This week on The Treatment, Elvis speaks with writer-director Edgar Wright. His newest project is an adaptation of the 1982 Stephen King novel The Running Man, starring Glen Powell. They discuss the thrill of collaborating with King on the project, the prescience of the novel, and why it was important to make the protagonist an ordinary guy.
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The Knife director Nnamdi Asomugha has The Treat
Although he’s been retired from the NFL for more than a decade, director and actor Nnamdi Asomugha still gets inspired by a team coming together under difficult circumstances. For his treat, he credits the 2001 miniseries Band of Brothers about paratroopers in World War II with keeping him going while recuperating from a football injury.
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Who’s with comedian W. Kamau Bell?
Elvis speaks with director, TV host, and comedian W. Kamau Bell, on making audiences laugh on his current stand-up tour Who's With Me?. They discuss his brand of comedy, what's happening in late night TV and what made his CNN series United Shades of America different from other travel shows.
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The Treat: "Eddington" director Ari Aster
Director Ari Aster’s films often go in unpredictable directions. That’s apparent in his works including Midsommar, Hereditary, and his latest, Eddington, which stars Joaquin Phoenix, Pedro Pascal, and Emma Stone. For his treat, he pays homage to a 2024 French film that is more than meets the eye.
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Director Nia DaCosta on the power of Hedda
Director Nia DaCosta’s new film Hedda is a daring adaptation of the 1891 Henrik Ibsen play Hedda Gabler. DaCosta talks with Elvis about not treating the original text too seriously, using physical spaces to define characters, and what Hedda surprisingly has in common with DaCosta's previous films The Marvels and Candyman.
The Treatment is a compelling listen to the vital conversations about the catalysts of creative inspiration. Following some of the most interesting, influential, and crossover creators in the world of entertainment, fashion, sports, and the arts, we hear from tastemakers who are the very fabric that forms popular culture.
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