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Cities and Memory - remixing the world

Cities and Memory
Cities and Memory - remixing the world
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  • Cities and Memory - remixing the world

    A Century of Sounds: NTS Radio special, May 2026

    22/05/2026 | 1h
    A Century of Sounds is a trip through one hundred years of sounds from all over the world, taken from the archives of the Pitt Rivers Museum in Oxford.

    It's a partnership between the museum and Cities and Memory, which is one of the world’s largest sound projects, aiming to remix the world, one sound at a time. 100 artists were invited to each choose one field recording, to be inspired by the stories, the places and the history behind that sound, and to recompose that recording to reflect their own creative and emotional response to the sound.

    In this programme, throughout you’ll hear first an excerpt from the field recording, and then the composition that sound inspired. The final collection presents a new way of listening to these recordings and the stories behind them, and suggests new ways of using sound to help us understand humanity, past and present.

    You can explore the entire project at https://citiesandmemory.com/century-sounds

    1. Afternoon beneath a palm shelter (Central African Republic) - recorded by Louis Sarno, 1986
    We sing together - micca
    2. Natar (song) on conch and musket (Vanuatu) - recorded by Raymond Ernst Clausen, 1962
    Duet for conch shell and synthesiser - Cities and Memory
    3. "Merer Pake": an nDavu trumpet signal (Vanuatu) - recorded by Raymond Ernst Clausen, 1962
    Drawn to the circle - Ana Habesh
    4. "Sapeh (type of three-stringed boat lute) being played (Malaysia) - recorded by Leslie Bennett, 1960
    To the land of the hornbills - Daniel Chudley - Le Corre
    5. Balonyona playing the geedal (bow harp) (Central African Republic) - recorded by Louis Sarno, 1992
    The rainforest - Liboi
    6. Instrumentals featuring the hyang piri and hojok (South Korea) - Laurence Rowland and Ernest Picken, 1972
    How I learnt to live with ghosts - Tim Saul
    7. Bayaka women singing yeyi (polyphonic song) in the forest (Central African Republic) - recorded by Louis Sarno (1993)
    Yeyi by Neil Foster
    8. Beggars singing for charity (Morocco) - recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson, 1961
    Nothing changes (a begging I will go) by Subphotic
    9. Women singing (India) - recorded by Nicholas Justin Allen, 1981
    Kinnaur calling - Sonic-Soma
    10. Geedal (bow harp) played in the forest with male voices accompanying (Republic of Congo) - recorded by Louis Sarno, 2002
    Talea - Sonic Investigation Unit
  • Cities and Memory - remixing the world

    Sonic Heritage - NTS Radio special, June 2025

    22/05/2026 | 59 mins.
    Cities and Memory x NTS Radio: Sonic Heritage. Originally broadcast on NTS Radio in June 2025.

    Sonic Heritage is the first collection of the sounds of the world’s most famous sights.
    The project, created by global sound collective Cities and Memory, presents the sounds of 270 UNESCO World Heritage sites and items of intangible heritage – all reimagined by artists from around the world to create a brand new way of experiencing these spaces. In this show, you’ll hear field recordings from 13 World Heritage sites around the world, followed by compositions built from those recordings. There’s everything from iconic spaces like the Sistine Chapel and historic St. Petersburg to natural soundscapes like Te Wahipounamu and traditional Ghanaian textile weaving, with ambient, electronic, spoken word and many other creative approaches to those sounds. 
    You can explore the full collection at https://citiesandmemory.com/heritage.
    Timecode, tracklisting and credits

    01.10 Tallinn, Estonia 

    UNESCO listing: Historic Centre (Old Town) of Tallinn
    Field recording: Raekoja Square at 10pm by Cities and Memory
    Composition: The bell of Reval by Penelope Trappes
    04.17 Bonwire, Ghana

    UNESCO listing: Craftsmanship of traditional woven textile Kente
    Field recording: Asante Kente weaving by Emmanuel Baffoe
    Composition: Warp and weft #4 by Formolo
    07.31 Avignon, France

    UNESCO listing: Historic Centre of Avignon
    Field recording: New Year's Day bells by Colin Hunter
    Composition: Beautiful iron friend by Simon Holmes
    12.28 Okarito, New Zealand

    UNESCO listing: Te Wahipounamu
    Field recording: Dawn chorus at Okarito by Janina Castro
    Composition: The place of greenstone by Cities and Memory 
    18.09 St. Petersburg, Russia

    UNESCO listing: Historic Centre of Saint Petersburg and Related Groups of Monuments
    Field recording: Peter and Paul Fortress carillon by Masha Sha 
    Composition: Russian house by Dermot Fitzsimons
    21.52 Tikal, Guatemala

    UNESCO listing: Tikal National Park
    Field recording: Dry leaves falling by Erick Ruiz Arellano
    Composition: Yum Kaax by Laura Hills
    25.20 Cornwall, England

    UNESCO listing: Cornwall and West Devon Mining Landscape
    Field recording: Head gear, Geevor mine by Paul Lewin
    Composition: Resonances - in the depths by Elissa Goodrich
    30.20 Venice, Italy

