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Telefantasy Time Jump

Paul Cornell, L. M. Myles.
Telefantasy Time Jump
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  • Telefantasy Time Jump 6: The Invisible Man/I Can Destroy The Sun (1958)
    Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss two episodes of HG Wells' The Invisible Man (1958), as well as an entry from Armchair Theatre titled "I Can Destroy The Sun" (also 1958).
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    1:11:24
  • Telefantasy Time Jump 5: The Sky at Night (1957)
    Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss The Sky at Night (1957).
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    54:00
  • Telefantasy Time Jump 4: The Adventures of Sir Lancelot (1956)
    Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss The Adventures of Sir Lancelot (1956).
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    55:56
  • Telefantasy Time Jump 3: Quatermass II (1955)
    Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss Quatermass II (1955).
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    1:12:33
  • Telefantasy Time Jump 2: Nineteen Eighty-Four (1954)
    Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss Nineteen Eighty-Four (1954).
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    1:10:57

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About Telefantasy Time Jump

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day. And in our Patreon bonus episodes we see what the rest of the world’s SFF TV was like that year.
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