Kill Holiday - Somewhere Between the Wrong Is Right | 90s Album Review
Kill Holiday, formed by members of San Diego hardcore band Unbroken, made a surprising shift from aggressive post-hardcore to dreamy shoegaze with their 1999 album Somewhere Between the Wrong and the Right. Released on Revelation Records, the album channels British influences like Ride and The Stone Roses, with shimmering guitars and laid-back, melancholic melodies. Despite its shoegaze and Britpop sound, the album resonates with the emotional core of the emo genre, more in feeling rather than form, standing out as a reflective, genre-crossing record from a label known for hardcore.
Songs In This Episode
Intro - Somewhere Between the Wrong Is Right
11:49 - Someday You Will Lose and I Will Win
18:21 - Know You Your Friends Are
Outro - In Closing (Memorial Day)
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37:55
Pavement - Slanted and Enchanted | 90s Album Review
Pavement's 1992 debut album Slanted and Enchanted is a landmark in 1990s alternative music. Featuring cryptic lyrics, jagged guitar riffs, and a laid-back, DIY aesthetic that defined the band's early sound and the emergent lo-fi movement. The low budget recording contributes to its raw and unpolished sound, blending noise rock, pop hooks, and experimental structures with an ear for unusual melodies and hooks. While not everyone's cup of tea thanks to out-of-tune guitars and the unpolished recording quality, even those not familiar or fans of lo-fi might still find something to check out.
Songs In This Episode
Intro - Conduit for Sale!
15:35 - Perfume-V
18:35 - Here (alternate mix)
24:05 - Two States
30:51 - No Life Singed Her
34:57 - Loretta's Scars
Outro - Trigger Cut/Wounded-Kite at:17
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55:23
Squarepusher - Hard Normal Daddy | 90s Album Review
A groundbreaking fusion of drum and bass, jazz, and experimental electronic music, the 1997 album Hard Normal Daddy by Squarepusher showcases Tom Jenkinson’s virtuosic bass playing and intricate programming. Blending frenetic breakbeats with lush, jazz-inspired melodies, tracks like “Coopers World” and “Beep Street” highlight his unique ability to balance chaos and groove, creating an experience that’s both cerebral and rhythmically infectious. Dense and detailed production reward repeated listens revealing new textures and layers bold, resulting in a genre-defying record that pushed the boundaries of IDM at the time.
Songs In This Episode
Intro - E8 Boogie
22:00 - Beep Street
26:03 - Papalon
32:05 - Coopers World
39:22 - Fat Controller
46:06 - Chin Hippy
Outro - Rebus
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1:05:47
Chevelle - Point #1 | 90s Album Review
"Point #1," Chevelle's 1999 debut album, showcases the Chicago-based Loeffler brothers' fusion of alternative metal and indie rock. Produced by Steve Albini, known for his work with Nirvana and PJ Harvey, the album delivers a raw, unrefined sound that captures the band's early energy. Coming in at the end of the decades, it's not surprising to hear similarities to bands like Tool and Helmet, particularly in tracks such as "Skeptic" and "Anticipation," which feature syncopated riffs and dynamic shifts between aggressive and mellow passages. While the album's repetitive structures and lack of big hooks pin this is a debut, , "Point #1" definitely laid the groundwork for Chevelle's evolving sound and hinted at their future success in the alternative metal scene.
Songs In This Episode
Intro - Black Earth
19:08 - Mia
29:32 - Open
37:49 - Anticipation
42:23 - Long
Outro - Peer
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47:57
Thelonious Monster - Beautiful Mess | 90s Album Review
Upon its release in 1992, Beautiful Mess by Thelonious Monster received plenty of critical acclaim yet not the sales or media exposure to launch the band into the new alternative explosion. Lead singer Bob Forrest’s deeply personal lyrics explored themes of addiction, relationships, and self-destruction, not all that different from other bands at the time, but musically the band sounds more in step with Minneapolis bands like The Replacements and Soul Asylum the late 1980s. Featuring a slew of notable names from bands like the Red Hot Chili Peppers, Tom Petty and the Heartbreakers, Porno for Pyros, and more as his backing band, the band succeeds at bringing Forrest's stories to life even if a few lyrics choices didn't stand the test of time.
Songs In This Episode
Intro - Song For A Politically Correct Girl From The Valley
28:33 - Vegas Weekend
35:36 - Body and Soul
39:20 - Adios Lounge
46:57 - I Live In A Nice House
Outro - Bus With No Driver
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Listen to the episode archive at DigMeOutPodcast.com.
Step back in time to the heart of the 1990s, the last great decade of rock music. We’re your weekly time machine to the era of grunge, alternative, indie rock, emo, Brit-pop, shoegaze, power pop, and post-punk.
Our journey includes in-depth album reviews, insider interviews with key figures, and comprehensive cultural discussions. ’Dig Me Out: 90s Rock’ offers a deep dive into the music that defined a generation, providing a diverse range of sounds and stories that continue to influence artists today.
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If you’re a Nirvana, Built to Spill, Elastica, or Radiohead fan or fascinated with how the 90s impacted the sound of your favorite 80s artists, ’Dig Me Out: 90s Rock’ is your go-to podcast. Subscribe now and become part of a community that adores the last great decade of rock music. Let’s relive the 90s together!
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