    UNESCO listing: Venice and its Lagoon
    Field recording: Glass-making demonstration in Murano by Cities and Memory 
    Composition: Glass factory by The Leaf Library
    35.48 Rome, Italy

    UNESCO listing: Vatican City
    Field recording: Inside the Sistine Chapel by Cities and Memory 
    Composition: Crosswise I strain me like a Syrian bow by Cities and Memory 
    39.33 Kraków, Poland

    UNESCO listing: Historic Centre of Kraków
    Field recording: Wieża Ratuszowa by Serge Bulat 
    Composition: Wieża by Ross Reilly
    43.47 Nara, Japan

    UNESCO listing: Historic Monuments of Ancient Nara
    Field recording: Morning prayer at Kasuga Taisha shrine by Lisa Germany
    Composition: Morning incantation by Jaspal Singh Bhogal
    48.56 Morelia, Mexico

    UNESCO listing: Historic Centre of Morelia
    Field recording: Cathedral bells at Morelia by Erick Ruiz Arellano
    Composition: Ultimo sueno by Kamala Sankaram
    54.06 Edinburgh, Scotland

    UNESCO listing: The Forth Bridge
    Field recording: Trains crossing the Forth Bridge by Simon Holmes
    Composition: The soft entrance by glacis
  • Cities and Memory - remixing the world

    Von Nieburhstrasse zu Savignyplatz

    21/05/2026 | 4 mins.
    "The field recording of a pedestrian crossing signal at Savignyplatz, Berlin, triggered immediately the memory of myself, in my twenties, living not far from Savignyplatz, learning to ride a bike as an adult. Terrified. Because I never had a bike as a child, my parents couldn’t afford one and where I grew up, bikes were for boys anyway."
    Translation of the text in the piece:
    Leaving the house, on Niebuhrstrasse, I turn right. I cross Leibnitz, Wieland and Schlüter. I reach Bleitreustrasse, turn left and keep going.

    I've repeated the route to myself several times. Not to learn the names of the streets that cross mine, but to keep my mind occupied. And not to think about the atavistic fear that makes me feel a hole in my stomach and makes me tremble all over.

    Because learning to ride a bike as an adult, at 25, is a frightening thing.

    Once you're moving it's almost easy. But there's the beginning and the end, and there are the cars and the car doors, and the dogs and the children and the stones and the pavements and the traffic lights.

    From Niebuhrstrasse to Savignyplatz. I just need to get to Savignyplatz, then I can get off and walk home, it's close, not even 500 metres.

    Learning to ride a bike as an adult.

    Because as a child I never had a bike. My parents wouldn't have had the money to buy me one, even if I'd asked. And a bike is something for boys anyway.

    And then an aunt of mine, who worked as a housemaid, had brought along an old broken bike that her employers' children had thrown away. My father took it to the workshop where he worked, welded the fork and the bike was as good as new.

    Boy's thing, that's just how it was. So: the bike belonged to my brother.

    I used it only once, in the lane near the house, to try it out on my own. But then Giuseppe had come along, a couple of years older than me, and had told me not to be afraid and had held the saddle to help me keep my balance.

    Two hours aren't enough to learn to ride a bike. But two hours are too many to spend alone with Giuseppe, and so when my mother found out she was very angry with me.
    That was the first and only time I tried to ride a bicycle.

    Now, many years later, I live in a city far from all the things that kept me bound.

    Now I have my own bike and nobody can tell me what to do anymore.

    But it's hard to learn to ride a bike at 25, when there's no one there to hold the saddle and tell you not to be afraid.

    I just need to make it to Savignyplatz. Then I'll get off and push.
    Pedestrian crossing in Savignyplatz, Berlin reimagined by Cristina Marras.
  • Cities and Memory - remixing the world

    A quiet Sunday morning ticking

    21/05/2026 | 2 mins.
    A ticking pedestrian crossing (with the iconic "Ampelmann" light) at a road on Savignyplatz, Berlin, with just a few passing individual cars. 
    Recorded in September 2025 by Cities and Memory.
  • Cities and Memory - remixing the world

    Spirality

    21/05/2026 | 3 mins.
    "The street ambience was fairly intense and in Ableton Live I chopped and processed the traffic noises and played about with the pitch and timbres. A kick drum was used to give a primal rhythm to the piece and Absynth 6 was added, acting as a sonic glue. My idea was to create a soup of a soundscape."
    Traffic in Guayaquil reimagined by FFRWD.
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About Cities and Memory - remixing the world
Cities and Memory remixes the world, one sound at a time - a global collaboration between artists and sound recordists all over the world. The project presents an amazingly-diverse array of field recordings from all over the world, but also reimagined, recomposed versions of those recordings as we go on a mission to remix the world. What you'll hear in the podcast are our latest sounds - either a field recording from somewhere in the world, or a remixed new composition based solely on those sounds. Each podcast description tells you more about what you're hearing, and where it came from. There are more than 8,000 sounds featured on our sound map, spread over more than 140 countries and territories. The sounds cover parts of the world as diverse as the hubbub of San Francisco’s main station, traditional fishing women’s songs at Lake Turkana, the sound of computer data centres in Birmingham, spiritual temple chanting in New Taipei City or the hum of the vaporetto engines in Venice. You can explore the project in full at www.citiesandmemory.com
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