History of Venice Podcast

It’s an unexpected change of direction for us this week. We’ll explain why in the episode. Stand by for a Venetian story of music, spectacle, and poor decision-making, as we explain what on earth “Pin Floi” is and why it's an indelible memory for anyone who was there.

You can listen to Pitura Freska’s “Pin Floi” here, with the lyrics on screen in Venetian. Sing along with the chorus when you feel confident: https://www.youtube.com/watch?v=dImVV5yQv9g

There’s plenty of footage of the event available online. If you can make it through the adverts, this is a two and a half minute piece that aired on the TG2 news on the day after the concert. I don’t have the space for a full translation, but the pictures tell their own story for those who don’t understand the words. The “toilet” scene that we mention at the start of the episode is right at the end of the piece:

https://www.ilgazzettino.it/video/nordest/pink_floyd_venezia_25_anni_dopo_tg_rai_raccontarono_evento_2-145557.html

 

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Intro and outro music is from Vivaldi’s Gloria, used under Creative Commons licence from musopen.org

Today we want to try to understand what kind of place Venice was as the 13th century dawned; how much it had changed in the hundred years since we last took a close look at it, back in Episode 31; and how the arrival of fresh artworks and spoils of war from the east would fuel both its own ongoing beautification and the historical narratives and myths that the city’s public appearance was aiming to promote.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

Sebastiano Ziani and Enrico Dandolo battle it out for our vote as the Top Doge of the 12th Century. Find out who we pick and tell us whether you agree.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

We're away on holiday this week, so there's no time to research and write a normal episode. So we've quickly rounded up what eventually happened to most of the characters we've been following on the Crusade story, and then had a final broad chat about what on earth just happened.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

The Crusade was over. The Crusaders had won. They had pushed Humpty Dumpty off the wall, and now they were the kings of all the broken pieces. If this had been their plan all along, then whoever was responsible for working out what came next had been asleep at the wheel. Once the celebrations of Easter Week 1204 brought an end to the initial rush of looting and vandalism, all semblance of this being a united force with a common goal vanished into the springtime air like dandelion seeds in the breeze.

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Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org