The Run-Through with Vogue

When Bhavitha Mandava got word that she was cast as the Chanel Bride for Matthieu Blazy’s highly anticipated Spring 2026 couture show, she approached the role the same way she tackled her research papers at NYU. She headed straight to a Paris library to pore over books on couture and watched every Chanel bride video she could find. “Then I came up with a story in my head. I was like, okay, I'm going to view the audience around me as if they're my friends and family, and I'm going to view the runway as if I'm walking down the aisle.” She told Chioma Nnadi on The Run-Through following her British Vogue cover.
Mandava also made history as the first Indian model to open a Chanel show for the Métiers d'Art 2025 2026 fashion show, staged in a New York City subway station. In a full-circle moment, she wore an outfit reminiscent of what she had on the day she was first scouted.
“I was on my way to grab biryani with a friend after getting rejected from an interview,” she recalled. “I was waiting for him at Atlantic Avenue when my now ‘mother agent’ came up to me and asked, ‘Are you a model?’ I said, ‘No.’ And he said, ‘Do you want to be one?’”
Initially skeptical, Mandava was ultimately persuaded by the prospect of paying off her school debts. Just a few months later, she had fully launched her modeling career and amassed more than 500,000 followers. “My dad is collecting every newspaper,” she said. “He’s clipping all the articles about me like The New York Times. I don’t even know how he got it. They don’t ship to India.”
Earlier in the episode, our fashion week coverage continues with Chloe and Arden Fanning Andrews, Vogue’s beauty editor-at-large. Reporting live straight from the car after Jonathan Anderson’s sophomore collection for Dior, they share their first impressions. Highlights from the show are: the epic lilypad shoes, Love Story’s Paul Anthony Kelly dancing to the runway music, and the “wiglets” (you must listen to find out what that is!). Reflecting on the greenhouse setting, Arden made one bold prediction: “Sweat is in”. You heard it here first, folks!
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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It’s Day 2 of Shark Week!
Today on the show, actress Wunmi Mosaku joins Chioma in the London podcast studio. The two dive into Sinners — from how she landed the role to the powerful lessons she learned while portraying Annie.
“My team said, ‘Ryan Coogler wants to meet you for his next film.’ And I was like, ‘Ryan Coogler knows who I am?’” she recalls, reflecting on the moment she was first invited to audition. Fast forward to today: Wunmi has earned her first Academy Award nomination and picked up her first BAFTA just last week.
Wunmi also opens up about why she chose to announce her second pregnancy at the Golden Globe Awards. “I wanna be present, and if I’m divorcing my head and my body, I’m not really welcoming the baby into this too,” she says, referencing the difficulties of keeping her pregnancy under wraps. “It feels like you’re kind of taking them for granted. They’re here with you.”
Spotting a gap in the maternity fashion industry, Wunmi shares why she decided to launch her own line, Iyadé — meaning “mother has arrived” in Yoruba. She even hints at what she might be wearing to the Academy Awards next weekend. Listen here!
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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Happy Day 1 of Shark Week!
Today, we’re on the ground at Milan Fashion Week. There were debuts from Meryll Rogge at Marni, Maria Grazia Chiuri at Fendi, and – most anticipated of all – Demna at Gucci. Nicole Phelps, Head of Editorial Content at Vogue Italia Francesca Ragazzi, and Vogue contributor Luke Leitch were there to take it all in, and The Run-Through was right there with them.
The question going into the Gucci show was: who is Demna now? After a decade of deconstruction and conceptual provocation at Balenciaga—jackets made from trousers, outrageous couture wrapped in 50 meters of tulle—the designer stepped into one of fashion's most iconic houses with an eye towards what fashion needs now.
At Marni, Meryll Rogge brought her knitwear expertise and a genuine emotional connection to the brand: she bought her first pair of Marni platforms with her first paycheck as an assistant at Marc Jacobs, and wore a Marni skirt to her brother's wedding as a teenager. 
At Moschino, Creative Director Adrian Appiolaza went back to his Argentine roots, finding inspiration in the landmarks, monuments and icons of his home country. The show closed with a model carrying a piggy bank purse and wearing shoes encrusted in euros. "It's not just about creativity, it's about finances," Appiolaza told Phelps backstage.
Earlier in the week, Vogue World Milan was announced for September 22nd at the Galleria Vittorio Emanuele II—"the Sistine Chapel of Shopping," as Leitch called it—with the theme of the human touch in the age of technology. 
Next stop, Paris!
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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We are revisiting one of our favorite episodes with none other than Mr. Calvin Klein. He came to the Vogue podcast studio last year to chat with Nicole Phelps.
Calvin is the designer who dressed America—and the world—in his designer jeans and logo underwear. The designer who broke all the rules of luxury advertising and in the process became a household name. The designer whose streamlined slip dresses and sleek suits, even after over 20 years of retirement, still define American minimalism, providing a template for young designers of today.
He talked about his early days in the Bronx, his own first job at Women’s Wear Daily, his quest for perfection, and the keys to unparalleled success. Two words: Confidence and Drive
But first, Chioma shares an update from Milan, talks about her busy weekend at Vogue Cafe London and co-hosting British Vogue and GQ's Fashion & Film Party, and reveals her highlights from London Fashion Week. Chloe talks about her first issue with Rosalia hitting news stands and Vogue's Casa Magazines pop-up!
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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Today in Milan, Jil Sander Creative Director Simone Bellotti will show his second collection. Two weeks out from the show he was in New York – not to finalize the collection, which he says was largely locked a month ago, but to introduce the brand's new campaign alongside model Guinevere van Seenus. Van Seenus opened Bellotti's debut show and was the star of the Craig McDean campaigns that defined Jil Sander in the nineties. He’s looking back on those days as he prepares for the new collection.
“It’s a brand that you really have to study,” he told Nicole Phelps.
For fall, Bellotti’s mood board is organized around the idea of home—not as sanctuary, but as something more ambivalent. He's been watching Rainer Werner Fassbinder films and exploring the way the director used interiors to create tension and unease, to make the familiar feel threatening. He’s also shifting his approach for the new collection: where his first show was about reduction, this one is about addition. “I love this idea of contradiction,” he said. 
Jil Sander once described the mood of her collections like a “clear glass of water” or a “glass of red wine.” When asked to describe the mood of his fall collection: Bellotti didn't miss a beat: it's the olive in a martini. “It’s this extra thing that is apparently superfluous,” he said, “But it makes the cocktail perfect.”

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