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To The Studio

David Auborn
To The Studio
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  • Steven Gee of Piccalilli
    Steven Gee is a London-based artist, curator, and founding Director of Piccalilli. In 2013 he graduated with a BA from the University of East London and in 2015, an MA in Painting from the Royal College of Art.In 2017 Steven subsequently co-founded the curatorial collective IKO (It’s Kind Of hard to explain) alongside Corey Bartle-Sanderson and Oliver Durcan, curating exhibition across London, Margate and Hastings. Collaborating with and commissioning early career artists and writers in the UK, they were interested in viewership and challenging how artworks and exhibitions can be engaged with through fabricated specific framing devices (literal and conceptual) to house the artworks. Their projects rejected the showroom model of presenting pre-made artwork in white rooms, working closely with project participants to collaborate and build projects in line with a collective goal.In 2022, Steven co-founded and is current Director of Piccalilli. An artist-led initiative and gallery, supporting early career and under-represented artists by providing them with a supportive framework to develop their practices with ambition and experimentation at the fore. Through cultivating a supportive environment and concept collaboration, piccalilli aims to bridge a dialogue between artists, audiences, community and place.Now based in South Bermondsey, Piccalilli is a permanent space based in the Penarth Centre. Following an ethos where the space and programme are centred around the engagement of commissioned artworks, within a specific environment which acknowledges the architecture rather than ignore. Invited artists are supported to research, develop and realise projects over a dedicated period of time - a space for rumination and fermentation. As an artist, Gee’s practice navigates the everyday and the absurd — he works across mixed media, sculpture, installation, painting, and recently bespoke jewellery, often incorporating unconventional materials like mayonnaise, teeth, energy drinks and everyday ephemera. His solo exhibitions — such as Sandwiched, Tasteful Thickness, and Every Time You Lick a Stamp, You’re Consuming 1/10th of a Calorie — reveal a playful yet probing engagement with consumer culture, digestion, materiality, and texture.
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  • Rhys Coren
    Rhys Coren was born in Plymouth (UK) in 1983, and completed a Foundation at Plymouth College of Art and Design (2001-2002), followed by a BA (Hons) at UWE, Bristol (2002-2006), then the Royal Academy (2013-2016)Rhys has a studio practice that consists of painting and animation, supplemented with sound and writing and collage. Hes work with Cristea Roberts Gallery in London and makes furniture in collaboration with Peter Noyce.Rhys has also just recently completed a residency in Kentish Town at The Fores Project, which is where our conversation took place.Rhys recently had a solo exhibition in New York at Foreign & Domestic gallery, consisting of 9 new paintings created using marquetry. Alongside that, F&D published a book of writing - the compilation of 10 years worth of sketchbook annotations.Rhys is currently working on two concurrent public works; one a commission through Hospital Rooms for a children’s psychiatric hospital in Birmingham that involves workshops and contributions from the young patients, the other a 60metre-long marble and granite floor for a public walkway next to Liverpool Street station, managed by Contemporary Art Society. Recent notable achievements include curating FORMES, a group exhibition in Paris last year, the completion of a 9metre long public work behind Bond Street Crossrail station in 2022, and Love Motion, a courtyard commission for the Royal Academy in 2018. 
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  • Kate Burling
    Kate Burling (b.1998, Reading) lives and works in South East London. Her iridescent finger-paintings examine a corporeal experience of exponential change. Marking the inside and outside of the skin as initial zones of softness and hardness respectively, Burling observes a gradual obscuring of boundaries as the sponge-like body ages and absorbs. Her paintings are amalgamations of rolling mass with repeated motifs, scattered like confetti. They are places of rumination, where the artist attempts to catch elusive ideas and map them in soft, organic space. Since completing her BA in Fine Art at Camberwell College in 2022, Burling has presented two solo shows with Nosbaum Reding (Brussels) and Ronchini Gallery (London), as well as taking part in a number of group exhibitions at Christie’s, Guts Gallery, Soup Gallery and Milan Art Fair, and residencies at Goodeye Projects, Pictorum Gallery (both London) and Fondazione Sandro Moretti (Umbria). Since November 2024, Kate Burling has been a participant at the Conditions Studio Programme in Croydon. She is currently working towards a breadth of projects within the programme and externally, including a solo show with Solito Gallery, Naples in October 2025.
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  • Grant Foster
    Grant was born in 1982 in Worthing, and is a London based artist who completed a MA in Painting at the Royal College of Art in 2012. In 2019 Grant was International Randall Chair at Alfred University, New York, and in 2016 was Fellow in Contemporary Art with The British School at Rome.In 2007 he was a Prizewinner in John Moores 25, and is currently a mentor on The Turps Banana painting program and founding member of audio/visual recording project in a skull. 
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  • Hannah Bays
    Hannah Bays (b. 1982) is a London based painter who graduated from the Royal Academy Schools in London, 2015.Through painting, Hannah Bays explores psychological terrain associated with the sacred, the profane and the transformational. Familiar objects are used symbolically to convey existential meaning, whilst gesturing towards broader philosophical, social, and global concerns. These objects within the paintings echo the ritualistic potency of ceremonial vessels that hold our deepest desires, memories, and fears. Drawing upon mythological and folkloric references, Bays often anthropomorphises animals and everyday objects, playing with scale to shuffle hierarchical relations. Colour is employed emotively, with line and form expressive of a bold desire - the sensual properties of paint a vehicle for meaning. Recent exhibitions include: I’m Not Afraid of Ghosts, Palazzo Tiepolo Passi in Venice, Italy, Confessions, which was a solo exhibition at Jack’s House, London, and ABG Emerging, Alice Black Gallery, London which were all in 2024 as well as Muscle Beach, two-person exhibition with Ana Kazaroff, Kupfer Project, London in 2021 Residencies include the Malevich Residency, Lake Como, 2021; Dover Arts Club Drawing Room Residency, 2020; Eton College Artist in Residence, 2018 and RRU Artist in Residence, Liverpool, also in 2018.
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