Verbal Diorama

Shaun of the Dead is remembered now as a genre landmark; the film that made "rom zom com" a real category and launched the Three Flavours Cornetto trilogy, but its road to the big screen was anything but assured.
Fresh from Spaced; a landmark cult British TV comedy about young people living, working and partying in North London (when that was something young people could afford to do!), Spaced was written by 20-somethings Simon Pegg and Jessica Stevenson about 20-somethings, directed by 20-something Edgar Wright, and after Season 1 Episode 3 "Art", an idea festered, like a gaping zombie wound, and they were dead set on doing a zombie movie.
Despite the success of Spaced, it would be a difficult sell. Commissioned by Film4, but saved by WT2, Shaun of the Dead paid loving homage to the seminal zombie classics from George A. Romero, and all they wanted was for Romero to see the movie and give it his blessing...
Support Verbal Diorama
Loved this episode? Here's how you can help:
⭐ Leave a 5-star review on your podcast app
💰 Join the Patreon for bonus content and early access
☕ Send a tip to support the show
📱 Share this episode with fellow film lovers
Get In Touch
I would love to hear your thoughts on Shaun of the Dead
Twitter: @verbaldiorama
Instagram: @verbaldiorama
Facebook: @verbaldiorama
Letterboxd: @verbaldiorama
Email: verbaldiorama [at] gmail [dot] com
Website: verbaldiorama.com

About Verbal Diorama
Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee | Golden Lobes 2026 Earworm Award Nominee
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
Thank You to Our Patreon Supporters
Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Xenos, Sean, Ryno, Philip, Adam, Elaine, Aaron and Steve.
Thank you for supporting Verbal Diorama.
Mentioned in this episode:
Please consider supporting this podcast on Patreon
Patreon

This podcast uses the following third-party services for analysis:

Podscribe - https://podscribe.com/privacy
OP3 - https://op3.dev/privacy

Waaassssssuuuuupppppppppppppp!!
In July 2000, a $19 million parody film outgrossed most of the slasher movies it was mocking, and in doing so, quietly ended the very genre it fed off. The late-90s teen horror boom, which included Scream and I Know What You Did Last Summer had built its appeal on self-aware, meta-textual cleverness, characters who knew the rules of horror movies and still couldn't escape them. Scary Movie took that self-awareness and pushed it past the breaking point, turning Drew Barrymore's iconic Scream cold open into something closer to a Looney Tunes sketch.
This episode traces how Shawn, and Marlon Wayans, along with their brother Keenen Ivory Wayans, took a script originally titled Last Summer I Screamed Because Halloween Fell on Friday the 13th, developed by writing collaborators Buddy Johnson and Phil Beauman as a more traditional slasher spoof, and reworked it into something rowdier, cruder, and more racially and sexually explicit than anything the genre's white-coded parody tradition (like Airplane! and The Naked Gun) had attempted before.
But there was also a rival script, written at the same time, by Aaron Seltzer and Jason Friedberg, titled Scream if I Know What You Did Last Halloween...
What are you waiting for, huh? What are you waiting for?!
Support Verbal Diorama
Loved this episode? Here's how you can help:
⭐ Leave a 5-star review on your podcast app
💰 Join the Patreon for bonus content and early access
☕ Send a tip to support the show
📱 Share this episode with fellow film lovers
Get In Touch
I would love to hear your thoughts on Scary Movie (2000)
Twitter: @verbaldiorama
Instagram: @verbaldiorama
Facebook: @verbaldiorama
Letterboxd: @verbaldiorama
Email: verbaldiorama [at] gmail [dot] com
Website: verbaldiorama.com

About Verbal Diorama
Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee | Golden Lobes 2026 Earworm Award Nominee
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
Thank You to Our Patreon Supporters
Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Xenos, Sean, Ryno, Philip, Adam, Elaine, Aaron and Steve.
Thank you for supporting Verbal Diorama.
Mentioned in this episode:
Please consider supporting this podcast on Patreon
Patreon

This podcast uses the following third-party services for analysis:

Podscribe - https://podscribe.com/privacy
OP3 - https://op3.dev/privacy

The Empire Strikes Back is often called the best film in the Star Wars saga, and it started with a decision that seems almost unthinkable in retrospect.
George Lucas, creatively burnt out after directing the first film, chose not to direct the sequel at all. Instead he handed the reins to his old USC film professor Irvin Kershner, hired veteran pulp sci-fi writer Leigh Brackett to draft the screenplay, and set about building Lucasfilm and Industrial Light and Magic into more than one-hit studio products.
Brackett's now-legendary first draft featured a very different Yoda, a very different Lando, and a twin sister for Luke that never made it to screen, but Lucas and a young Lawrence Kasdan reshaped the story into the darker, more ambiguous film we know, including the introduction of one of cinema's most famous twists.
The Empire Strikes Back's production is as dramatic a story as anything in the film itself. Lucas bet his own solvency on financing the sequel independently, taking out a loan to keep Fox's creative hands off the project, only to watch the budget balloon during the shoot and the bank pull its financing mid-production.
That gamble very nearly sank the film, but it ultimately paid off in ways that reshaped Lucasfilm's entire business model, particularly around merchandising rights, and ultimately a film that ends in defeat, with its heroes scattered, became the template for how blockbuster sequels are allowed to work.
Support Verbal Diorama
Loved this episode? Here's how you can help:
⭐ Leave a 5-star review on your podcast app
💰 Join the Patreon for bonus content and early access
☕ Send a tip to support the show
📱 Share this episode with fellow film lovers
Get In Touch
I would love to hear your thoughts on The Empire Strikes Back (Star Wars: Episode V)
Twitter: @verbaldiorama
Instagram: @verbaldiorama
Facebook: @verbaldiorama
Letterboxd: @verbaldiorama
Email: verbaldiorama [at] gmail [dot] com
Website: verbaldiorama.com

