Trusty Chords

I'm going to preface today's podcast with a personal lean, because if you know me, then you know how much I truly love AJJ.

I've been a fan for close to two decades now, having loved what was formed as a folk-punk – sometimes duo, often larger – outfit in Phoenix, Arizona. 

Though their early records – including the criminally-underrated 'Candy Cigarettes & Cap Guns' and 2007's breakthrough release 'People Who Can Eat People Are The Luckiest People In The World' – they definitely showcased more of a folk-punk style, but as time has gone on, they've expanded their sound into more of an alternative rock outfit with folky roots and influences.

My love and obsession of the band was so great that occasionally the band would themselves direct folks to me when they were after information about early releases and the like.

Though I'm no longer the obsessive vinyl collector I once was (largely due to running out of shelf space), I'll never pass up the chance to bump the great AJJ when I can.

And of course, I've also met and befriended some truly wonderful people thanks to my fondness for this band, so I definitely wouldn't be who I am today without them.

Since their formation, the band has featured the core duo of vocalist and guitarist Sean Bonnette and bassist and vocalist Ben Gallaty (though multi-instrumentalists Preston Bryant and Mark Glick have been core parts of the ensemble for the majority of the band's existence, too), and they've delivered a truly stellar string of albums.

Three years after the release of the wonderful 'Disposable Everything', AJJ have now returned with their ninth album, the brilliant 'Dirty Old Power'.

I might be suffering from recency bias, but it may very well be one of my favourite releases of their whole career.

More aligned with albums such as 'Christmas Island' and 'The Bible 2' in terms of how it blends those folk punk vibes with surrealistic indie and alternative rock, it's an album which I strongly urge you to listen to. (Again, I'm a little biased, but believe me nonetheless.)

Ahead of the record's release back in late September, I called upon the wonderful Sean Bonnette for another chat to discuss their latest album, and his journey into the world of music.

As with any time we've spoken previously, it's a bit fun, a bit informative, and a little bit irreverent.

Anyway, have a listen to AJJ's 'Dirty Old Power', keep your fingers crossed for an Australian tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you, the enterprising listener of this podcast, have been paying attention over the 111 previous episodes (and bonus episodes), you'd probably have gathered by now that I'm a fan of musicians who inject emotion, vulnerability, and stellar storytelling into their works.

If that's also resonated with you, then you're probably going to fall in love with Tig very soon.

Tig has been a musician for many a year, but it was only in 2023 that a pair of singles gave way to the following year's 'Inside Voices' EP.

Fast forward to 2026, and we've seen a batch of high profile supports, and plenty of writing and recording giving way to Tig being awarded the Vanda & Young Top 10 Global Emerging Songwriter prize.

Now, that's nothing to sneeze at by any means, but given she was awarded this based on the strength of her unreleased material, well, you'd better believe that means she's been sitting on something very special.

Indeed, we've seen a handful of songs released this year as well, including the likes of 'Morning Pages' and 'Alice Says', while the newly-released 'Ferris Wheel' arrived this week alongside the news that her debut album, 'It's Time We Met', will be arriving on February 26th.

I've been enjoying Tig for a few years now, so I was so eager to have a chat about what she's been up to that we connected all the way back in July for a lengthy chat about her musical journey, the new material she's been working on, and the impending release of her upcoming album. 

Anyway, have a listen to Tig's latest singles, have a listen to 'It's Time We Met' when it arrives in February, buy a ticket to her upcoming live dates, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

At the start of the 2010s, it felt like it was almost impossible to avoid The Vaccines if you were a fan of indie rock music.

Hailing from the streets of West London, The Vaccines first came together at the end of the '00s, but it was in 2010 that Vaccines fever took hold. Tracks like 'If You Wanna' showed a band whose approach to guitar rock was a refreshing one, and attention from radio and television broadcasters helped to legitimise the group's hype.

In 2011, their debut album – 'What Did You Expect From The Vaccines?' – was released to widespread acclaim across the board, and to this day stands tall as a perfect document of that early '10s indie rock sound.

The band have been far from lazy since, with five new records arriving in the ensuing 15 years, including their most recent album, 2024's 'Pick-Up Full Of Pink Carnations'.

Next month, however, The Vaccines return to Australia for the first time in two-and-a-half years to celebrate 15 years of 'What Did You Expect From The Vaccines?', performing shows around the country with Two Door Cinema Club as they look back on the album that kicked it all off for them.

In anticipation of this tour, I was lucky enough to have a chat with The Vaccines' co-founder Justin Young about the band, how the record launched their careers, and their return to Australia.

Anyway, have a listen to 'What Did You Expect From The Vaccines?', buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

It's almost impossible to imagine the world of alternative rock without the influence of Dinosaur Jr.

Forming in Amherst, Massachusetts back in 1984, the core trio of guitarist and vocalist J Masics, drummer Murph, and bassist Lou Barlow first came together under the name Dinosaur, but added their diminutive title after the release of their second album.

Fuzzy, immersive, and highly distinctive, Dinosaur Jr. have long been considered one of the most influential groups in the genre, with the likes of Nirvana's Kurt Cobain labelling them one of his favourites, while friends of this show – including Evan Dando of The Lemonheads and Mac McCaughan of Superchunk – also took strong inspiration from them.

Truly, find yourself a fan of indie and alternative rock and start grilling them on their favourite records. If they don't mention albums like 'You're Living All Over Me' and 'Green Mind', well, I don't want to say you can disregard what they say next, but that's what I'm strongly implying.

Having initially existed for 13 years, the band had a bumpy existence, and would split in 1997, but reform in 2005. Since then, they've remained a prolific entity, getting close to matching their pre-split output. 

In late August, the group ended a five-year gap between records and unleashed their 13th album, 'There Near'. If you're a fan of the band, you're in for a good time, with their classic sound on full display as guitar players around the world look at J Mascis' work and wonder how the hell he does it.

Just after its arrival, I was lucky enough to catch up with J Mascis once more for a brief chat about his history of music and the new record. 

I will say, however, J is not exactly the most talkative person out there, so I do apologise that a lot of this podcast is actually me taking control. However, given that this podcast came together accidentally, I hadn't originally planned for us to be airing our chat together. So, regardless, I hope you enjoy it.

Anyway, have a listen to Dinosaur Jr.'s 'There Near', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

It's a little difficult to think about the Australian music scene of the past 15 years without thinking of The Rubens.

Hailing from Menangle in New South Wales, the largely familial band (three of its five members are brothers, you see), first came to prominence in 2011 when they found themselves scoring quite a bit of airplay over on triple j. 

Barely a year old, they'd made it into the station's Hottest 100 countdown, been nominated for an ARIA Award, and even released a debut album. Not too shabby.

2015's 'Hoops' changed it all for the group, with the title track taking out that year's countdown, and propelling The Rubens to further stardom. 

Consistently good singles, strong records (all of which have peaked within the Australian top 4, with 2021's '0202' even hitting the top spot), and a constant presence on the live scene have turned The Rubens into one of those bands you can always rely on. (A 'trusty' band, as it were…)

This month, The Rubens are back at it again with their latest effort, 'Group Therapy'. Their sixth album, it's a solid piece of work which – at times – feels like a return to their earliest years. To celebrate, they'll be heading out on the road once more, taking their impressive new LP to the masses.

I had a chance to chat to Sam and Elliott Margin from The Rubens a few years back, but I didn't have a podcast at the time. Now I do, so I figured it was high time we reconnected for a chat about the new record, their enduring success, and how it all came to be.

Anyway, have a listen to The Rubens' 'Group Therapy' when it arrives next week, buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.