toilets.

It’s thoughtful, it’s a little existential, and it’s exactly what happens when two long-time creators zoom out and ask, “what are we even doing here?”

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This week I'm serving up something a bit different!

There is another podcast I do called Tape Spaghetti with my good buddy Scott Marquart. On that podcast, we explore strange musical stories, and I'm giving you a sample of it here. Let's get into it!

OG show notes:

You already know the chorus. In fact, you've probably scream-sung it at a bar. But, what do you know about the band behind Tubthumping?

What if we told you that the biggest pub anthem of the '90s was written by militant anarchic agitators who supported striking miners, clashed with fascists, and called a crumbling Victorian mansion home?

Yep, Chumbawamba is probably a LOT more interesting than you might have imagined. In this week's episode of Tape Spaghetti, Scott & Blake trace the band’s journey from punk squatters in Northern England to Britpop chart-toppers, and the ideological tightrope they walked along the way.

Some might have accused them of selling out, but when "Tubthumping" became a global smash, the band used their spotlight for disruption: rewriting lyrics on national TV, provoking politicians, and donating profits to radical causes.

Here's what happens when anarchists accidentally write one of the catchiest pop hooks ever recorded.

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