Kyle Meredith With...

Tom Cavanagh tells Kyle Meredith why the writing on You’re Killing Me worked so well that the cast mostly just had to stay out of its way. The Flash and Scrubs favorite talks about building his small-town detective alongside Brooke Shields and Amelia Williamson, improvising lines, sneaking a little Columbo into the performance, and why knowing the ending helped him “keep the powder dry” until the finale. There’s also a quick detour into Prince, Bowie, and one of the smoothest segue compliments ever handed out in an interview.
Listen to Tom Cavanagh chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Judith Light says horror found her, not the other way around, but The Terror: Devil in Silver might be the role that proves she belongs there. Talking with Kyle Meredith, the legendary actress gets into disappearing into the character of Dory, a woman abandoned inside a psychiatric hospital for decades, while also digging into the series’ bigger themes around mental health, homelessness, and a healthcare system that leaves people behind. Along the way, she talks about working with Dan Stevens, CCH Pounder, and Steven Root, the “wild hysteria” offset that kept everyone sane while making something this dark, and why entertainment works best when it gets people talking afterward.
Listen to Judith Light chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Kimiko Glenn says every relationship on her debut EP Modern Dance was either doomed from the start or became material eventually, and talking with Kyle Meredith, she gets into the very real stories behind it all. The Orange Is the New Black and Kiff star talks about finally putting her “secret” songs out into the world after years of treating music like a private diary, channeling grief into her first single “Oh Honey,” and finding a weirdly perfect lane between synth-pop confessionals and total visual chaos. They also get into dating in the age of the manosphere, emotionally intelligent men apparently becoming an endangered species, directing her own completely unhinged “Hang Out Forever” video, and why voice acting accidentally gave her the freedom to become a musician in the first place. Also, she’s playing Peni Parker in the new Spider-Man animated movie, which means Gerard Way technically helped create one of her next big roles.
Listen to Kimiko Glenn chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Jack Antonoff says all he really wants out of life is to make records and tour, and that turns into a surprisingly heavy conversation with Kyle Meredith about grief, ancestry, community, religion, and why Bleachers’ new album Everyone for Ten Minutes accidentally became an origin story. They get into the “ancestral pact” of leaving home to chase art, Bruce Springsteen’s advice about building a life around music, the weirdness of becoming famous enough to watch your own history rewritten, and why Antonoff thinks concerts are closer to church than actual churches. There’s also plenty on balancing the producer side with the artist side, finding “magic” in recording sessions, and why sometimes the demo is still the best version no matter how much money you throw at it.
Listen to Jack Antonoff chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Maya Hawke tells Kyle Meredith that her new album MAITREYA CORSO accidentally became a love record after falling deeper into her relationship and eventually marrying songwriting partner Christian Lee Hudson, and the conversation gets pretty fascinating from there. They talk about writing songs together while navigating a real relationship, the fear of being fully seen by another person, and how tracks like “Dreamhouse” and “Bring Home My Man” became about learning to stop hiding parts of yourself. Hawke also opens up about finishing Stranger Things 5 while making the record, the depression that followed the end of the series, and how being more selective with acting roles finally changed her confidence on the film side too.
Listen to Maya Hawke chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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