We discuss the online live streaming phenom that is Clavicular and looksmaxxing as a feminisation of a masculine dynamic. Looksmaxxing's technologisation of the body is now firmly part of the transhumanist and posthumanist universe, as Peter Thiel's affinity with Clavicular (Braden Peters) indicates. If Bryan Johnson's optimisation of the body is posthumanism in service of health in the face of death as the ultimate reality, looksmaxxing is its far unhealthier, destructive cousin.Â
To what extent is adopting the gaze of others as a barometer of worth actually helpful to Clav's young male fanbase of chads, chuds, incels, and moggers? And why has this new peculiar language sprung up around the subculture of looksmaxxing?
Plus, classmaxxing, why romantic love is necessarily a bit embarrassing, live streaming as the video gamification of real life, and the role of autism and social inhibition in all of this.