New Books in Anthropology

Edith Szanto’s Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing.

In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals.

This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual.
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Contentious Citizenship: Salvadoran Activism and Belonging Across Borders (U Arizona Press, 2026) reshapes how we understand belonging, identity, and political participation in the context of migration. Drawing on decades of Salvadoran activism from the 1980s solidarity movement to the post–civil war era, Arely M. Zimmerman offers a powerful ethnographic account of how migrants challenge exclusionary state practices and redefine citizenship on their own terms using transnational networks and revolutionary politics that transcend borders.Drawing on nearly fifty interviews with activists who fled El Salvador, Zimmerman traces how political refugees carried with them strategies of resistance and community organizing that shaped social justice movements in the United States. The book addresses the political turmoil and grassroots mobilizations in El Salvador, the sanctuary movement of the 1980s, contemporary activism, and the impact of women’s strategies and forms of resistance.Essential reading for scholars and students of migration, Central American studies, and political movements, Contentious Citizenship is a bold intervention into contemporary debates on identity, legality, and resistance. Zimmerman’s work honors the ingenuity and resilience of Salvadoran activists and invites readers to consider what it means to belong.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.
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In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen’s UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont’s narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.In the Land of the Lacandón illuminates de Colmont’s expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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A Volatile Picture: War and the Political Work of Photography in Sri Lanka (U Washington Press, 2026) by Dr. Vindhya Buthpitiya is a groundbreaking ethnography that explores how, in the context of Sri Lanka’s protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. From state-commissioned images meant to surveil and rebel documentation of armed resistance, to the fragile memorials created from identity photographs of the disappeared, A Volatile Picture traces the making and moving of images across borders, communities, and generations. Studio portraits, passport pictures, family albums, atrocity photography, social media posts, and more act not only as records of loss and horror but also as vital tools for protest, solidarity, and the realization of alternate political futures. Drawing on transnational archival and ethnographic encounters and long-term fieldwork in northern Sri Lanka, Dr. Buthpitiya situates photography as both a volatile medium and a political practice. Photographs emerge here as incendiary agents—simultaneously evidencing and triggering violence, sustaining memory, and inciting new visions of liberation.This is the first in-depth study of Tamil photographic practices in Sri Lanka, offering a major contribution to the anthropology of war, visual culture, and South Asian studies. Richly researched and deeply humane, A Volatile Picture demonstrates how, amid devastation and displacement, photographs continue to generate truths, solidarities, and hopes that resist erasure.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In Embodied Encuentros: Oral History Archives of Latina/o/e Experiences (Ohio State UP, 2026), Elena Foulis offers a practical guide for completing ethical fieldwork in Latina/o/e communities, emphasizing equitable and culturally sustaining practices for gathering oral histories. In her critical decolonial model, Foulis centers the agency of the people within these communities while considering the diversity and complexity of their experiences. In doing so, she advocates for the importance of building oral history archives that challenge our understandings of Latina/o/e peoples.

Foulis provides a conceptual framework for building on community knowledge that considers language, cultural practices, gender, and race. She suggests ways to involve students in ethical research; collect evolving oral histories; employ a language justice approach that acknowledges linguistic oppression, translanguaging, and bilingualism as essential aspects of this community; and consider the importance of digital archives for the creation of multimedia projects that foster community pláticas. Grounded in both theoretical approaches and a feminist ethics praxis, Embodied Encuentros ultimately outlines an important model for doing collaborative, ethical research—not only within Latina/o/e communities but within other minoritized communities as well.
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