Doomscroll with Joshua Citarella

We discuss Claire’s background in art, working at Sculpture Center, studying at SAIC and navigating the extreme inequality of American life. I share some war stories about the hazards of DIY creative life, freelancing and healthcare.
You can get access to the full catalog for Doomscroll and more by becoming a paid supporter: www.patreon.com/joshuacitarella

My guest is Claire Valdez, a union organizer, artist and democratic socialist running for congress in NY-7. Valdez has garnered an impressive list of endorsements; Bernie Sanders, Zohran Mamdani, UAW’s Shawn Fain, DSA, Mahmoud Khalil, Zephyr Teachout, and many others. We discuss the American labor movement and the power of democratic majorities. The NY primary election is on June 23rd.
You can get access to the full catalog for Doomscroll and more by becoming a paid supporter: www.patreon.com/joshuacitarella

Abby and I analyze the new Manosphere doc by Louis Theroux, college campus politics, elite formation, legacy vs alt media, and explore some deeper themes from her new film.
You can get access to the full catalog for Doomscroll and more by becoming a paid supporter: www.patreon.com/joshuacitarella

My guest is Abby Martin, a journalist and documentarian. We explore the early years of internet culture (before big platforms and algorithms) back when Occupy Wall Street and 4chan were on the same side. This formative period gave birth to the first wave of an anti-establishment alternative media, where conspiracy theorists and radical anti-capitalists shared a similar online sphere.
We discuss Martin's new film "Earth's Greatest Enemy" (2026), now available to watch online: https://vimeo.com/ondemand/earthsgreatestenemy
You can get access to the full catalog for Doomscroll and more by becoming a paid supporter: www.patreon.com/joshuacitarella

We dive deeper into Natalie’s thinking on Anti-Zionism. Later, we discuss the decade long arc and development of her creative practice; from concept to writing to film-making. We explore the shifting role of cultural institutions in a world of platforms and user generated content, cancel culture and activist blow-back.