About Verbal Diorama
Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee | Golden Lobes 2026 Earworm Award Nominee
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
Thank You to Our Patreon Supporters
Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Xenos, Sean, Ryno, Philip, Adam, Elaine, Aaron and Steve.
Thank you for supporting Verbal Diorama.
Mentioned in this episode:
Please consider supporting this podcast on Patreon
Patreon

This podcast uses the following third-party services for analysis:

Podscribe - https://podscribe.com/privacy
OP3 - https://op3.dev/privacy

The original Austin Powers: International Man of Mystery (1997) wasn't a huge hit at cinemas. It found its real audience on home video and cable, building into a genuine phenomenon almost after the fact.
That success put New Line in an unusual position for the sequel: expectations had shifted from "will this work" to "this will work and let's make it bigger and crazier". It meant Mike Myers going from playing two roles - Austin and Dr. Evil - to playing three, with Fat Bastard being literally the biggest villain he would ever play. The Academy was so impressed with the makeup for Fat Bastard, that they would nominate the makeup team for an Oscar. Get in my belly, indeed.
Austin Powers: The Spy Who Shagged Me released 11th June 1999, on a $33 million budget and went on to gross $312 million worldwide, outgrossing the entire domestic theatrical lifetime of the original within its opening weekend alone. Very shagadelic, baby.
Rather than ignore the impending Summer 1999 juggernaut that was Star Wars: Episode I - The Phantom Menace, The Spy Who Shagged Me's marketing team embraced it, with a teaser trailer that insisted fans see Star Wars, and the result made the Austin Powers sequel the must-see comedy of the summer of 1999...
Support Verbal Diorama
Loved this episode? Here's how you can help:
⭐ Leave a 5-star review on your podcast app
💰 Join the Patreon for bonus content and early access
☕ Send a tip to support the show
📱 Share this episode with fellow film lovers
Get In Touch
I would love to hear your thoughts on Austin Powers: The Spy Who Shagged Me
Twitter: @verbaldiorama
Instagram: @verbaldiorama
Facebook: @verbaldiorama
Letterboxd: @verbaldiorama
Email: verbaldiorama [at] gmail [dot] com
Website: verbaldiorama.com

About Verbal Diorama
Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee | Golden Lobes 2026 Earworm Award Nominee
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
Thank You to Our Patreon Supporters
Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Xenos, Sean, Ryno, Philip, Adam, Elaine, Aaron and Steve.
Thank you for supporting Verbal Diorama.
Mentioned in this episode:
Please consider supporting this podcast on Patreon
Patreon

This podcast uses the following third-party services for analysis:

Podscribe - https://podscribe.com/privacy
OP3 - https://op3.dev/privacy

Back to the Future Part II wasn't really supposed to exist as its own film. The original Back to the Future's "TO BE CONTINUED" tag was actually a post-hoc addition for home video, not a plan, after studio head Sid Sheinberg demanded a sequel. The pitch that eventually became two movies went from Bob Gale and Robert Zemeckis, through Spielberg, to Sid Sheinberg, who greenlit the whole thing on the spot.
From the film's vision of the future 2015, to its pre-CGI ingenuity, and a purpose-built motion-control rig called the VistaGlide that let Michael J. Fox play multiple characters in the same unbroken shot, Back to the Future Part II's ingenious visual effects work was good enough to earn it an Oscar nomination.
But we need to talk about George McFly. The character was originally written as dead in the darker alternate-1985 timeline, after negotiations with Crispin Glover fell apart over money and a real creative disagreement about where the character's arc was headed. What happened next was the production used face moulds taken from Glover during the first film to build facial prosthetics for his replacement, Jeffrey Weissman. It led to an infamous lawsuit over the reconstruction of his likeness without consent, that would have ramifications in Hollywood for decades to come...
Support Verbal Diorama
Loved this episode? Here's how you can help:
⭐ Leave a 5-star review on your podcast app
💰 Join the Patreon for bonus content and early access
☕ Send a tip to support the show
📱 Share this episode with fellow film lovers
Get In Touch
I would love to hear your thoughts on Back to the Future Part II
Twitter: @verbaldiorama
Instagram: @verbaldiorama
Facebook: @verbaldiorama
Letterboxd: @verbaldiorama
Email: verbaldiorama [at] gmail [dot] com
Website: verbaldiorama.com

About Verbal Diorama
Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee | Golden Lobes 2026 Earworm Award Nominee
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
Thank You to Our Patreon Supporters
Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Xenos, Sean, Ryno, Philip, Adam, Elaine, Aaron and Steve.
Thank you for supporting Verbal Diorama.
Mentioned in this episode:
Please consider supporting this podcast on Patreon
Patreon

This podcast uses the following third-party services for analysis:

Podscribe - https://podscribe.com/privacy
OP3 - https://op3.dev/privacy