1032 episodes
- Making a Scene Presents an Interview with Donna Herula
Donna Herula is an award-winning blues singer, songwriter, resonator slide guitarist, bandleader, educator, and Chicago Blues Hall of Fame inductee whose music bridges Delta blues, early Chicago blues, folk, soul, gospel, Americana, and New Orleans rhythm. Hailed by Living Blues Magazine for her “superlative guitar prowess,” Herula has built a reputation as a powerful acoustic and electric blues artist with a gift for emotional honesty, intricate guitar work, and songs that carry both strength and vulnerability.
Based in the Chicago area, Herula leads both the Donna Herula Trio, an acoustic folk-blues group, and the Donna Herula Band, a full electric blues ensemble. Across those settings, she moves with ease between intimate acoustic storytelling and high-energy band performances, keeping the blues tradition alive while writing from a distinctly modern and personal point of view.
http://www.makingascene.org - Making a Scene Presents Gerry Casey's Interview with Michael Christie of The Kings of Cool
The Kings of Cool are a Ballyshannon, County Donegal band whose music blends classic guitar pop, soft rock, country, jazz, and the melodic craft of timeless songwriting. Built around Michael Christie, Jason Kelly, and Stephen Gallagher, the band carries the easy chemistry of musicians who have known each other for years, played together in different settings, and found a new creative spark at exactly the moment the world seemed to stop.
http://www.makingascene.org - Making a Scene Presents - The Fan, the Brand and the Music
Why the Future of an Independent Music Career May Depend Less on Finding More Listeners and More on Building Better Relationships
There is something wonderfully strange about the modern music business. An independent artist can sit in a bedroom in Georgia, make a record, distribute it around the world, reach listeners in countries they have never visited, sell a ticket directly to someone three states away and talk to a fan on the other side of the planet before breakfast. The machinery that once required record companies, distributors, radio promotion departments, warehouses, retail stores and a fair amount of begging is now available to almost anyone with a laptop and enough patience to remember seventeen passwords.
Yet somehow, after all this technological progress, many artists know less about their actual fans than the local bar band knew thirty years ago.
http://www.makingascene.org SoundCloud Put the Sale Next to Discovery. That Could Change the Indie Music Business
03/09/2026 | 20 mins.Making a Scene Presents - SoundCloud Put the Sale Next to Discovery. That Could Change the Indie Music Business
There is something almost delightfully old-fashioned about one of the more interesting music-business announcements of 2026. A fan hears a song, likes the song, decides it is worth a few dollars, gives the artist some money, and receives a copy of the music. After more than two decades of streaming pools, recommendation engines, royalty calculations, subscription tiers, content IDs, creator dashboards, discovery algorithms, and enough acronyms to make a federal agency jealous, SoundCloud has stumbled back onto a business model people understood perfectly well when record stores still had listening stations and somebody behind the counter knew which local band was worth hearing.
http://www.makingascene.orgThe Labels Aren’t Fighting AI. They’re Buying Into It. So Where Is the Indie Artist’s Equity?
02/09/2026 | 21 mins.Making a Scene Presents - The Labels Aren’t Fighting AI. They’re Buying Into It. So Where Is the Indie Artist’s Equity?
For the last few years, independent musicians have been handed a very simple story about artificial intelligence. AI was the thing coming for your songs, your voice, your recording career, your session work and, if the more dramatic headlines were to be believed, possibly the last decent cup of coffee in the control room. Artists were warned about scraped catalogs, cloned voices, machine-generated recordings and giant technology companies building enormous businesses from human creative work without asking permission first. A lot of those warnings were legitimate, because the questions around copyright, consent, attribution, training data and compensation are real, unresolved and currently being fought over in courtrooms, licensing offices and corporate boardrooms.
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