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Goon Pod

Goon Pod
Goon Pod
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  • Pickwick - with Tim Worthington
    “I like the Pickwick score, it’s robust and British. I’ve often been offered parts in American musicals but I’ve always turned them down. No matter how good they are, I always feel they are not part of us. That’s why I waited and thought of this idea of making a musical of ‘Pickwick.” - Harry Secombe, 1963.And so the idea was realised, based on the 1837 Charles Dickens novel The Posthumous Papers of the Pickwick Club, better known simply as The Pickwick Papers. Harry got the idea for the musical while on holiday in the Bahamas, inspired by the success of Oliver! The writer Wolf Mankowitz agreed to turn it into a musical but faced the considerable challenge of condensing the 250,000words and loosely-linked anecdotes from the original novel into a workable stage production. He eventually decided to use the Pickwick-Bardell breach of promise action as a basic skeleton from which to hang the two-act musical adaptation. Pickwick premiered in Manchester in summer 1963 and as well as Secombe as the titular rotundity featured the likes of Anton Rodgers, Julian Orchard, Hilda Braid, Peter Bull and Norman Rossington among the cast.It swiftly transferred to the West End and two years later opened in the United States. Some of the original British cast reprised their roles (obviously including Harry) but Charlotte Rae came on board as Mrs Bardell and a young scapegrace called Davy Jones took up the part of Sam Weller. The story is he was spotted and signed up for The Monkees during this, and was subsequently replaced by the great Roy Castle. An original cast recording was released on LP in 1963 and in 1969 the BBC broadcast a 90-minute colour adaptation of the musical, adapted for the screen by James Gilbert and Jimmy Grafton. It reunited Secombe with Roy Castle and Julian Orchard and introduced us to Hattie Jacques as Mrs Bardell, Aubrey Woods as Mr Jingle and Robert Dorning as Tupman.This week returning guest Tim Worthington talks all things Pickwick but as you would expect with someone like Tim the conversation is wide-ranging and he pulls many a thread from the tapestry of sixties popular culture!
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  • The Fireball of Milton Street
    "What's become of that crispy bacon we had before the war?"Yes, this is that episode. 'Fireball' doesn't perhaps get the love it deserves, as it contains a fairly strong plot (by Goon Show terms). Henry Crun believes the sun is on fire, ergo the world is coming to an end and soon his fellow villagers are drawn into the drama. Seagoon is dispatched to see the Queen, a dissenting lad climbs a 200-ft ladder with a bit of bread on the end of a toasting fork and a rocket is constructed out of wood, brown paper and string, the idea being that it will transport the villagers up to the sun with buckets of water to put it out. Still with me? Joining us this week is Jeff Walker, host of Podcasto Catflappo - a podcast all about Filthy, Rich & Catflap.
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  • Gavin Sutherland on Goon Show Music
    This week Goon Pod welcomes Gavin Sutherland, conductor, musician, composer, arranger and general music nut with a passion for both the high-brow and the not-so-high-brow. As well as all that he's involved in podcasts such as The Peggy Mount Calamity Hour and has just released an album of old TV tunes, idents and ephemera: 'The Next Programme Follows Shortly'.Gavin has long been a fan of the Goons and thanks to his job and connections has met a number of former musicians who have played on the Goon Show, as well as, most notably, Angela Morley. Gavin talks about Angela fondly and describes how she was much in demand for her musical arrangements. He and Tyler talk about some music heard in the Goon Show over the course of the series, some of it highly memorable, while some of it merely a useful example of dependable linking music. It's a hugely enjoyable conversation which will appeal to comedy and music fans alike!
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  • Alice In Wonderland (1966) - with Bob Fischer
    In 1966 Jonathan Miller's BBC Television adaptation of Lewis Carroll's classic children's story caused something of a moral panic, even before it was broadcast. Amidst much foot-stamping, harrumphing and letters to the Editor the point was very much missed - yes, it was to be screened after nine o'clock in the evening and was not aimed at children but not because it contained questionable material (or, as some believed, 'X-rated filth'!). The writer and performer Bob Fischer first saw Miller's Alice In Wonderland about twenty-odd years ago and was immediately drawn in. It was a snapshot of the time it was made despite the period trappings, an example of early psychedelia with offbeat performances, thought-provoking visuals (inspired by Victorian photography), and an overall dreamlike undercurrent set to music by Ravi Shankar. All of it conveyed the torpor of an endless summer.Miller eschewed actors in animal costumes and was blessed with a stellar cast including Peter Sellers, Wilfrid Brambell, Peter Cook, Alan Bennett, Leo McKern and even Malcolm Muggeridge, not to mention the girl at the centre of the film, Alice herself, played by Anne-Marie Mallik. Bob & Tyler immerse themselves in the film and discuss its background, the controversy, the casting, story, score and much else besides. Bob throws in the odd Alan Bennett impression and wonders if 1966 AIW could in some ways have inspired both The Prisoner and The Rutles, and even draws some parallels with Revolver, released around the time the film was in production. Bob is @bobfischer.bsky.social‬ and as well as writing for the Fortean Times, Electronic Sound and Doctor Who Magazine is one of the people behind Mulgrave Audio and Summer Winos and tours with Scarred For Life.
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  • At Last The Go On Show - with Dirk Maggs & Ted Kendall
    In May 1991 At Last The Go On Show was broadcast on BBC Radio 2, designed to celebrate the Goon Show's 40th anniversary. It was a stunning documentary that still sounds fresh and relevant today and two of the three men behind it - Dirk Maggs and Ted Kendall - joined Tyler and Graeme Lindsay Foot to discuss how it all came about and the challenges they faced. Ted (who it turns out wanted to be a racing driving before getting into audio engineering) talks about bringing together the clips and sequences which proliferate throughout and the techniques employed to improve their quality. Dirk recalls interviewing Spike Milligan, Harry Secombe and Michael Bentine and the marathon session putting everything together. Graeme looks back at it from the fan's perspective and recalls GSPS get-togethers from years gone by. They also talk about the series of restored shows that aired the following year and the necessary cuts needed in a wide-ranging and thoroughly enjoyable conversation.
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About Goon Pod

A podcast where we talk about classic comedy with particular focus on the work of Spike Milligan, Peter Sellers, Harry Secombe & Michael Bentine. You'll also hear us discuss the likes of Monty Python, Hancock, Blackadder, the Carry On films, Peter Cook, Steptoe & Son and countless other comedy figures & fixtures from the postwar era. Please follow on Bluesky @goonpod.bsky.social and Twitter @goonshowpod
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