PodcastsArtsCities and Memory - remixing the world

Cities and Memory - remixing the world

Cities and Memory
Cities and Memory - remixing the world
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1008 episodes

  • Cities and Memory - remixing the world

    Nuer people singing

    22/2/2026 | 10 mins.
    From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous or individual ethnographic field recordings (rediscovered during a recent research project).
    Unknown recordist.
    Copyright Pitt Rivers Museum, University of Oxford.
    ———
    Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds
  • Cities and Memory - remixing the world

    Navel-Miel performance with rattle and seed pods

    22/2/2026 | 4 mins.
    A Navel-Miel performance accompanied by shaken rattle and seed pods.
    From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.
    Recorded by Raymond Ernst Clausen.
    Copyright Pitt Rivers Museum, University of Oxford.
    ———
    Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds
  • Cities and Memory - remixing the world

    Chocó woman calling a parrot

    22/2/2026 | 0 mins.
    From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.
    Recorded by Jonathan Ambache and Richard Saumarez Smith.
    Copyright Pitt Rivers Museum, University of Oxford.
    ———
    Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds
  • Cities and Memory - remixing the world

    Chocó mouth organ music

    22/2/2026 | 3 mins.
    From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.
    Recorded by Jonathan Ambache and Richard Saumarez Smith.
    Copyright Pitt Rivers Museum, University of Oxford.
    ———
    Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds
  • Cities and Memory - remixing the world

    Azul - two worlds

    22/2/2026 | 3 mins.
    Azul means “hello” in Berber. Azul – Two Worlds is inspired by Akassar, a traditional Berber song recorded in 1961 as part of the Oxford University Expedition to the Atlas Mountains, now preserved in the Pitt Rivers Museum archive. When I first heard the field recording, its melodies and rhythms unexpectedly resonated with elements of traditional Korean music, evoking both familiarity and wonder. This connection inspired me to explore the cultural and historical context of the Berber people, whose long oral traditions and deep historical roots mirror the ancient musical heritage of Korea.
    Guided by a respect for the original material, I sought to preserve its melodic character, rhythmic vitality, and live, organic texture. I layered improvisational gayageum and a variety of Asian percussion instruments with the field recording, using minimal reverb only to enhance spatial cohesion while keeping the recording prominent. Subtle quotations of the Korean folk song Kwaejina Chingching and traditional kkwaenggwari rhythms were incorporated, reflecting how two distinct musical worlds — each shaped by their own histories — can engage in dialogue and celebration without one overwhelming the other.
    Throughout the process, I experimented with different instruments and approaches, repeatedly listening to the recording to ensure that the original essence remained central. The piece unfolds as a journey where Berber and Korean musical elements interact, highlighting both contrast and resonance, and conveying a message of shared joy, cultural respect, and the possibility of musical connection across time and space.
    Akassar (song) with violin and drum reimagined by Hwayoung Shon.
    ———
    Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

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About Cities and Memory - remixing the world

Cities and Memory remixes the world, one sound at a time - a global collaboration between artists and sound recordists all over the world. The project presents an amazingly-diverse array of field recordings from all over the world, but also reimagined, recomposed versions of those recordings as we go on a mission to remix the world. What you'll hear in the podcast are our latest sounds - either a field recording from somewhere in the world, or a remixed new composition based solely on those sounds. Each podcast description tells you more about what you're hearing, and where it came from. There are more than 8,000 sounds featured on our sound map, spread over more than 140 countries and territories. The sounds cover parts of the world as diverse as the hubbub of San Francisco’s main station, traditional fishing women’s songs at Lake Turkana, the sound of computer data centres in Birmingham, spiritual temple chanting in New Taipei City or the hum of the vaporetto engines in Venice. You can explore the project in full at www.citiesandmemory.com
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