GlastoCast - (unofficial) Glastonbury Festival Podcast

Woody Cook joins Miguel and Jessi to talk finding his own sound, playing ten sets at Glastonbury and why having fun behind the decks matters.
From first-set nerves to crowd-surfing on an airbed, secret bars and a three-week charity walk to Worthy Farm, Woody shares the music, friendships and adventures that have shaped his Glastonbury.
(00:00) Ten sets and a crew bar that nearly got too full
(04:37) Growing up around the festival
(15:23) Famous faces, the piano bar and an airbed
(25:52) Finding his own sound behind the decks
(46:41) First-set nerves in the Greenpeace tree
(57:24) Walking from Dover to Worthy Farm
(01:01:22) Woody's Glastonbury map

The fallow year is over and ticket day has come round sooner than expected. Jessi and Miguel are back to talk through the Glastonbury 2027 sale: what has been announced, the £408 price, how the queue works and why the coach sale is a commitment as well as a chance.
They also share the mistakes that can sink a whole group, how Jessi runs her ticket syndicate, whether Glasto is still worth the money, and the first headliner rumours.
(00:00) Back after the fallow year
(04:45) What we know about the sale, and mistakes to avoid
(14:29) The art of the ticket syndicate
(21:08) The coach sale
(28:43) Is Glasto still worth it?
(40:14) Headliner rumours and what comes next

Miguel and Jessi are joined by guest Niki to look back on Glastonbury 2025, from the Wednesday circus at the Pyramid to a foggy Monday morning at the Stone Circle. Between them they cover standout sets, late nights in the south-east corner and the small kindnesses along the way.
Miguel worked long shifts and saw the festival by night, Jessi volunteered and then roamed free, and Niki did it as a ticket holder. All three came home with the same feeling: something just clicked this year.
(00:00) Back on the farm, and where 2025 ranks
(07:17) Niki's corner of Kidney Mead
(10:30) Wednesday: circus, fireworks and a first night out
(27:54) Thursday, the day for exploring
(49:05) Weekend highlights and room to move
(01:07:19) Miguel's festival after dark
(01:21:40) Sunday night into Monday morning
(01:28:33) Glasto moments and what it all meant

Just before heading to Worthy Farm, Jesse and Miguel sit down with Amy Bee Sting, creative director of OMG It’s The Church - the Glastonbury late-night institution known for salvation, saxophones, and serious chaos.
Amy shares some very unholy memories from her years with the band, and there’s even a brief appearance from The Reverend himself.
Glastonbury stories, backstage madness, and sins that cannot be unseen. Explicit content. Amen.
(00:00) Two hosts, two jobs and a house full of kit
(05:41) Amy finds her people
(17:31) Strange nights and stranger mornings
(24:03) How the Church came to be
(33:02) Confessions and the congregation
(43:35) Where to find the Church this year
(49:06) A word from the Reverend

In this episode, we're joined by Bilal from Festival Sounds to reflect on the magic of Glastonbury 2024 – the standout sets, surprises, and unforgettable moments that have stuck with us months later. We also dive into the drama of the 2025 ticket sale (spoiler: it didn’t go well for some of us…), debate the new system, and look ahead to what we know – and hope – is coming for Glasto 2025.
(00:00) A crossover with Festival Sounds
(08:30) 2024 revisited: sunshine, drones and the Dragonfly
(21:08) New corners and favourite sets
(31:52) The case for a nostalgia slot
(39:20) The 2025 ticket sale and the new queue
(52:09) Other ways in: Oxfam and working the festival
(01:02:19) Headliner rumours and wishlists for 2025
(01:13:39) Outfits, traders and plans for next time