I'm In Love With That Song Podcast

On this episode, we continue our journey from last year through the history of Stax Records, the iconic label that defined Southern Soul music, as I play some of my favorite Stax tracks from 1964 to 1966. Sam & Dave, Otis Redding, Booker T & The MG's, Albert King, Rufus & Carla Thomas, Eddie Floyd... they're all here on some of the greatest singles ever released. Let's dig in, shall we?
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What happens when a record label shelves a band’s most ambitious studio work to capitalize on a surprise live hit? On this episode, we explore this unique moment in rock history and analyze "Dream Police" by Cheap Trick -- the title track of the album that sat on a shelf for nine months while Cheap Trick at Budokan conquered the world. We’ll step through the song’s complex architecture, revealing how Rick Nielsen combined lyrics of paranoia with a hard-rocking guitar riff and a heavily orchestrated, at times "horror-movie" vibe.

The episode goes beyond the surface, isolating the tricky guitar melodies, the pre-chorus drama, and the disorienting shift in time signatures. You will gain a new appreciation for the technical prowess of Robin Zander’s vocals, Tom Petersson’s 12-string bass, and Bun E. Carlos’s Moon-esque drumming. Whether you’re a lifelong fan or a newcomer to the "hardest working band in show business," this episode illustrates why "Dream Police" remains an inescapable classic and a testament to the band’s survival and creativity.

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We talk a lot about mixing on this podcast, but we've never explained what that actually means-- until now. Join me and my guest, recording engineer & producer Drew Townson, as we look at the differences between "recording", "mixing" and "mastering". Get a behind-the-scenes look at the decisions made in the studio, the challenges faced, and why you can't really "fix it in the mix".

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Wilson Pickett, a name synonymous with soul music, has a catalog filled with timeless classics. From "In the Midnight Hour" to "Mustang Sally," his influence on the genre is undeniable. But in this episode, we focus on one of his lesser-discussed yet equally powerful--and damn funky-- tracks, "Get Me Back on Time, Engine Number 9 (Parts 1 & 2)". This song is a testament to Pickett's versatility and the genius of Gamble & Huff and the production team at Sigma Sound.

"Get Me Back On Time, Engine Number 9 (Parts 1 & 2)" (Kenny Gamble & Leon Huff) Copyright 1970

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We celebrate the 201st installment of the podcast by revisiting one of our first subjects-- the legendary Paul McCartney and his band Wings, with the non-album single “Junior's Farm.” Released in November 1974, this track developed during McCartney's escape to a Nashville farm during a tumultuous time in his life, following the breakup of The Beatles. Join us as we explore the song's origins, the dynamic lineup of Wings during this period, and the memorable guitar work of Jimmy McCulloch, who made his mark with this track. We’ll dissect the song's unique structure, the production choices, and the whimsical lyrics that embody McCartney's signature style. This episode is a deep dive into a classic that showcases the artistry and evolution of one of music's most beloved figures.

"Junior's Farm" (P. McCartney, L. McCartney) Copyright 1974 MPL Communications Ltd.
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