New Books in Anthropology

In a society undergoing rapid transformation, how do people engage in debates around a foreign concept and in doing so, pursue contested political futures?

The Death and Life of Chinese Civil Society examines how a group of Chinese intellectual elites referred to as the liberals or ziyou pai edified the civil society project beginning in the 1990s to build an independent space to constrain state power, increase political participation, and promote China’s democratization. In the early 2000s, activists in movements such as the environmental and the AIDS movements identified with the liberals and regarded their activism as part of the project of building civil society. However, since the late 2000s the liberals’ influence has gradually declined. In prominent social movements in the 2010s such as the labor and feminist movements, activists have openly criticized the liberal interpretation of civil society and regarded liberals’ civil society agenda as irrelevant.

In the book, Mujun Zhou employs the concept of interstitial space, or the space where the exercise of power has not been fully institutionalized, to examine the history of the civil society project over the past three decades and its changing relationship with other social movements. Zhou suggests that by advocating for civil society the liberals gained allies and thematized many social problems rising during China’s economic reform; however, liberals’ activism also produced new forms of power inequalities.

Mujun Zhou is a cultural-political sociologist. She is currently Associate Professor of Sociology at Zhejiang University. Her major research interests lie in issues in political culture and social change.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.
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The past, present and future of ethical production in fashion

In Dyeing with the Earth, Charlotte Linton explores the intersection of small-scale traditional craft production with contemporary sustainability practices. Focusing on natural textile dyeing on the southern Japanese island of Amami Ōshima, Linton details the complex relationship between preservation practices, resource extraction, and land access in the production of Oshima tsumugi kimono cloth, which uses the indigenous technique of dorozome (or mud-dyeing). As global interest in sustainable fashion grows, textile manufacturers on Amami have expanded from kimono production to dyeing garments and textiles for high-profile designers. While traditional craft may appear at odds with the large-scale global textile industry, Linton reveals how Amamian and global producers face similar social, economic, and environmental pressures. Ethical production in fashion, Linton contends, should focus on understanding local everyday practices that sustain direct relationships between people, place, and environment rather than rely on short-term solutions via new processes or materials. Weaving together ethnography, photography, and illustration, Linton underscores the continued relevance of traditional craft and material cultures amid ongoing climate change and biodiversity loss.

Charlotte Linton is Post-Doctoral Research Fellow at All Souls College, Oxford.

Lucas Tse is Examination Fellow at All Souls College, Oxford.
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*Aboriginal and Torres Strait Islander people should be aware that this episode may contain the name of deceased persons.*

Podcast description: In the final episode of our first season, we sit down with Craig Seinor-Davies about what it means to create meaningful pathways for marginalised groups across our institutions. Craig is a proud Darug man, and the Indigenous Employment Manager here at the University of Sydney. Tune in to hear Craig share his reflections on identity, home, culture, and how his professional experience in community work and supporting at-risk youth through mentoring and holistic support networks influences his work for creating culturally safe and inclusive spaces. We explore what cultural competence and cultural safety look like in practice and unpack the lessons that shape his approaches to equity and inclusion.

Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman

Podcast Artwork: Zein Arif

Resources:

Mental Health Support Services:

For University of Sydney staff: CONVERGE

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Where Saints Show Respect: Mafia, Modernity, and Rituals of Power is an anthropological exploration of how authority is produced not only through violence or secrecy but also through public ritual. Drawing on more than thirty years of ethnographic research in Sicily, Professor Berardino Palumbo turns our attention to saints’ festivals, processions, fireworks, ritual gestures and moments when power becomes visible, tangible, and socially negotiated.

At the centre of the book is the now well-known practice of saints “showing respect”: statues pausing or bowing during processions in front of particular homes or streets. Palumbo treats these not as traditional leftovers, but as modern political acts through which hierarchy, recognition, and moral worth are publicly visible. Power, he argues, is learned not only through fear or coercion, but through piety, celebration, play, and spectacle.

The English edition is translated and edited by Cornelia Mayer Herzfeld. The book opens with a foreword by Michael Herzfeld, who situates it within broader debates on modernity, Europe, and anthropological critique. It closes with an afterword by Jane and Peter Schneider, placing Palumbo’s work in dialogue with the long tradition of anthropological research on Sicily and the mafia, while highlighting what is novel in his approach.

Rather than treating the mafia as a hidden or external force, Where Saints Show Respect shows how it is woven into everyday social relations, religious life, and shared moral worlds. In doing so, the book challenges readers to rethink modernity, not as the disappearance of ritual, but as its reconfiguration.

This is an invitation to look more closely at how power operates wherever it appears festive, familiar, or “traditional” and to ask what makes us see some rituals as political and others not.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.
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The term "commod bod" is used with humor and affection. It also offers a critical way to describe bodies shaped by long-term reliance on U.S. federal commodity food programs.

In Commod Bods: Embodied Heritage, Foodways, and Indigeneity (University of Arizona Press, 2026), Kasey Jernigan shares her ongoing collaborative research with Choctaw women and describes the ways that shifting patterns of participation in food and nutrition assistance programs (commodity foods) have shaped foodways; how these foodways are linked to bodies and health, particularly "obesity" and related conditions; and how foodways and bodies are intertwined with settler colonialism and experiences of structural violence, identity making, and heritage in the Choctaw Nation of Oklahoma.

Organized thematically, the book moves from a critical history of obesity and health in Indian Country to narratives of Choctaw women navigating food, memory, and belonging. Chapters such as "Food and Fellowship" and "Heritage, Embodied" center personal stories that show how food is not only sustenance but also a site of connection, resistance, and meaning making.

Food is critical to cultural survival and affirmation. For Choctaw people, the intentional demise of traditional foodways and dependence on federal food programs are specific experiences that inform part of what it means to be Choctaw today.

Kasey Jernigan is an assistant professor of American studies and anthropology at the University of Virginia, where she also co-directs the Black and Indigenous Feminist Futures Institute. She is a citizen of the Choctaw Nation of Oklahoma.

Caleb Zakarin is the CEO and Publisher of the New Books Network.
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