New Books in Critical Theory

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum.

In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency.

In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman’s “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang.

The transcript lives here as a WordDoc and here as a PDF.

Zac’s book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books.

Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure.

The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America)
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How might a twenty-first-century revolution against class society succeed?

Communism comes from the future, but its hopes haunt our past. Reading revolutionary history from the Paris Commune to the George Floyd Uprising by the light of communist theory, from Marx to C. L. R. James, The Future of Revolution: Communist Prospects from the Paris Commune to the George Floyd Uprising (Verso Books, 2025) illuminates the possibilities for overcoming class society in the twenty-first century.When Marx wrote that the Paris Commune of 1871 showed that “the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes,” he identified a principle that will remain true as long as capitalism and its class antagonism persist. Historical revolutions reveal essential features of our communist horizon, which would-be revolutionaries, then as now, must negotiate one way or another. In chapters that move from a critical history of the workers’ council to a reading of Marx’s theory of value as an inverted description of communism, Jasper Bernes synthesizes from a history of failure the key criteria for success. He defines for our present moment the urgent mission of the world proletariat.

Jasper Bernes lives in Oakland and teaches in the English Department at the University of California, Berkeley. A regular contributor to the Field Notes section of the Brooklyn Rail, he is the author of The Work of Art in the Age of Deindustrialization and two books of poetry, We Are Nothing and So Can You and Starsdown.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
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Panini’s Ashtadyayi is one of the most famous works in Sanskrit, a so-called “linguistic machine” that, through its 4,000 words, allows someone to generate words and grammar. Generations of commentators have tried to figure out exactly how to best interpret the work and explain its various contradictions and overlapping instructions.

Then, in 2022, Rishi Rajpopat, a PhD student at Cambridge, said he’d figured out how to unravel Panini’s work to create a cohesive set of rules–and potentially wiped away centuries of commentary. The announcement made headlines (and led to some grumbling among other Sanskrit professors). That work is now a book—Panini's Perfect Rule: A Modern Solution to an Ancient Problem in Sanskrit Grammar (Harvard UP, 2025)—and Rishi joins us today to talk about it. 

Rishi Rajpopat is Research Assistant Professor in the Department of Philosophy and Religious Studies at the University of Macau. His research on Pāṇini’s grammar has been covered by the BBC, Daily Mail, The Telegraph, the Times of India, The Hindu, and other global news outlets.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Panini’s Perfect Rule. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Altered states of consciousness – including experiences of deprivation, pain, hallucination, fear, desire, alienation, and spiritual transcendence – can transform the ordinary experience of selfhood.

Unselfing: Global French Literature at the Limits of Consciousness (U Toronto Press, 2022) explores the nature of disruptive self-experiences and the different shapes they have taken in literary writing. The book focuses on the tension between rival conceptions of unselfing as either a form of productive self-transcendence or a form of alienating self-loss.

Michaela Hulstyn explores the shapes and meanings of unselfing through the framework of the global French literary world, encompassing texts by modernist figures in France and Belgium alongside writers from Algeria, Rwanda, and Morocco. Together these diverse texts prompt a re-evaluation of the consequences of the loss or the transcendence of the self. Through a series of close readings, Hulstyn offers a new account of the ethical questions raised by altered states and shows how philosophies of empathy can be tested against and often challenged by literary works. Drawing on cognitive science and phenomenology, Unselfing provides a new methodology for approaching texts that give shape to the fringes of conscious experience.

Guest Dr. Michaela Hulstyn is Associate Director of the Structured Liberal Education Program at Stanford University. Her research interests include philosophy and Literature; 20c and 21c French and Francophone African thought, cognitive approaches to aesthetics; global phenomenology; intermediality; decolonization; narrative. In addition to her monograph, she has published articles related to a number of these topics in forums such as Modern Fiction Studies, Philosophy and Literature, and Contemporary French and Francophone Studies: Sites.Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.
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In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge.

Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.
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